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Design for Living (The Criterion Collection) [Blu-ray]
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The Clerk, starring Charles Laughton
Selected-scene commentary by film professor William Paul
Play of the Week: A Choice of Coward, a 1964 British television production
New interview with Joseph McBride on Lubitsch
PLUS: A booklet featuring an essay by film critic Kim Morgan
Top Customer Reviews
Based on the Broadway hit by legendary playwright Noël Coward, Design for Living is an excellent Pre-Code comedy from the always daring Paramount Pictures. Directed by the great Ernst Lubitsch, the film provides us with a refreshing look at the way American films were made before being heavily censored by the enforcement of the Hays Code in 1934. With the help of a risqué script from Hollywood veteran Ben Hecht, the director adds his famous "Lubitsch touch" to give us a very witty and fluid movie starring three of the biggest stars of the period. Gary Cooper, Fredric March and Miriam Hopkins have great chemistry together and really help to convey the message of the filmmakers - you only live once so do what makes you happy, regardless of how others view you.
In its day, Design for Living was very controversial for two reasons. The first and most obvious reason being the very risqué plot involving a ménage-à-trois relationship between three young Americans living in Paris. This film really took a jab at the morals and virtues that certain groups, namely the Legion of Decency, were trying to infuse back into American cinema. The second reason is that many people, including Noël Coward, were upset that screenwriter Ben Hecht retained only one line from the original play.Read more ›
Obviously, that's a writer's story...but the truth is that when Lubitsch did have a good script...or even a fair one, he was, indeed, able to bring that extra special "touch" to the material, thereby creating a series of risque' sophisticated comedies in the 1930s and 40s that have yet to be equaled. He was never vulgar in his "touches," but employed often hilarious visual suggestions, thus making it quite clear as to what was really going on behind those closed bedroom doors.
DESIGN FOR LIVING (1933) was adapted to the screen by Ben Hecht from Noel Coward's play. Miriam Hopkins stars as a commercial artist, who becomes smitten with both Gary Cooper, a struggling painter, and starving playwright Fredric March. The trio decides to live together...platonically...but you can imagine how long that aspect of the relationship lasts...and the problems that it causes. Edward Everett Horton co-stars in this witty, well-played comedy.
The Criterion Collection has released a marvelous 2-disc edition of DESIGN FOR LIVING that, aside from a new high-definition digital restoration with uncompressed monaural sound, also includes selected scene commentary by film professor William Paul, an interview with Joseph McBride on Lubitsch, plus a 1964 British television version of the play introduced by Coward and, best of all, the short sequence that Lubitsch directed for IF I HAD A MILLION (1932) featuring Charles Laughton. It was the funniest bit in that picture.
Finally, there is a booklet containing an essay by film critic Kim Morgan.
© Michael B. Druxman
Everything is just spot on - excellent performances, witty banter and a most unusual (yet completely plausible) exploration of the very nature of love and commitment. While missing some of the more naughty innuendo of the original Coward production, it still contained enough sex, sophistication and above all and at the heart of the film, a loving trio, to become one of the pinnacle films to sound the death knell on the pre-Hays freedom days and put into action the Production Code.
The bare bones of the story goes like this - girl (Gilda) meets boys (Tom & George) on a train. The three start off as friends and I'll leave it at that. Any more would completely ruin the plot and though you can probably guess what happens next, this is a movie that should be seen, savored and enjoyed piece by piece and scene by scene. I must say though, if put in Gilda's situation and forced to choose between Frederic March and Gary Cooper at the height of their talents, handsomeness and charm, why not establish 'a gentleman's agreement', particularly when one of the trio is most notably not a gentleman?
Directed masterfully by Ernst Lubitsch from Ben Hecht's adaptation of Noel Coward's play, this is definitely more than a light, screwball comedy. It's one of the best, most sophisticated and unconventional romances you'll ever see on screen. Even for a modern audience, the theme is not outdated, which just goes to show how ahead of the curve many Pre-Code films were even when seen through our 21st century eyes. One has to wonder just how many more gems such as this we might have gotten, had the Code not crashed the party.
Most Recent Customer Reviews
Excellent production quality, and a great pre-Code classic.Published 5 months ago by Suzi Q Avocate
Still shockingly modern and just as charming as you would expect from a movie based on a Noel Coward play.Published 10 months ago by Carny Asada
One of the best movies ever! Gary Cooper and Fredric March are at their prime! Miriam Hopkins is delightful! A wonderful love triangle! Read morePublished 16 months ago by Bob Fartsworthy
Shocking subject matter for it's time. I love Gary Cooper films but wasn't expecting something quite so "racy". Read morePublished 16 months ago by kattonelouie
This was a really smart movie and I avoided it for years, being a Noel Coward fan. But it's weird, it's almost better than Coward. Read morePublished on November 8, 2013 by Addison Dewit
This is a good romantic comedy from the 1930s.
If you have not seen any of the talkies produced before 1934; the year when censorship took root in the US, this is a... Read more