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As far as this album goes, it's excellent. The best part, however is for those with the ear to notice that some of the 'Rhythm Nation' hits (which make up the majority of this album) are remixed single versions! That is, "Alright", "Black Cat", and "Come Back To Me" are all revised like they were on the radio...improvements on the ones you'll find on the album - especially "Come Back To Me".
But all the 'Control' hits are here (in their original form - get the remix album if you want the single versions) and there's "That's The Way Love Goes" from her 'Janet' campaign that makes you wanna pop that CD in to keep it going. "Twenty Foreplay" is an O.K. song but I absolutely love "Runaway" which seems to go back to her 'Rhythm Nation' days al la Escapade.
I just wish she included "On and On" - the B-side to "Throb", but other than that, this is a must own, especially since Janet is dropping her new album very soon, and her new single, "Never Fall In Love" is off the hook! (I guarantee this one will be a hit, or my name isn't Knyte.)
Trust me.
Ok, so she's adorable, sweet as can be, etc...but let's face it. Janet has never possessed the sort of pipes that would steal material away from Whitney Houston. But Jam & Lewis capitalized on the limits of her voice by placing them smack dab on top of the heaviest, thickest grooves you'll ever find in pop music, and the contrast between the two is striking. Her low moans on the likes of "Nasty" and "Love Will Never Do (Without You)" opposite Jam & Lewis' pounding beats make for delicious ear candy; ditto for her energetic delivery on Prince-inspired dancefloor anthems like "Escapade" and the damn-near-perfect "Miss You Much." Janet even proves that she can flat-out rock on the guitar-heavy "Black Cat."
"Alright" is a brushed-up single remix, which serves the song well, considering it has minimal melody and no chord progression whatsoever. Why then, didn't they include the killer video version for "The Pleasure Principle" or the slick single remix for "Let's Wait Awhile"? The album versions of these two tracks sound a bit empty in comparison. Still, with new material at the level of the funky "Runaway" and the sultry "Twenty Foreplay," there's little to complain about. You're even treated to the best track from her "janet" release ("That's the Way Love Goes") without being subjected to the rest of that album's overheated, Madonna-wannabe sexuality. All in all this is as comprehensive and enjoyable a compilation as any casual fan of Janet or R&B in general could ask for.