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When it comes to deep, dirty, down-home blues, Son House is the man. One of the "big three" of Delta blues (the others being
Charley Patton and Willie Brown), House was the spiritual father of
Robert Johnson. Ironically, House's only commercial recordings were a handful made in 1930. Luckily, Library of Congress folklorist Alan Lomax found him in 1941 and, over the next year or so, recorded some of the most stunning blues ever to be waxed. The sessions were, to say the least, informal. For instance, a locomotive can be heard rolling by as Son performs "Shetland Pony Blues." He is joined on some of the sides by Willie Brown, as well as mandolinist Joe Martin and harp man Leroy Williams. However, it is his solo sides that really stand out. Two of the cuts, "American Defense" and "Am I Right or Wrong," are rare examples of House as sentimental balladeer. Son House didn't so much play a guitar as assault it. And as for his voice, it is no overstatement to say few, if any, have ever matched him for sheer emotional intensity.
--Lars Gandil
Rolling Stone, Allan Wood
His deep voice, whether shading slightly for nuance or growing from a subtle hush to a majestic holler, is one of the best the blues ever heard. ...essential.