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Williams' writing style and content will seem highly unorthodox to many modern Christians, but this is perhaps his greatest strength. Admittedly his works are strange, very strange (Descent Into Hell is perhaps the strangest), but at their core, beneath all the gothic style and occultic atmosphere, they are almost scintillatingly orthodox. Williams takes biblical Christianity, strips it of all the trappings and additions imposed by our culture, and dresses it up entirely different. This is not to say he regards Christianity as merely a creed; anyone who has read his books can tell you he does not "demythologize" Christianity--the books are steeped in the supernatural. Rather, he believes in a Christian cosmos, bound by both natural and supernatural laws, and subject at last to the will of the I AM.
Although Williams' style is not entirely to my Chestertonian tastes, every time I read one of his novels I can hardly stand to put it down. At times they indeed seem like "clotted glory," but rest assured that the Williams' meaning will hit you at a later date with the power of a bolt of lightning. He's just so intelligent it takes the rest of us a while to catch up....
Williams did not write "easy" books. His work is full of obscure allusion and even more obscure vocabulary. His prose is possibly even worse than that of MacDonald. "War and Peace" probably reads more quickly than a 200 page novel by Williams.
Bearing all this in mind, there are probably a million better authors than Williams on his best day. Where Williams stands out is in his thought. I doubt there have even been a handful of authors who have ever expressed an idea over the whole course of a novel as well as Charles Williams did.
"Descent Into Hell" showcases two pillars of Williams' thought: Co-inherence and Substitutionary Love. To simplify, these terms respectively mean (or suggest) that humanity is fundamentally, mysteriously linked and that it is possible to literally bear the greatest burdens of another.
"Descent Into Hell" is also about the pitfalls of being self-absorbed. Williams shows what a great danger this self-centeredness can be on both the physical and spiritual level.
Charles Williams is a truly eye-opening author. All that I have read of his work has changed me in some way. I give "Descent Into Hell" a strong recommendation.
Williams was by instinct a poet with more than a bit of Tennison among his influences. His books are fairly easy reading, even though he alternates between rather vivid literary allusion and an idiosyncratic stream of narrative consciousness. In this book, he personifies salvation and damnation in characters who, despite all the odd phrasing and high flown prose, seem eminently human. The passage in which a character meets a final damnation is extremely effective, neither preachy nor filled with that sort of "tacky Mr. Scratch and his horrid fire" sensibility that some writing about the afterlife can have. This, along with the other six novels in the series (the series is linked thematically and stylistically rather than by plot), is certainly worth a read.
In our time, we see a lot of Christian fiction which seeks to tell stories of salvation and damnation through the use of fantasy characters (Peretti and his imitators come to mind). Yet, Williams' work, consciously literary, willing to risk heterodoxy to make a point, and infused with a victorian poetic sensibility, consistently takes the reader to places that the modern works fail to glimpse.
In short, Charles Williams is the real thing, and well worth a read.