From Publishers Weekly
Fisher ( Surrender the Pink ) is up to her usual schtick: analyzing the dynamics of a love affair gone sour. It all works fairly well, as long as the narrator, pregnant Hollywood script rewriter Cora Sharpe, doesn't get carried away with her own clever quips. Mildly concerned that she won't survive labor, Cora is writing to her unborn child. Between these piquant scribblings, the narrative backtracks to events leading up to Cora's pregnancy, including a pivotal phase in the relationship with her ex-boyfriend Ray, the expectant father . When a friend with AIDS moves in with them, Cora's efforts to ease his final days demonstrate to Ray that he is not her top priority. Exit Ray, and enter some wacky and not-so-convincing plot twists focused on Cora's flamboyant mother ("To label her eccentric would be a disservice to the words," Cora remarks). Scenarios built around this show-bizzy grandma-to-be, whose "heartfelt delusions" give the book its title, lack the conviction of earlier chapters. Still, Fisher's nonstop pithy dialogue and opinionated heroine make this a lively, witty read.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
With tongue in cheek, Fisher delivers another of her seriocomic novels ( Postcards from the Edge, LJ 8/87; Surrender the Pink, LJ 7/90) that seem to mirror her various lives: Hollywood brat, actress, screenwriter. Add mother to the mix, and you have her latest plot, about a screenwriter whose love affair coincides with a friend's dying of AIDS and who finds herself pregnant after the affair ends. The narrative combines letters (not too many) to her unborn daughter (she is convinced she is having a girl) with introspective monologs and dialogues with friends. (As Cora/Carrie notes, she has her friends, her talking, and her work--where is there room for a man?) The novel is full of the throwaway one-liners for which Fisher is known, both in her films and her writing, and perhaps that's the problem with it: it is ultimately a book one can read and forget as quickly as a one-liner. Only for fans. Previewed in Prepub Alert, LJ 7/1/93.
- Francine Fialkoff, "Library Journal"Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.