Demian [Paperback]

Hermann Hesse (Author)

Book Description

Publication Date: June 29, 2009

"An Existentialist intensity and a depth of understanding rare in contemporary fiction." A Classic Novel About the Pursuit of Personal Fulfillment A brilliant psychological portrait of a troubled young man's quest for self-awareness

Editorial Reviews

Review

"An Existentialist intensity and a depth of understanding rare in contemporary fiction." -- Saturday Review --This text refers to an out of print or unavailable edition of this title.

Language Notes

Text: English (translation)
Original Language: German --This text refers to an alternate Paperback edition.

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Product Details

• Paperback: 114 pages
• Publisher: BN Publishing (June 29, 2009)
• Language: English
• ISBN-10: 1607960184
• ISBN-13: 978-1607960188
• Product Dimensions: 6 x 0.3 x 9 inches
• Shipping Weight: 4.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (140 customer reviews)
• Amazon Best Sellers Rank: #728,486 in Books (See Top 100 in Books)

More About the Author

Hermann Hesse (1877-1962) was born in Germany and later became a citizen of Switzerland. As a Western man profoundly affected by the mysticism of Eastern thought, he wrote many novels, stories, and essays that bear a vital spiritual force that has captured the imagination and loyalty of many generations of readers. In 1946, he won the Nobel Prize for Literature for The Glass Bead Game.

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#33 in Books > Literature & Fiction > Classics

#33 in Books > Literature & Fiction > Classics

Most Helpful Customer Reviews

44 of 46 people found the following review helpful

5.0 out of 5 stars A MAN WITH SOMETHING TO SAY March 17, 2005

By Meyrink

Format:Paperback

In Demian Hesse relates the spiritual struggle of one Emil Sinclair, the growth of his psyche (utilizing symbolism influenced by Hesse's embrace of the psycho-analytic methods of Carl Jung, the mystical writings of Novalis and--inevitably, as in many of Hesse's other tales--the philosophy of Nietzsche) from childhood through adolescence to young adulthood, each stage of his growth determined by encounters with the prodigious Max Demian. While Max Demian is introduced into the narrative as a school-mate of young Sinclair, the title character is more an alter-ego, the very Self toward whom Sinclair ultimately strives, than a "flesh and blood character"--but, then again, Demian itself is more a symbolic dream tale than a concrete "coming of age" story (when I originally read the book as a sixteen-year-old high school student, I took much of the action much too literally, oftentimes to hilarious effect--as when I imitated the narrator and sketched a portrait, burned it and swallowed the ashes, an act I see now in my middle age quite other than the sort of contemplation Hesse intended to inspire).

The novel presents one of the finest depictions to be found in all of literature of a certain sort of conflict: the struggle between the individual, whose spiritual growth posits him as an Outsider to bourgeois society (Demian describes these as having "the mark of Cain"), and the herd, the common run of humanity who seek not growth but unreflective contentment. At the same time, it is also important to remember that while Hesse depicts the progress of one individual, he is also speaking for his own generation--specifically, that of Germany on the eve of the first World War--and indeed, upon first being published, the novel did resonate with a large portion of the young German reading public, who identified with Sinclair's striving for Self and his battle against conformity.

It is little wonder that Hesse would later connect with a similar generation on an even larger scale--those who grew up in the Sixties, who also found in Hesse a voice for their generation, in this case that of the counter-culture. This association would prove to be a double-edged sword: while Hesse's popularity in the Sixties did bring his works to the attention of a larger reading audience, the brilliant timelessness and universality of his works would be superficially obscured by associations with that era. In fact, like all of Hesse's greatest works--Siddhartha, Steppenwolf, Klingsor's Last Summer, Journey to The East, Knulp, Narcissus and Goldmund--Demian is essential reading for any generation, 20th Century, 21st Century: the struggle for individuality is the same, and Hesse's masterful, poetic description of that struggle speaks to all, young and old.

One last thing: adolescent readers who do choose to read Demian will find in Hesse a friend for life; should one return again and again to his fictions one will find further and further rewards, will understand more and more. The truth of this I can confirm: the Demian I read at 16 is different from the Demian I read at 25 or 30 or 40. The beauty of Hesse's writing, his great wisdom, remain not only undiminished but even strengthened; works like Demian will continue, over an individual`s lifetime, to provide an unique and invaluable inspiration.

152 of 171 people found the following review helpful

5.0 out of 5 stars Brilliant but often misunderstood October 17, 2000

By Amazon Reviewer

Format:Library Binding|Amazon Verified Purchase

Hermann Hesse is without a doubt one of the most intriguing writers I have ever read. However, when reading reviews and hearing other people's opinions, I usually feel that peopl misunderstood what he is like and what his character represents. This is particularly the case with Demian. This book is often described as a great insight into what it is like going from child to teenager and then entering the adult world. However, I believe that Sinclair, the main character, is not entering the normal world on any level. In fact he is leaving it. The first time he meets Demian, both know there is something different about him. As their friendship/relationship grows, it become smore and more clear that they should not be part of the normal world, where people to choose to be part of a group, to share a religion, to accept the truth as it is told to them. Demian shows sinclair a new world, where people of a higher intelligence, and by that I am referring to more than simply an academic intelligence, will find each other. Those who are different, who choose to be individuals instead of be part of the the main stream mass meet, are Hesse's version of the ubermensch. Where Nietzsche claims that all men can let go of the standards and morals of our society, their religion, their need to be part of a group, can focus on themselves and become better, become the ubermensch, someone who is above all others, someone who is not alone in his existence, but who is alone in his own life, Hesse contradicts this with an ubermensch who is born different, someone who will find others like him, someone who will has a clear vision of what people are like and who he is, an individual, an ubermensch. Hermann Hesse's Demian is not at all about growing up, or understanding "how the world works", Hesse is not for the average reader, but he will only be understood by those who understand themselves and can see themselves as individuals instead of part of the mass. On a more personal note: The very strong homosexual tendencies in this book intensify the emotional appeal of the book and are also simply satisfying.

61 of 66 people found the following review helpful

4.0 out of 5 stars After Forty Years July 14, 2004

By Gregory Bascom

Format:Paperback

This story considers the evolving, somewhat troubled psyche of a German youth, Sinclair, as he matures during the decade prior to WWI. The analysis of Sinclair's turmoil purportedly reflects the European or German moral malaise at the time.

As a prepubescent boy, Sinclair recognizes the realm of good and light, symbolized by his God fearing parents and innocent younger sisters, as separate from the realm of evil and dark, symbolized by Franz Kromer, an older, opportunist who extorts Sinclair into fibbing and petty thievery. Another older boy, Demian, rescues Sinclair from Kromer's clutches, and then sows a new perception of the light and dark realms with an inverted interpretation of the parable of Cain and Abel. Demian perceives the mark on Cain's forehead not as a curse, but as a badge of courage, character and power.

Tainted by his experience with Kromer, Sinclair cannot entirely reject Demian's heroic characterization of Cain, and Demian nurtures this upset of clarity, muddling Sinclair's once clear distinction between the realms of good and evil. Demian then plants the alternative perception that the individual must delve into the self to discover his peculiar fate and destiny, a unique purpose apart from the mundane consensus, the mores of the hoard. Hesse then projects Sinclair's turmoil into a characterization of, or perhaps a reflection of, the mass psyche of prewar Europe.

I first read "Demian" forty years ago, shortly after years of total immersion in university studies. Then younger and perhaps arrogant with intelligence, I felt armed and charged for the uncertain challenges ahead.

For some reason I saved "Demian," packed it away along with my complete set of Ayn Rand's novels, trig tables and "100 Master Games of Modern Chess." "Demian" moved with me around the States, to Asia, and then to Latin America, getting old, wrinkled and as shelf-worn as I. Whenever I packed or unpacked my stuff "Demian" was there, although Ayn Rand and my trig tables had wandered away.

I forgot, long ago, why I saved "Demian," why I did not shuck it off along with my other old skins. I remember only that I intended to read it again. Now older and perhaps humbled by ignorance, I finally did, but I didn't discover precisely why I kept "Demian." The half-dozen marginal marks I made forty years ago do not score insightful premonitions of my life as I remember it. Still, I cannot argue with Hesse's pretended muddle of good and evil, or with the notion of Cain in light rather than dark. Looking back, whatever I saw in "Demian" forty years ago is not too far from how it played out.