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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Operatic Metal, Inc, May 20, 2004
OPERATIC METAL! Sounds like a contradiction of terms, doesn't it? Well, I suppose it was until January 21st of 1997 when, to the best of my knowledge, Operatic Metal was born, created, invented, whatever with the release of Theli. The album Theli was the fifth by the DEATH METAL band known as Therion. This review is about Deggial the fifth release by the reconstituted Therion and the tenth overall. Deggial was released in March of 2000 and is tied with Vovin as my second favorite Therion album. Things are moving along swimmingly. Christofer Johnsson is happy, the record company is happy, the band is happy, the fans, well most anyway, are happy. Of course there had to be a few from the Death Metal days that think, what's that cliche, they sold out. God I wish we could get a few American bands to sell out like this. As you might suspect, with the cash registers chinging and clanging away that the budgets keep getting bigger and the productions are getting more elaborate. Now instead of classical ensembles, full orchestras are used. The Choirs have also grown in size and prestige. Therion (Greek for Beast)is indeed in a state ascending popularity and that is with a minimum impact from America. With an Egyptian theme "Seven Secrets Of The Sphinx" is heavy guitars and choirs with a nice balance between Classisal and Metal. "Eternal Return" being seven plus minutes long, goes through several style and tempo changes including an IRON MAIDENsk sounding portion in the middle which sounds really British, even though the rest again is very tranquil and august. One of the more popular songs on the album, "Enter Vril-Ya" is intriguing because of its simple, but very effective guitar structure and great choir-arrangements, well implemented classical elements and that guitar, which also fits in very well. After that it gets more mellow and classical, with "Ship Of Luna", which has a nifty acoustic guitar/choir part in the middle and toward the end. Next the "Invincible" is a song heavy into the choirs with metal undertones. Then the title song "Deggial" starts out with a twangy distorted guitar before the choir and everybody jumps in. It has a medium slow tempo until the last 90 seconds which is double time. "Emerald Crown" is a medium speed number which has it's moments but seems like standard fare after the other songs. It does have a nice guitar solo at the end. Then we have a short but interesting instrumental. Track 9, "Flesh Of The Gods" sounds almost traditional, with BLIND GUARDIAN's Hansi Kürsch guest singing on vocals accompanied by a Ritchie Blackmore sounding guitar. "Via Nocturna", Parts 1 & 2 begins with slow placid classical passages, the pace increasing and varying between integrated guitars and a variety of arranged choirs, it offers a microcosm of what THERION music is about. And for the end, no make that the pinnacle, we have yet another great highlight, a cover-version of probably the most recognizable classical composition ever "O Fortuna" by Carl Orff, part of his cult-cycle "Carmina Burana", with everything, guitars, keyboards, orchestra and choirs, played with real feeling and equaling the class of the original! Summary: This is a must for all Therion fans and for anyone who has an interest in Classical and or Metal music.
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