Derek Jarman created his own garden in the flat, bleak expanse of shingle that faces the nuclear power station in Dungeness, Kent. A passionate gardener from childhood, he combined his painter's eye, his horticultural expertise and his ecological convictions to produce a landscape which mixed the flint, shells and driftwood of Dungeness; sculptures made from stones; the area's indigenous plants; and shrubs and flowers introduced by Jarman himself. This book, the last he ever wrote, is his own record of how this garden evolved, from its beginnings in 1985 to the day of his death in 1994.
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Book Description
Editorial Reviews
From Publishers Weekly
It was an unprepossessing site?a bleak, desolate expanse of shingle facing a nuclear power plant in Dungeness, Kent. Battered by wind, the area had the strongest sunlight, lowest rainfall and longest growing season in Britain. On learning that he was HIV-positive, filmmaker Derek Jarman purchased a fisherman's cottage and began to build an unusual garden. This book is his record of how it evolved from 1986 until his death in 1994. Jarman (whose films include The Last of England, Wittgenstein and Blue) started by collecting stones from the beach and arranging them in circles; he added driftwood, antique tools and found objects for sculpture, then put in native shrubs and flowers. Completed, the garden evokes serenity and pleasure, reflecting Jarman's talents in the visual arts. Sooley's stunning photographs are a fitting memorial to man and garden.
Copyright 1995 Reed Business Information, Inc.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
Jarman, who died of AIDS in 1994, was a leading independent filmmaker best known for Caravaggio (1986) and Blue (1993). He was also a gardener. This book is his record of how he cultivated his garden from 1986 until his death. He created the garden outside a fisherman's cottage on the shingle at Dungeness, in southeastern England, beside a nuclear power plant. Jarman fashioned stone circles, sculpture out of driftwood and old tools, and a garden based on indigenous plants plus introduced shrubs and flowers that could survive in the area's inhospitable environment. Although his book is a tribute to a highly individual artist and to his struggle to create in the face of AIDS, both text and photographs are repetitive. Jarman says, "If a garden isn't shaggy, forget it." If you are not interested in highly individual and shaggy gardens, forget this book. Recommended only for specialized collections.?Daniel Starr, Museum of Modern Art, New York
Copyright 1996 Reed Business Information, Inc.
Copyright 1996 Reed Business Information, Inc.
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6 of 6 people found the following review helpful
Format:Hardcover
Beautiful photography and memorable prose (from Derek Jarman) make this far more than a coffee table book. The garden itself is superb. Having visited the garden in Dungeness I can confirm that it is as splendid as the book suggests. I understand that Derek wanted to be buried in a glass-topped coffin in the garden. I can understand his attachment.
5 of 5 people found the following review helpful
By A Customer
Format:Hardcover
First there was a magazine article about Derek Jarmen's garden in Dungeness, UK published while he was alive. I wasn't aware of who he was except that I'd seen one beautiful music video directed by him in the film "ARIA".
Later someone told me of Derek Jarmen's emergence in the punk scene of 1970's London with his film "JUBILEE". And how at the time Derek lived in a big brick warehouse in the then abandoned (now gentrified) Southbank of the City near Tower Bridge, with a Victorian glass greenhouse for a bedroom set in the middle of the large loft space.
I remembered the article and wanted to see his garden. I remembered that soon after Derek Jarmen discovered he had HIV he bought the small cottage which is the subject of this book.
Seeing the garden was very revealing of Derek's mindset. To pronounce the name Dungeness correctly you must say the word "dungeon-ess". The few cottages there were built especially for those who were brought to this desolate area to work at the Dungeness Nuclear Power Plant. The Plant dominates the view because of the comparative height and size, and is obviously the most important "plant" in the garden. When you visit Derek's garden you will also be struck by how loud the humm of the nuclear plant is even though it is set a mile or so away, and the humm is constant -- it does not stop. The ground is covered with big 1- 2" diameter peebles. Nothing soft, nothing comfortable and with that constant humming that never stops.
The cottage itsself is a simple wooden structure that is stained black with windows painted a bright "Caution" yellow.... Read more ›
Later someone told me of Derek Jarmen's emergence in the punk scene of 1970's London with his film "JUBILEE". And how at the time Derek lived in a big brick warehouse in the then abandoned (now gentrified) Southbank of the City near Tower Bridge, with a Victorian glass greenhouse for a bedroom set in the middle of the large loft space.
I remembered the article and wanted to see his garden. I remembered that soon after Derek Jarmen discovered he had HIV he bought the small cottage which is the subject of this book.
Seeing the garden was very revealing of Derek's mindset. To pronounce the name Dungeness correctly you must say the word "dungeon-ess". The few cottages there were built especially for those who were brought to this desolate area to work at the Dungeness Nuclear Power Plant. The Plant dominates the view because of the comparative height and size, and is obviously the most important "plant" in the garden. When you visit Derek's garden you will also be struck by how loud the humm of the nuclear plant is even though it is set a mile or so away, and the humm is constant -- it does not stop. The ground is covered with big 1- 2" diameter peebles. Nothing soft, nothing comfortable and with that constant humming that never stops.
The cottage itsself is a simple wooden structure that is stained black with windows painted a bright "Caution" yellow.... Read more ›
By A Customer
Format:Hardcover
First there was a magazine article about Derek Jarmen's garden in Dungeness, UK published while he was alive. I wasn't aware of who he was except that I'd seen one beautiful music video directed by him in the film "ARIA".
Later someone told me of Derek Jarmen's emergence in the punk scene of 1970's London with his film "JUBILEE". And how at the time Derek lived in a big brick warehouse in the then abandoned (now gentrified) Southbank of the City near Tower Bridge, with a Victorian glass greenhouse for a bedroom set in the middle of the large loft space.
I remembered the article and wanted to see his garden. I remembered that soon after Derek Jarmen discovered he had HIV he bought the small cottage which is the subject of this book.
Seeing the garden was very revealing of Derek's mindset. To pronounce the name Dungeness correctly you must say the word "dungeon-ess". The few cottages there were built especially for those who were brought to this desolate area to work at the Dungeness Nuclear Power Plant. The Plant dominates the view because of the comparative height and size, and is obviously the most important "plant" in the garden. When you visit Derek's garden you will also be struck by how loud the humm of the nuclear plant is even though it is set a mile or so away, and the humm is constant -- it does not stop. The ground is covered with big 1- 2" diameter peebles. Nothing soft, nothing comfortable and with that constant humming that never stops.
The cottage itsself is a simple wooden structure that is stained black with windows painted a bright "Caution" yellow.... Read more ›
Later someone told me of Derek Jarmen's emergence in the punk scene of 1970's London with his film "JUBILEE". And how at the time Derek lived in a big brick warehouse in the then abandoned (now gentrified) Southbank of the City near Tower Bridge, with a Victorian glass greenhouse for a bedroom set in the middle of the large loft space.
I remembered the article and wanted to see his garden. I remembered that soon after Derek Jarmen discovered he had HIV he bought the small cottage which is the subject of this book.
Seeing the garden was very revealing of Derek's mindset. To pronounce the name Dungeness correctly you must say the word "dungeon-ess". The few cottages there were built especially for those who were brought to this desolate area to work at the Dungeness Nuclear Power Plant. The Plant dominates the view because of the comparative height and size, and is obviously the most important "plant" in the garden. When you visit Derek's garden you will also be struck by how loud the humm of the nuclear plant is even though it is set a mile or so away, and the humm is constant -- it does not stop. The ground is covered with big 1- 2" diameter peebles. Nothing soft, nothing comfortable and with that constant humming that never stops.
The cottage itsself is a simple wooden structure that is stained black with windows painted a bright "Caution" yellow.... Read more ›
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