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Delights & Shadows [Paperback]

Ted Kooser
4.6 out of 5 stars  See all reviews (33 customer reviews)

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Book Description

May 1, 2004
Winner of the Pulitzer Prize in Poetry

Ted Kooser, who served as United States Poet Laureate (2004–2006), is a poet who works toward clarity and accessibility, so that each distinctive poem appears to be as fresh and bright and spontaneous as a good watercolor painting. He is a haiku-like imagist who imbues his poems with "tender wisdom,” and draws inspiration from the overlooked details of daily life.

Praise for Delights and Shadows:

"Ted Kooser...has a genius for making the ordinary sacred."—The New York Times

"A sense of wonder and compassion runs through this Pulitzer Prize winning volume… Kooser's poetry is understated yet manages to skillfully illuminate the small moments of life."—Christian Science Monitor

"[Kooser] brushes poems over ordinary objects, revealing metaphysical themes that way an investigator dusts for fingerprints. His language is so controlled and convincing that one can't help but feel significant truths behind his lines."—The Philadelphia Inquirer

"There is a sense of quiet amazement at the core of all Kooser's work, but it especially seems to animate his new collection of poems, Delights & Shadows. Every delight is shadowed by darkness in this book of small wonders and hard dualisms."—Edward Hirsch, The Washington Post

"Delights and Shadows is a book with a deep stillness at its center, perfectly self-contained."—Carol Muske-Dukes, Los Angeles Times

"Kooser's ninth collection of poems reflects the simple and remarkable things of everyday life. That he often sees things we do not would be delight enough, but more amazing is exactly what he sees. Nothing escapes him; everything is illuminated….Highly recommended."—Library Journal

"Few poets depict the Midwest so accurately or with such tender regard... Kooser excels at the brief, imagistic poem."—The Kansas City Star

"Delights and Shadows raises the voice of the poet above everything else. Each short, vivid poem on the page reads as if it were being spoken aloud. Details about cemeteries, dictionaries, a doctor's waiting room, and a jar of buttons bristle with sound and awareness. Kooser's ability to use brief lyrics to compose a music of discovery and regeneration makes his work radiant and consuming... This is not an extended, complex or experimental kind of writing, but poetry that rings true, allowing the human sound of being to exist on the page."—Bloomsbury Review

"Here is the gift and fragility of life."—The Wichita Eagle

"Kooser is a master of the subjective description. Empathetic without sentimentality, his eye ranges over all sorts of everyday subjects and finds material everywhere… wherever the unpredictable particularity of the world can be glimpsed… Perhaps Kooser’s success lies in his determination to see the… things of this world with such clarity and passion that their underlying mysteries, delights, and shadows also become clear, if only for a moment."—The Georgia Review

"You can almost see Kooser behind the poems, watching the world like a sketch artist… Kooser displays the same kind of fluid strokes Degas used in his ballet pictures...He is an exquisite miniaturist of daily life."—The Hartford Courant

"The poet finds magic in activities and objects typically considered mundane... Metaphors are the treasure of these short, imagistic poems, emphasizing the wonder and delight latent in what is often merely taken for granted."—Harvard Review

"Kooser has written more perfect poems than any poet of his generation." —Dana Gioia

"Kooser is straightforward, possesses an American essence, is humble, gritty, ironic and has a gift for detail and a deceptive simplicity."—Seattle Post-Intelligencer

As Poet Laureate of the United States, Ted Kooser launched the weekly poetry column "American Life in Poetry," which appears in over 100 newspapers nationwide. He is the author of ten books of poems, including the collaboration with Jim Harrison, Braided Creek: A Conversation in Poetry (isbn 9781556591877).


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Editorial Reviews

From Booklist

Like Kentucky's Wendell Berry, Kooser is a poet of place. But just as Kooser's eastern Nebraska is more modestly impressive than Berry's lush, riverine Kentucky, Kooser's poetry is more restrained than Berry's. Kooser is less big-C culturally concerned, less anxious about the destiny of nation and world. Kooser carries religion far more lightly; he envisions faith passing as casually "from door to door" as a pair of plaster or plastic "Praying Hands" en route to "every thrift shop in America." Having survived a major health crisis, Kooser is warier of death; in "Surviving" he writes of "days when the fear of death / is as ubiquitous as light," extending even to the ladybird beetle, paralyzed when "the fear of death, so attentive / to everything living, comes near." Though he focuses as often as Berry on memories, Kooser is less historically and more personally conscious in his poems of recollection. And Berry has come up with no finer metaphor than that of Kooser's "Memory," in which recall is a benignly ruthless tornado. Ray Olson
Copyright © American Library Association. All rights reserved

About the Author

As Poet Laureate of the United States, Ted Kooser launched the weekly poetry column "American Life in Poetry," which appears in over 100 newspapers nationwide. He is the author of ten books of poems, and won the Pulitzer Prize for Delights & Shadows. He lives in Nebraska.

Product Details

  • Paperback: 96 pages
  • Publisher: Copper Canyon Press; 1st edition (May 1, 2004)
  • Language: English
  • ISBN-10: 1556592019
  • ISBN-13: 978-1556592010
  • Product Dimensions: 9 x 5.5 x 0.3 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #66,671 in Books (See Top 100 in Books)

More About the Author

Ted Kooser was the United States Poet Laureate from 2004 to 2006 and won a Pulitzer Prize for his book of poems DELIGHTS AND SHADOWS. He is the author of twelve full-length volumes of poetry and several books of nonfiction, and his work has appeared in many periodicals. This is his first children's book. He lives in Garland, Nebraska.Barry Root has illustrated many books for children, including THE CAT WHO LIKED POTATO SOUP by Terry Farish and THE BIRTHDAY TREE by Paul Fleischman. He lives in Quarryville, Pennsylvania.

Customer Reviews

Ted Kooser's Delights and Shadows is a very intimate look at us - one I strongly recommend reading. Rose Van Allen  |  14 reviewers made a similar statement
The poems are concise and written in that plainspoken style Kooser has perfected. adead_poet@hotmail.com  |  6 reviewers made a similar statement
A wonderful collection from a poet truly worthy of being U.S. Poet Laureate. Charles M. Nobles  |  4 reviewers made a similar statement
Most Helpful Customer Reviews
66 of 71 people found the following review helpful
Format:Paperback
The Librarian of Congree named Kooser U.S. Poet Laureate on August 12th for a one-year term beginning in October, 2004. He is a retired life insurance executive who lives on an acreage near the village of Garland, Nebraska, northwest of Lincoln. He has published ten books of poetry and won numerous awards including two National Endowment fo the Arts fellowships in poetry, the James Boatwright Prize, the Pushcart prize, the Stanley Kunitz Prize, a Merit Award from the Nebraska Arts Council and the 2001 Nebraska Book Award for poetry.

This is his latest effort and a perfect example of his talent for writing poetry that is accessible, inviting, familiar and ordinary in a most extraordinary way. There are no tricks, no intentional obscurities, no academic machinatins or clever slights of hand in his work. Instead, what you get is his observation of people, places, and events that make up our everydday life in an ordinary world all done in a way this is frest, illuminating, and ultimately Oh, so familiar. Using what poet Randall Jarrell calls "the dailiness of life," Kooser combines the past and present to remind us of, ultimately, the worthiness of existence.

For example, in the poem"A Winter Morning," Our attention is called to the light in a farmhouse window viewed from the highway that we have all seen in one form or another.

"A farmhouse window far back from the highway

speaks to the darkness in a small, sure voice.

against this stillness, only a kettle's whisper,

and against the starry cold, one small blue ring of flame."

His poem "Necktie" is delightful, implies familiarity that is somehow new and important, and indicative of the wonderful verses throughout the book.

"His hands flutter like birds,

each with a fancy silk ribbon

to weave into their nest,

as he stood at the mirror

dressing for work, waving hello

to himself with both hands."

In all there are fifty-nine poems ranging from his father, mother, casting reels, garage sales, death, memory, a new cap, and a host of commong things and daily events that will remain in your memory, and heart, long after you finish the book...if you ever do.

Kooser is truly a poet of the people. He gives voice to the heartland and is described by Librarian of Congress James H. Billington as "...a major poetic voice for rural and small town America..." whose "...verse reaches beyond his native region to touch on universal themes in accessible ways."

A wonderful collection from a poet truly worthy of being U.S. Poet Laureate.
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58 of 65 people found the following review helpful
4.0 out of 5 stars Kooser's More Than Meets The Eye March 1, 2005
Format:Paperback
So much is made of Ted Kooser's talent for exposing the extraordinary within the mundane that it is a wonder he hasn't become poetry's equivalent to a typecast Molly Ringwald, fleeing to Paris for a new identity. We hear from Poetry magazine that Kooser "documents . . . daily life"; from a description on his latest book's back cover that he "reveals the remarkable within an otherwise ordinary world" and from his friend Jim Harrison, who remarks on Kooser's "genius" for - surprise! - "making the ordinary sacramental."

Such constant praising of this narrow aspect of Kooser's wider achievement turns it into a kind of shtick, like Philip Levine's factory smoke. It is characteristically American to exploit any decently popular cultural marvel into something so familiar that its most visible representatives grace every cereal box and billboard from Seattle to Key West. I am not betting that Kooser will be the next spokesman for Wheaties - the days of Robinson Jeffers appearing on the cover of Time magazine are long behind us - but I am daring to suggest that there is more to Kooser's work than sacramental mason jars.

Sure, Kooser doesn't exactly help things with titles such as "Cosmetics Department," "A Jar of Buttons" and the exhilarating "A Spiral Notebook" (I wonder what that one's about?) but perhaps he is content with his given status as Hero of the Daily World. That's fine; who wouldn't be? In Delights and Shadows, however, I see more. I see that what Kooser does is less significant than how he does it; that amid such elusive simplicity as these poems command are more complicated emotions, the secret stories of well-lived lives, and a poet behind the scenes who understand exactly what buttons to push to let the reader into them.

Kooser's poems reveal a mastery of gesture and detail that rivals the flawlessness of James Wright's "A Blessing." Simple gestures in poems such as "At the Cancer Clinic" or the gorgeous "Gyroscope" raise the work to a level of sensuousness that is nothing short of hypnotizing. The plainest verbs capture the most vivid and lively scenes. In "At the Cancer Clinic," two women help their sister through the clinic doors, and "Each bends to the weight of an arm / and steps with the straight, tough bearing / of courage." In "Gyroscope," we hear rumors of "the world beyond / the windows slowly tipping forward / into spring."

Even more captivating is Kooser's patient, exact description; how he pauses at every detail to ensure that it is brought to such life as to exist at the edge of the reader's fingertips, as in the description of a painting in "At the County Museum":

Blacker than black, the lacquered horse-drawn hearse,
Dancing with stars from the overhead lights,

Has clattered to a stop, but its waxy panels
Are dusted each morning, as if it might be summoned

Back into harness, to be hauled once again
Through the wake of matched horses, the sweep

Of their tails, its oak spokes soberly walking,
Each placed squarely in front of the next

Along pinstriped rims that carefully unreeled
Hard ruts the wheels could follow home.

Kooser's new book includes many of these museum visits, reports of paintings that are as vibrant as Mary Cassatt's box of pastels, so vivid and precise as to step inside the paintings themselves. Kooser's knack for poems on painting comes full circle in a delicate series of poems called "Four Civil War Paintings by Winslow Homer," poems that occasionally indulge in the irresistible temptation to write poems about writing poems. "Some part of art is the art / of waiting," the speaker reflects in "Sharpshooter," "the chord / behind the tight fence / of a musical staff, / the sonnet shut in a book." The best in the series, "The Veteran in a New Field," underscores what power Kooser commands when he allows verbs to speak for themselves:

His back is turned to us, his white shirt
the brightest thing in the painting.
Old trousers, leather army suspenders.
Before him the red wheat bends,
the sky is cloudless, smokeless, and blue.
Where he has passed, the hot stalks spread
in streaks, like a shell exploding, but that is
behind him. With stiff, bony shoulders
he mows his way into the colors of summer.

For the most part, Kooser's poems are short, tightly wrapped things, as though gushing towards a final reflection from the poem's very first word. Such weight is placed on these concluding observations in which Kooser wraps so many poems that they occasionally buckle under the pressure and risk mawkishness. That a student crawling "out of the froth / of a hangover and onto the sand of the future" is "heavy with hope" seems less certain than the "length of common grocery twine / upon which smoothly spins and leans / one of the smaller worlds we each / at one time learn to master, the last / to balance so lightly in our hands."

An element of believability is lost in these otherwise persuasive poems when Kooser fuses his final lines with so much of the poem's burden. Like most omniscient narrators, the one reporting on the lives of the people and places in these poems imposes on the subject at times: suggestions that an older man whose flabby arm exposes the faded tattoo of former lives has "a heart gone soft and blue with stories," for instance, or "all the shuffling magazines" that "grow still" because the speaker commands "Grace" to fill "the clean mold of this moment" at the cancer clinic.

Yet Kooser's understated style manages to overpower this tendency toward the melodramatic or his adoration of such poeticized words as "shadow" and "dust." Though Kooser overreaches for affect at times, at least he waits until the final few lines that conclude a sustained series of perfectly chosen verbs from his spare lexicon of awe, a vocabulary restrained enough to allow readers the necessary participation. Like Denise Levertov or Nazim Hikmet, there is often a playful sense of wonder at the human experience that sets these poems apart from the more self-conscious work produced by many of his contemporaries.

Even more than Kooser's overexposed talent for rending the miraculous from the mundane is this success at considering something larger than the self or its immediate experiences. Plenty of poets have managed to make poetry out of ordinary things, and while Kooser may be one of the best, what really sets him apart is this ability to look outward with an eye perceptive enough to see where the stories are, like some extraterrestrial assigned to report on earthly life to the inhabitants of another planet.

[...]
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22 of 24 people found the following review helpful
5.0 out of 5 stars kooser's best book October 6, 2004
Format:Paperback
I think Kooser's latest book is his best book yet. The poems are concise and written in that plainspoken style Kooser has perfected. And Kooser speaks a poetic language we can all understand. There are five poems that really stand out in the collection. "Tattoo" deals with the fading and aging not just of a man's tatoo, but in a way, of man himself. It's a simply elegant poem. "At the Cancer Clinic" is perhaps the finest poem in the book. Very elegant. Very simple. And wonderful. "A Rainy Morning" compares the operation of a wheelchair with the playing of a piano, which is a fresh and vibrant metaphor, at least in Kooser's hands. "Memory" is atypical of Kooser. It is longer than most of his poems and is one marathon sentence that employs more poetic tricks than one is used to seeing in his poetry. But it suceeds and very well. And finally "Mother" which I think you can only appreciate by reading. Kooser's poems speak (much like his predecessor Billy Collins) to the common reader. That isn't to say that his poems aren't worth rereading. You gain much by revisiting a Kooser poem. He is one of the best writing today.
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Most Recent Customer Reviews
4.0 out of 5 stars Good poems - not enough
Ted Kooser's totally approachable poetry is a pleasure to read. Seemingly very simple poems, read slowly and ponder while offer many pleasures. Read more
Published 1 month ago by June Calender
5.0 out of 5 stars Beautiful!
Ted Kooser was Nebraska's poet laureate for good reason. His poems are simple, true, real, and memorable. Nothing pretentious about this man or his carefully crafted words. Read more
Published 2 months ago by candykean
5.0 out of 5 stars great lyrical, plain-spoken poetry from a current poet
Very accessible poetry.
Not the 'academic intellectual diction' that trys to impress.
Poetry for you and me.
Worth way more than its price.
Published 3 months ago by Mary Rice
5.0 out of 5 stars I adore this book!
This book was fantastic! I loved the poetry! Ted Kooser has a knack for seeing the world with a poetic eye, and I really appreciated his ability to capture those images in his... Read more
Published 3 months ago by Melissa Schleicher
3.0 out of 5 stars Ted Kooser's poetry touches me.
I find Delights and Shadows a valuable and delightful collection of Kooser's work. His poems are "short and sweet" -- his imagery never fails. Read more
Published 3 months ago by Jeanne F. Taylor
5.0 out of 5 stars Exceptional
Ted Kooser is a master. He sees the extraordinary in the ordinary and writes about it in poetry that leaves me breathless.

Highly recommended!
Published 15 months ago by Beth Hoffman
4.0 out of 5 stars Delights & Shadows by Ted Kooser
Deligts & Shadows is a good primer for anyone looking to get a sense and voice of comtempory poetry, Poet Laureate, Ted Kooser. I look forward to reading more of Mr. Read more
Published 21 months ago by dssilva
2.0 out of 5 stars Are you kidding me?
I have to confess that although well educated, I have never been able to embrace poetry. With that as a premise, my daughter had this assigned for summer reading and of course, I... Read more
Published on August 10, 2009 by Regis E. Staley
5.0 out of 5 stars The clear speaking clear thinking poet
This is clear- speaking clear- thinking poetry. Kooser advocates communication in poetry. He advocates thinking about the needs of the reader. Read more
Published on September 22, 2007 by Shalom Freedman
5.0 out of 5 stars LOVE IT
Ted Kooser is awsome.

His work is really simple to read and understand yet it has a deeper meaning.
Published on June 8, 2007 by J. Demeo
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