My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to "Mexican American," since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mind's eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal . Loosely linked by an exploration of the many meanings of "family," these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is "a form of illiteracy," we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal is a writer but also why we appreciate her so much. She helps us to find ourselves.
Kathleen Alcalá's life is all about stories. She is the author of four works of fiction - Mrs. Vargas and the Dead Naturalist; Spirits of the Ordinary; The Flower in the Skull; and Treasures in Heaven - and a collection of essays. Her work is the recipient of a Governor's Writers Award, the Washington State Book Award, a Pacific Northwest Booksellers Award, and a Western States Book Award, among others. Kathleen teaches Creative Writing in the Low Residency MFA program at the Northwest Institute of Literary Arts on Whidbey Island. Two of her stories are included in the recent Norton Anthology of Latino Literature. More at www.kathleenalcala.com.
"I began writing as a way to explain the world to myself. So much family history did not match the 'official' history of the Southwest, that I had to become an explorer, an adventurer, an ethnographer, a scholar and a writer in order to discover who we were and who we are today. I believe that writing, in and of itself, is a political act, and that the artistic cannot be separated from the political. Writing makes the invisible, visible; the silent, audible; the absent, present."
Quotes:
This is a book of wonders. Each story unfolds with humor and simplicity and perfect naturalness into something original and totally unpredictable. Not one tale is like another, yet all together they form a beautiful whole, a world where one would like to stay forever. The kingdoms of Borges and Garcia Marquez lie just over the horizon, but this landscape of desert towns and dreaming hearts, of lost sisters and ghost scientists, canary singers and road readers, is Alcalá-land. It lies across the border between the living and the dead, across all the borders - a true new world.
- Ursula K. LeGuin on Mrs. Vargas and the Dead Naturalist
Kathleen Alcalá captures the essence of the magical realism in her work. Her stories convincingly move the reader from one reality to the other. Kathleen's craft illuminates the souls of her characters: the Mexican women who carry the universe in their hearts.
- Rudolfo Anaya
