Product Details

• Actors: Tilda Swinton, Derek Jarman
• Directors: Isaac Julien
• Format: Color, DVD, Letterboxed, NTSC, Widescreen
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: KINO INTERNATIONAL
• DVD Release Date: September 2, 2008
• Run Time: 145 minutes
• Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
• ASIN: B001BDZR26
• Amazon Best Sellers Rank: #150,508 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

DEREK - DVD Movie

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars Amazing, thorough and compelling documentary of one the great Avant Garde filmmakers of the 20th century, February 21, 2009

By 

indiefilm "filmguy" (Los Angeles) - See all my reviews

This review is from: Derek (DVD)

I consider Derek Jarman's films some of the greatest of film output from Great Britain. I'm a fan of avant garde films and Derek's are some of the best. So, to say the least, I was incredibly eager to see this documentary. It did not disappoint! Tilda Swinton does an amazing job as the host/narrator of this documentary. The first 10 minutes or so are done in an avant garde style and may put some people off. However, once it gets past that, the documentary is quite cohesive and tells the amazing story of Derek Jarman's life and films. Incredibly lush and full of interesting tidbits about Derek and his films. I highly recommend this for any Derek Jarman fan, Tilda Swinton fan or fans of avant garde cinema.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Moving and Profound, December 7, 2008

By 

Vampire Truth (Los Angeles, CA United States) - See all my reviews

This review is from: Derek (DVD)

Writer/narrator Tilda Swinton's valedictory essay on the friend whose death she's never gotten over is a moving testament to the enduring power some lives exert on others. Framed almost as a pessimist's argument with a departed optimist, DEREK is simultaneously a celebration of Derek Jarman's exuberant, political and innovative oeuvre and also much more than just a career overview of a gay provocateur's fascinating cinematic and personal journey. Director Isaac Julien does a fine unfussy job, showing a subtle awareness that his true resources are Swinton and the unbelievably sharp, gregarious and generous Jarman himself, who had the foresight to commit his memories and views to videotape before his premature death during the early stages of the AIDS crisis. A reminder of a type of cinematic adventure the corporate production system of today rarely allows for, DEREK will move you to cheers and tears for things lost and things remembered.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Good introduction to Jarman, though it could have been more detailed..., June 7, 2009

By 

Grigory's Girl "Grigory's Girl" (NYC) - See all my reviews

This review is from: Derek (DVD)

Derek Jarman was one of the most unique, artistic, and criminally neglected British filmmakers ever. He's hardly ever mentioned when British cinema is mentioned, yet his films are some of the most beguiling, fascinating, and moving films that the U.K. has ever produced. Jarman was also a painter, a writer, and a political activist. He was openly homosexual, and he campaigned for gay rights during a time when it wasn't hip to do so. He was part of Outrage, an English gay rights organisation. Sadly, Derek Jarman passed away from AIDS complications in 1994, leaving behind a massive amount of stunning work that hasn't dated at all. It's nice to see someone finally make a documentary about Derek, as he deserves to be better known, but the documentary is really only for those who are already familiar with Jarman's work (like me).

The film is very good in that it consists of mostly home footage of Jarman, his family, his home movies, clips from his films, and a long interview segment that is edited throughout the film. Jarman comes across as a really wonderful, witty, and artistic man (which he was). The filmmaker lets Jarman speak for himself, which I like very much, but the segments with Tilda Swinton are very dry and borderline dull. I find it rather sad that the director didn't do more with Tilda, as Tilda was one of the producers on this film and also wrote and narrated it. It was Derek Jarman who really discovered her, and it's apparent than Tilda still misses her mentor very much. Many entertainment reporters never mention that Swinton got her start when Jarman cast her in his films. Jarman is quite extraordinary in that I have never heard a bad word spoken about him by anyone. Even the cranky Ken Russell, a great filmmaker but someone who had a difficult personality, spoke glowingly about Jarman and his work as production designer on Russell's still controversial film The Devils. Unfortunately, Russell isn't interviewed here, but I met Ken at a screening of The Devils last Halloween, and he talked about Jarman in such glowing, warm terms, as if he were still alive. It was actually quite moving, and when Jarman's name appeared on the credits of the film, he was appaulded.

I would recommend this film to anyone interested in Jarman's work, and then rent The Last of England, Jubilee, Caravaggio, and Blue. Then rent the rest of his filmography.