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Design and Color in Islamic Architecture: Eight Centuries of the Tile-Maker's Art
 
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Design and Color in Islamic Architecture: Eight Centuries of the Tile-Maker's Art [Hardcover]

Michael Barry (Author), Roland Michaud (Author, Photographer), Sabrina Michaud (Author, Photographer)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Amazon.com Review

The Koranic proscription against human and animal imagery turned centuries of Islamic artists and architects inward, to create unmatched examples of geometric and decorative art. This lavish, authoritative book, with gorgeous photographs by Roland and Sabrina Michaud, provides an introduction and overview to, as the subtitle disarmingly puts it, "Eight Centuries of the Tile-Maker's Art." The often-anonymous Islamic artists whose work is featured here, however, were far more than tile-makers: they were astonishing draughtsmen, dazzling colorists, hypnotically inventive creators of endlessly spiraling design. The Michauds' photographs are complemented by text from the scholar Michael Barry. The book is lent increased interest by the fact that some of the landmarks featured are now off-limits to many Westerners, especially Americans.

From Publishers Weekly

A pristine 12th-century minaret hidden in Afghanistan's mountains for centuries and discovered only in 1957; a sky-blue mausoleum in Samarkand, built for Timur's niece in 1371; spectacular tiles from Istanbul's Topkapi Palace; intricately decorated medieval Iranian shrines erected under Islamized Mongol rulers?these are some of the exotic sites explored by the Michauds in their leisurely photo-essay stretching from Central Asia to Pakistan. Their odyssey, splendidly illustrated with 158 color photos, is organized around an unusual framework: their eloquent, free-form translation of Azerbaijani poet Nezami of Ganjeh's Persian verse romance The Brides of the Seven Climes, written in 1197, a Scheherazade-like saga that purports to unlock the sacred cosmic symbolism of the seven colors used by medieval Persian ceramists on their walls and domes. An informative essay by Barry, a Parisian scholar specializing in medieval Islamic civilization, encompasses glazed brickwork architecture ranging from 4th-century B.C. Macedonian mosaics to Moghul forts and palaces in India.
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Hardcover: 315 pages
  • Publisher: Vendome Pr (September 1996)
  • Language: English
  • ISBN-10: 0865659753
  • ISBN-13: 978-0865659759
  • Product Dimensions: 12.4 x 10 x 1.5 inches
  • Shipping Weight: 5.7 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,126,139 in Books (See Top 100 in Books)

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11 of 11 people found the following review helpful:
5.0 out of 5 stars Sumptuous and Substantial, April 23, 1998
This review is from: Design and Color in Islamic Architecture: Eight Centuries of the Tile-Maker's Art (Hardcover)
No doubt about it, "Design and Color" is a rare and true feast for the eyes. Better yet, it's not just pretty pictures; it is also a surprisingly informative and well-written survey of the art of tile-making in (primarily Central) Asia. I can safely call it my favorite art book.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Sumptuous and Substantial, May 20, 2005
By 
Eric Trowbridge (Baltimore, MD, USA) - See all my reviews
(REAL NAME)   
This review is from: Design and Color in Islamic Architecture: Eight Centuries of the Tile-Maker's Art (Hardcover)
No doubt about it, "Design and Color" is a rare and true feast for the eyes. Better yet, it's not just pretty pictures; it is also a surprisingly informative and well-written survey of the art of tile-making in (primarily Central) Asia. I can safely call it my favorite art book.
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