Delta Blues

Son House | Format: Audio CD

Product Details

• Audio CD (July 15, 2003)
• Number of Discs: 1
• Label: Shout Factory
• ASIN: B00009ZYDE
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #228,558 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

8 of 9 people found the following review helpful:

5.0 out of 5 stars Some of the best field recordings I have ever heard!, April 13, 2005

By 

Brian Kerecz (PA, USA) - See all my reviews
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This review is from: Delta Blues (Audio CD)

These were field recordings made by Alan Lomax in 1941 and 1942 for the Library of Congress of Son House. The setting was extemporaneous and you can tell this is true in two of the songs(Walking Blues, Shetland Pony Blues) when you hear a locomotive in the background, as they were recorded in a local general store (Klack's) in Cormorant, MS. Son House was one of the earliest blues players, and some might argue (as I would), that he was also the most influential, playing with Charlie Patton and Robert Johnson before Robert Johnson went off on his own to make his own famous recordings. These recordings, outside of the Paramount sides recorded in 1930, are the only true "original" recordings we have of Son House in his prime......his 60's recordings are basically these 20 years later. And as a sidenote, it should be noted that Son House stopped playing after some of his contemporaries started dying (Charlie Patton, Robert Johnson), and he thought he would be next! So he put his guitar down after these 1942 recordings and did not play again until he was rediscovered in the 60's living in New York state.

5 Stars for the songs; and fewer stars for the background information provided in the booklet. I was hoping for more information about Son House and his life around the time of these recordings but unfortunately little background information is provided.

Regardless, this is an outstanding collection of some of the earliest (and most raw) of the Blues ever recorded. Highly recommended.

4 of 5 people found the following review helpful:

4.0 out of 5 stars Powerful Field Recordings from the Forties, December 30, 2003

By 

Steve Vrana (Aurora, NE) - See all my reviews
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This review is from: Delta Blues (Audio CD)

Eddie James "Son" House was born in 1902, and began his recording career in 1930 with the help of Charlie Patton. He would not record again until 1941 and 1942, when Alan Lomax made these field recordings for the Library of Congress. On the first five tracks (recorded in August 1941), House is assisted by his old partner guitarist Willie Brown, along with Fiddlin' Joe Martin and Leroy Williams. These tracks were recorded in a country store right next to the railroad tracks--and if you listen closely, your hear the steam locomotive on "Walking Blues" and "Shetland Pony Blues." The remaining tracks are from the following summer. On these, House performs solo. House is a powerful singer and his guitar playing was an influence on Muddy Waters and Robert Johnson. Any serious blues collection should have some Son House in it, and while his Sixties work during the folk revival may have been better recorded, these tracks contain a raw power that can't be denied. RECOMMENDED

6 of 10 people found the following review helpful:

5.0 out of 5 stars Listen and Learn. Son House is for Real!, March 3, 2004

By 

Tony Thomas (SUNNY ISLES BEACH, FL USA) - See all my reviews

This review is from: Delta Blues (Audio CD)

Even if he hadn't influenced anyone, even if historically he was a 19 year old kid from Shirley, Long Island, even if this recording at just been waxed last night, this is good, essential blues listening, you won't want to stop listening, you wont stop seeing the scenes of the blues that the songs make, you won't stop swaying at the power and swing of his guitar playing and singing. On here, my song is Preachin the Blues. I know you will have yours.

Son House taught Robert Johnson the slide blues. Son House taught Muddy Waters. When Son House started performing at Blues festivals again in the mid 1960s, some of Muddy's younger band members would start to go off for a smoke or whatever when the old man came on stage. Muddy wouldn't let them. Muddy Waters would tell all his band members to be quiet and pay attention when the man played because even compared with Muddy, this was the real deal.

Rediscovered in Rochester, New York, relearning to play the guitar, (how this country abuses the masters that come from its people, particularly its Black people), put back on the stage by the folk revival's blues section, House made recordings that reproduced his old masterpies, with a wrier sense of meaning than before.

People outside of the blues life focus on the guitar playing or the rhythm of the singing, but where the power comes from is the feeling and the words that are put together, the life and the meaning of the blues. Son House in his youth and his old age, on this and his other sides, always gave it.

So Like Muddy Waters, I would like you to know that
Son House is the real deal.
Listen and learn