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The Designer’s Guide to Astounding Photoshop Effects
 
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The Designer’s Guide to Astounding Photoshop Effects [Paperback]

Steven Heller (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

May 25, 2004
21st-century technology now allows graphic designers to create incredible images and designs that would have been difficult, if not impossible, to execute in previous years. With the introduction and evolution of Photoshop, today's designer can bring a completely different perspective to any image. The Designer's Guide to Astounding Photoshop Effects illustrates how every designer can use Photoshop techniques to create astounding visual effects. This book is a comprehensive tool for designers using any version of Photoshop. An inspiring variety of visuals are included, showcasing how masters of Photoshop have utilised certain techniques for astounding results. Step-by-step techniques and tips also help the readers learn how to make better use of Photoshop. Each case study focuses on innovative thinking in the field of photo creation and manipulation. Designers will also gain insight into the historical background and evolution of the digital age.

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Editorial Reviews

About the Author

Steven Heller is a senior art director on the New York Times. He has written over 80 books on graphic design. Recognized photo manipulation expert Gail Anderson is a professional designer and teacher and was the deputy art director of Rolling Stone. They have written several books together.

Product Details

  • Paperback: 160 pages
  • Publisher: North Light Books (May 25, 2004)
  • Language: English
  • ISBN-10: 1581805004
  • ISBN-13: 978-1581805000
  • Product Dimensions: 8.8 x 6 x 0.5 inches
  • Shipping Weight: 12 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,326,455 in Books (See Top 100 in Books)

More About the Author

Steven Heller, author and editor of over 130 books on graphic design, satiric art and popular culture, is the co-founder and co-chair of the MFA Designer as Author program at the School of Visual Arts, New York. He is also co-founder of the MFA in Design Criticism, MFA in Interaction Design, MFA Social Documentary Film and MPS Branding programs. Although he does not hold an undergraduate or graduate degree he has devoted much of his career to fostering design education venues, opportunities and environments.

On the editorial side, for over 40 years he has been an art director for various underground and mainstream periodicals. For 33 years he was an art director at the New York Times (28 of them as senior art director New York Times Book Review). He currently writes the "Visuals" column for the Book Review and "Graphic Content" for the T-Style/The Moment blog (http://tmagazine.blogs.nytimes.com/author/steven-heller/). He is editor of AIGA VOICE: Online Journal of Design, a contributing editor to Print, EYE, and Baseline, and a frequent contributor to Metropolis and ID magazines. He contributes regularly to Design Observer and writes the DAILY HELLER blog for Print Magazine (http://blog.printmag.com/dailyheller/). His 135 books include "Design Literacy, " "Paul Rand," "Graphic Style" (with Seymour Chwast), "Stylepedia" (with Louise Fili), "The Design Entrepreneur" and "Design School Confidential" (both with Lita Talarico), "Iron Fists: Branding the Twentieth Century Totalitarian State", and the most recent, "Born Modern: The Life and Design of Alvin Lustig."

He is the recipient of the 1999 AIGA Medal for Lifetime Achievement. His website is www.hellerbooks.com and his blog, The Daily Heller sponsored by Print magazine is http://imprint.printmag.com/daily-heller/

 

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27 of 29 people found the following review helpful:
5.0 out of 5 stars Don't Judge This Book By Its Cover, June 10, 2004
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This review is from: The Designer’s Guide to Astounding Photoshop Effects (Paperback)
What a crime that this excellent design book's weakest, tackiest page is the only one that most people will ever see: its cover. I grabbed this book as a joke, because its awful first page promised a Saturday afternoon of unintended laughs and head-shaking at astounding misuses of Photoshop. But the joke was on me--there's a treasure buried under that Photoshop-ravaged front cover.

The Designer's Guide to Astounding Photoshop Effects begins with a brief but concise history of photo manipulation, which was first achieved with physical tools like airbrushes and blades. A heroic propaganda poster from the 1950s and a silly, contemporary Weekly World News cover (headlined "LIPOSUCTION FOR WORLD'S BIGGEST BABY" ) invoke completely different psychological responses and seem as though they have nothing in common, but both were achieved by the deliberate manipulation of reality and are landmarks in the evolution of the technique. It was a great idea to include this section, because most Photoshop books show no interest in the historic or psychological relevance of manipulation; they just get right to the showoff stuff. Because, let's face it, that's what most Photoshop users want.

The Designer's Guide... is geared more toward people who appreciate photo manipulation when it's done with style, grace and purpose than people who are looking to lens-flare their every document. There are some tips and they're all pretty good, but you have to accept the fact that most Photoshop wizards--like traditional magicians--have no intention of revealing the secrets behind their best tricks. So if you're like me, you'll find yourself doing a lot of backwards engineering to figure out how they created those astonishing effects.

But before attempting any of the tricks in this or any other Photoshop book, I think it's important to ask yourself, For what purpose?. A great Photoshop artist should use his skills only when necessary, and always with discipline. Because it's just too easy and tempting to get carried away, and wind up making the kind of mess they made with this cover.
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