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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Impending sense of doom, September 30, 2005
In the Western world it's December 1517, but in the Aztec capital of Tenochtitlan it's Thirteen Grass in the year Twelve House and a big day of human sacrifices. Pricey, pampered slaves or captives will be sacrificed to nourish the war god, and those lucky enough to be allowed to sponsor a sacrifice are dressed up in their showiest cloaks, jade nose plugs and ear studs. They follow the slaves up the pyramid, boosting their courage by chatting about what fabulous eternities the victims will enjoy post-sacrifice.
Yaotl, slave to a chief minister, has the job of escorting a sacrifice up the pyramid-an ordinary enough task for someone who used to be a priest--but the fellow he's escorting is acting a little strange. The day gets worse when the victim pre-sacrifices by jumping off the pyramid after shouting for everyone to look for the big boat. Yaotl is blamed for the disgrace and is charged with finding out what the suicide and warning were about.
Where the Aztec world in Gary Jennings' "Aztec" was a strange as science fiction, "Demon" author Simon Levack expresses Yaotl's society with a naturalness reminiscent of Mary Renault and Steven Saylor. What Aztecs ate, wore, thought, played, and prayed are nicely built into the narrative, and for the most part he avoids the jokiness that mars too many mysteries set in the ancient world (perhaps there is something intrinsically less funny about a society based on human sacrifice and ceremonial cannibalism). The opening sacrifice scene is a fine example of black humor, but then the Aztecs saw nothing extraordinary about sacrifice days, and, well, some just went better than others.
This is the first in a planned series featuring Yaotl, and it will be interesting to see how Levack handles the approach of the Spanish conquistadors whose arrival is already sensed across the Aztec empire. This gives a nice little undercurrent of tension to everything in the story, and it's a smart move to choose a time period with built-in suspense. I presume it was a conscious decision-a lot about the novel seems consciously selected to sustain a series-but still, it is interesting, it is different, and "Demon of the Air" is a good read.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Debut offers convincing Aztec setting, resourceful hero, and wry, colorful prose, November 30, 2005
British author Levack plausibly recreates the blood-soaked atmosphere of 1517 Aztec Mexico in this absorbing debut. The book opens on the grisly spectacle of a major festival, when merchants are permitted to dress in finery and escort their purchased sacrifices up the Great Pyramid to their "Flowery Death."
But narrator Yaotl, slave of Emperor Montezuma's chief minister, and the peasant Handy are all that remains of the procession for the merchant Ocotl's sacrifice. The victim, who seemed even more dazed than the other drugged sacrifices, had broken away from the procession, shouting, "Look for the big boat!" and leapt to his death. Yaotl and Handy, trying vainly to keep the body propped upright, drag it to the war-god priests and only Yaotl's quick thinking keeps them from being sacrificed in the dead man's place.
The scene is as blackly funny as it is alien. "Never acquired the taste myself," Handy remarks as they are given the man's butchered limbs. "I know it's polite to have a mouthful if someone from your parish brings home a captive, but give me a slice of dog any day."
Montezuma, plagued by visions and strange news of white men among the Mayans (the first Spanish expedition has landed and in 1519 Cortés will enter the Aztec city) demands Yaotl's account and sends him on a mission to find the soothsayers who have disappeared from the prison he had banished them to after their unsatisfactory prophecies. To fail is to die, but Yaotl's master seems to have different plans for him, with a similar possible outcome.
Yaotl, who reveals bits of his back-story throughout the narrative, is a resourceful, determined fellow with a sardonic sense of humor. The Aztec setting is convincing, strange and thoroughly human even in its religious savagery. Levack provides a suspenseful plot with some neat twists and his writing is lively and colorful. An auspicious debut.
--Portsmouth Herald
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
Stronger on atmosphere than on plot, November 13, 2006
It is 1517 in the Aztec Empire ,in what is now Mexico.Its absolutist ruler ,the Emperor Montezuma ia a worried man .His sleep is troubled by visions of bearded men from another country who seem fated to depose him and rule the land in his stead .When Yaotl ,a slave of his chief minister ,is sent to escort 2 slaves to their death as sacrifices in a religious rite ,one breaks free and proclaims that doom is coming to the realm .Not only that but 2 soothsayers arrested by the Emperor have escaped from prison and the paranoid ruler fears the events are connected ,He appoints Yaotl-a former priest -to investigate the disappearance of the soothsayers .This places Yaotl in an invidious position as his owner ,the Chief Minister ,is anxious that any connection between these events is not discovered
In order to solve the problem Yaotl must delve back into his own family background
The historical research that has gone into the book is impressive and the author wears his immense erudition lighly ,The book also benefits from exploring a time and place not previously treated of in historical crime fiction .However ,for me the book is simply too long and the plot too convoluted for the book to truly hold my attention .It may well be these are simply down to the problems of a first time novelist .The book would have benefitted from some judcious editing and the work is simply too plodding for my taste.Others will disagree and the book did win a CWA award for Best Debut Novel .
Lovers of the history with mystery school and /or devotees of the Aztec era will like it more than I did
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