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Designing the Centennial: A History of the 1876 International Exhibition in Philadelphia (Material Worlds)
 
 
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Designing the Centennial: A History of the 1876 International Exhibition in Philadelphia (Material Worlds) [Paperback]

Bruno Giberti (Author)

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Book Description

Material Worlds October 3, 2008

" The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity--the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable--its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context -- the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.


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Editorial Reviews

Review

"Giberti presents a rich synthesis of the 1876 fair by considering its architecture and participation in the intellectual history of the world's fairs, museums and commercial establishments." -- Vernacular Architecture Forum Newsletter



"A valuable book.... A good read, showing us the inner workings of and thought processes behind the exposition's creation." -- Winterthur Portfolio



"Giberti's compelling exploration of the debates and struggles that went into the planning of the Centennial Exhibition... implicity proposes a complex and intriguing relation between scientific method and economic development." -- Ethan Robey, ISIS

From the Publisher

Inaugural volume in the series MATERIAL WORLDS --This text refers to an out of print or unavailable edition of this title.

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Inside This Book (learn more)
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First Sentence:
From the middle of the nineteenth century to the beginning of the twentieth, the first step in the design of any international exhibition was to classify the goods that would be on display. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
industrial palace, booklet bound, architectural drawings collection, executive commissioner, exhibitionary complex, exhibition company, machinery hall, international exhibition, previous exhibitions, ten departments, permanent exhibition, domed rotunda, model room, industrial exhibitions, universal exposition, exhibition buildings
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Memorial Hall, Free Library of Philadelphia, United States, Centennial Commission, Great Exhibition, New York, Grand Depot, Fairmount Park, Library of Congress, Board of Finance, Historical Society of Pennsylvania, Civil War, Photographs of Plans, Main Exhibition Building, University of California Library, Ground Plan, American Architect, American System of Awards, Bureau of Installation, John Wanamaker, Executive Committee, Henry Pettit, Pavilion Plan, Agricultural Hall, Franklin Institute
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