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Unlike their live shows and past Mammals albums, there is no traditional music on this album. There arent really any foot-stompers. And the politics, while still present in many of the songs, are more subtle, lurking powerfully below the surface. While you can still catch the bands folky roots showing through in parts, the new album features noticeably more rock moments. "Departure could easily get put in the rock section of a record store, yet the instrumentation of the band hasnt changed much," says Tao Rodriguez-Seeger. "We added some organ sounds and a few electric guitar overdubs, but for the most part, its fiddle, banjo, guitar, upright bass, drums and lots of singing. Im most happy with the way it just sounds like a damn good band at the peak of their creative process."
The Woodstock, NY-based Mammals, who formed in 2001, refuse to stand still musically. That they have thrived in the midst of a widespread old-time, neo-traditional movement indicates the open-mindedness of that community. The Mammals, a mainstay at major music festivals, are renowned for their unpredictable live shows and high-energy festival sets, and along the way, they have also built a reputation for being master interpreters of great songwriting. The Mammals own songs hit new heights on this album.
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Departure is the finest in musical storytelling,
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This review is from: Departure (Audio CD)
I am long time Mammals fan. I have loved all their studio and non-studio albums as well as had the pleasure to see them many times live. Still, DEPARTURE surprised me and blew me away. Made up of some amazing musicians, the Mammals have for a long time had their craft finely honed. With this latest album they take their work to the next step as it establishes them as true artists. With each song (whether original or one of their beautiful covers) they create the perfect balance of music, lyrics, and vocals. This balance through-out the album gently whispers love stories in your ear, or inspires your soul, or gives you a glimpse into these peoples' hearts, or comforts you. From song to song, the truth comes through and cannot be denied. You can do what I did; listen to the album, then turn on the radio and listen to some of the multitude of crap that's out there, then be thankful you have the Mammals to take you home.
8 of 9 people found the following review helpful:
5.0 out of 5 stars
Mammals "Departure" is the begining of an exciting journey.,
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This review is from: Departure (Audio CD)
Anyone who is a fan of the current wave of "new bluegrass", "alt-country", "contemporary folk" (whatever you'd like to call it) really needs to listen to this CD. It is a bit of a departure (hence the title) from their last CD - and a giant step forward. The band's influences come from all over the musical map. Some you'd expect (Pete Seeger, The Mammals' guitarist/singer/banjo picker/harmonica player, Tao Rodriguez-Seeger is his grandson) and some you wouldn't (the band reworks tunes by Nirvana and Morphine - !!). It is hard to pick my favorite track. Standouts include the two covers (Morphine's "Do Not Go Quietly Unto Your Grave" and Nirvana's "Come As You Are"), "Follow Me To Carthage", "Tryin' To Remember What City I Know You From", and "Kiss The Break Of Day" - written about written about their friends and frequent festival-mates, The Duhks. Ruth Ungar's voice and fiddle playing are in fine form throughout. Special guests on this CD are Ken Maiuri and Crooked Still's Aoife O'Donovan. Do not miss them on their current tour. They are great live.
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Destined to Become The Mammals' Breakthrough Album,
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This review is from: Departure (Audio CD)
The title says it all - this is certainly a departure for The Mammals. Their two previous studio albums, Evolver and Rock That Babe were both very typical of the newgrass genre. Typical, but still incredible in their own right; boisterous, fun and traditional. While Departure has its moments of their previous rollicking nature, it is by far more focused on the rock side of their overall sound. The first clue to this is the lack of any traditional covers, rather, a cover of the Nirvana hit "Come As You Are" (done incredibly, by the way). The tone of this album is a bit more solemn than previous albums, but they have not lost their freewheeling spirit or folky edginess. They've just matured... a whole lot.
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