"The truth cannot be found by seeking," says a great sufi, and adds "the ones who find are the ones who seek." Because the truth is not a destination to reach, but is itself the journey. There is no end to truth. Seeking and finding truth means a long journey, and for some an endless journey. The journey of Ali Doðan passes through the mountains, deserts, cities which bear the traces of ancient civilizations, people who fight or bow to the inevitable, and deep inside a human who seeks humane values, who seeks the way and method to cease a merciless war. Because his sheikh told him "learn to understand the war in your heart." Multiculturalism stands as a marble pillar, central in the social sciences; it is at once foundation, support, and apex. The foundation, because the social sciences stand on the recognition of the validity of other cultures; support, because all this depends on it; and apex, because the social sciences seek to achieve and facilitate the mutual recognition and appreciation of all cultures and their contributions. However, we are the ones who must live multiculturally. We need balance, not to fall; flex, not to break; strength, not to yield; and passion to warm the heart. Following Ali's footsteps, we shall be both changed and more human. We each acquired selfhood through different cultural experiences. We continue this integrity by living in our culture, and making it live. Moreover, we have to make all cultures, all our diversity, live together, each contributing to every other by realizing itself. The main aim of mysticism is to tend this balance in our hearts, with integrity and prosperity of the spirit. There are many forms, shapes, understandings in reaching the truth, and in truth there is unity. Islamic mysticism names this "uniqueness in abundance," a summit displayed in Ýbn Arabi. This modern dervish, Yýlmaz Alimoðlu depicts such a quest in today's profane world. Deserts and Mountains is a story of a spiritual experience which expresses its dignity with faith, and with a courage that has not exhausted itself in the labyrinths of the modern world, and with an extraordinarily prudent endeavor to gain perception. It is a story of love which approaches with respect each and all the exaltations that makes humanity humane. - Prof. Dr. Mümtaz'er Türköne
Reminiscent of the journey in Paolo Coelho's, The Alchemist, with a hint of Elizabeth Gilbert's, Eat, Pray, Love, Deserts and Mountains follows the inner and outer journey of Ali Dogan, an expatriate Turk living in Canada. Ali is a father, a husband, an engineer, a Muslim, and most of all, a Sufi. Armed with a journal and a ticket back home to Turkey, Ali Dogan, is instructed by his sheikh to keep a map of his heart. And so, Ali begins his journey, a journey in which he will see his past in Turkey with new eyes. From Turkey he travels to Spain and discovers the beautiful remains of the Muslim tradition. His final destination is North Africa, where he experiences a dichotomy of emotions as he witnesses corruption, destitution, and his own spiritual renewal. Written with a poetic Sufi flair, Yilmaz Alimoglu's words captivated this reader. I journeyed side-by-side with Ali, through the deserts and mountains, and at his side I began to create a map of my own heart. --Book Review by Dr. Irene Blinston, Ph.D.
Two months ago while in LA, I received a Facebook message from Yilmaz Alimoglu, a Sufi and scientist from Istanbul, who currently resides in Canada. He asked me to read his book, Desert and Mountains. I wrote back to say that I was quite busy, but would try and get to it at some point. The book arrived from his editor just before my trip to Morocco and I took it with me to read on the plane.
I was on my way to Casablanca to record sessions for a film score and to attend the GNAOUA festival in Mogador. I started the festival thirteen years ago with Neila Tazi, Soundous El Kassri, and Andre' Azoulay, and I was also the artistic director for the first two years. Now there are four-hundred thousand people who attend it over the course of four days.
I read Desert and Mountains cover to cover on the plane. Ali becomes a brilliant writer through the course of writing his first book. We can feel him honing in on himself as he hones in on his craft. The crazy, tragic and profoundly spiritual events in this book really happened to him recently. His insight into these events is focused through his scientific/Sufi lens.
As a result, Yilmaz's main character, Ali, is the right man, in the wrong place, at the right time. Or the right man, in the right place, at the wrong time. One thing is for sure: he is the right man to uncover fault lines shifting beneath the surface of the repressive Turkish regime; a regime where a woman can never really escape from her ex-husband even after she is divorced, unless death is considered to be an acceptable escape.
He has the uncanny ability to focus the laser beam of his intelligence at his own inner life with the same laser focus he uses to create a new generation of intelligent computer chips capable of protecting identity. We follow him through "fire and tears" as he peals back the skin of his own identity. His in-depth understanding is both micro and macrocosmic. He stares directly through himself into the unknown and the totally fucked. As a result he has succeeded in explaining the Sufi path to me in a way that no other book or person has ever been able to do.
Ali is crushed with what he experiences in Istanbul. He leaves Istanbul to go to visit his favourite uncle in Germany. He has a nervous breakdown and he is hospitalized. He recovers enough to go with his uncle to Mali where his uncle does benevolent work building wells. He makes his way deep into the Sahara with armed guards. See Frank Coles' film Life Without Death. I did the music. Frank crossed the Sahara alone on a camel, and when he tried to do it again, he was killed by bandits in Mali.
I arrived in Casablanca at the Hotel Des Rives on the Cornish, which is by the sea. From my balcony, the long expanse of the Casablanca beach stretched out to the south. I held up Desert and Mountains to the last rays of the sun, which set behind pregnant cumulus clouds. I took a picture of the book cover in my hands, suspended above the beach, a picture I sent to Yilmaz.
Richard Horowitz is internationally known composer, producer, arranger, and musician. He is best known for his work on The Sheltering Sky, directed by Bernardo Bertolucci, which was awarded the 1990 Golden Globe and LA Film Critics Music Awards; Any Given Sunday, directed by Oliver Stone, which was awarded the 2000 BMI Music Award. --Richard Horowitz
"A Story of Alienation, Seeking Love and Redemption"
In Deserts and Mountains, Yilmaz Alimoglu leads us through the life experience of Ali, a character symbol of the conflict between twodifferent cultures. Ali, after his departure from Turkey, hishomeland, and his moving to Canada, seems to enjoy the new world, andthe choice to marry a Western woman, endowed with a secular point ofview on different aspects of life, seems to be a proof of this. At thesame time, even when Ali tries to not neglect his Muslim roots even insuch an atmosphere, he seems to be lost in a spiritual limbo and, evenwhen he enjoys a high degree of professional success, he feels deeplydissatisfied with his life without love.
When his marriage is about to dissolve, Ali starts reflecting on hisown life. He feels oppressed and takes a painful decision. Ali leavehis family and starts a journey in order to understand his own pastand the choices which lead him in his present spiritual emptiness.
Ali goes back to his homeland, meets his parents, finds love again,but all these experiences don't seem to be enough to cure his sicksoul. Soon he discovers that in Turkey the bright face of Islam isdisfigured by ignorance and hypocrisy. After the woman, he startsloving deeply, got killed by her former husband, Ali leaves Turkey andstarts travelling again.
His uneasiness is latent. His brief stay in Al-Hambra, the symbol ofa glorious phase of the Islamic history, seems to have increased hissense of alienation. Soon Ali understands that he cannot start a newlife without justifying the past one. He goes on with his journey. Hevisits Germany, where he collapses and is hospitalized; he then leavesfor Africa with his uncle and finds himself at the end of the travelsin the Sahara desert.
The desert is the place of purification, receives every repentance andfrees someone from the superfluous richness of his life. Ali actuallyneeds to stay in the desert in order to free himself from his ownspiritual wilderness.
Later he will come back to his family in Canada. However, when someonetravels to uncover one's own self, the place of return is only asymbol, a station and a stage towards another journey, with full ofquestions. How would Ali answer? --Sabrina Lei, Ph.D., Italian author and researcher, Rome, Italy