5 of 5 people found the following review helpful:
4.0 out of 5 stars
pushing the envelope. very refreshing, February 21, 2005
This review is from: Desire Street: A True Story of Death and Deliverance in New Orleans (Hardcover)
Desire Street is going to freak out a few true-crime readers. (From some of the comments here, I guess it already has.) That's because it breaks all the rules. It pushes the envelope: a murder mystery that doesn't tell you what you have to think. (You actually have to figure it out yourself.); hard-assed, hard-boiled writing that doesn't think readers are too stupid to know some big words; a picture of a racist system but where no one wears a sheet over their head or burns a cross. (Racism these days is subtler than that.) Ever since I read "Midnight in the Garden of Good and Evil," I have been waiting for something like this. It's set in New Orleans, instead of Savannah, and instead of Johnny Mercer in the background it's got Harry Connick. But it's just as rich. You may disagree with Desire Street, but you need to read it if you want to know where true crime is going. There's a lot more going on here than the usual book. Partly that's because there's more going on here than crime. But I couldn't put it down. And it's been the same reaction from friends of mine.
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10 of 12 people found the following review helpful:
5.0 out of 5 stars
A story about a dream of justice, March 14, 2005
This review is from: Desire Street: A True Story of Death and Deliverance in New Orleans (Hardcover)
Dolores Dye, a feisty, attractive, white, middle class grandmother, 60 years old and an ex-rodeo rider, lies dying in a supermarket parking lot, blood and brain fluid pooling beneath her, while her assailant, a young, dark-black man from one of the darkest city underbellies in America, a professional criminal by birth, brazenly maneuvers her red Ford into the line of cars exiting the lot before casually pulling out and vanishing into the thickening traffic: a murder in broad daylight, with eye-witnesses; a purse-snatching gone bad; a brutal, stupid, cowardly crime about to fan the racist flames in cops and prosecutors alike in a city already ablaze with white-flight and its attendant fear and loathing.
So begins Jed Horne's "Desire Street," subtitled "A True Story of Death and Deliverance in New Orleans," a 14-year saga of a dark crime brought slowly and painfully into light and focus. Not really a whodunit, but with the rolling thunder feel of one, its plot unfolding ever more surprisingly, and not a "private-eye" subterranean journey, but with more windows into worlds forbidden or otherwise inaccessible than that genre ever afforded, "Desire Street" draws us into the ghostly half-life of slum-warren junkies' somnolent predation, perverse symbiotic relationships of detectives and snitches, Death house despair, the layered world all the way up, finally, to the pristine and delicate machinations of Federal Supreme Court maneuverings.
We generally read non-fiction to learn stuff: how the world connects and works. But we tend to turn to fiction, with its comforting circles of clarity and closure, to story us through lives too often apparently just one damned thing after another. And if we're told non-fiction is the art of the age, we may darkly suspect that this may be related to the death of the American imagination, our curious confusion of fact with truth. How startling then to discover such a pure work of non-fiction, the reportage so thorough and seamless as to be nearly invisible, that also has the reverb and mythical splendor of a Faulkner tale.
I am tempted to call "Desire Street" hardboiled non-fiction, but it is too scrupulously written for that, too elegant, with almost a poet's sense of efficiency, rhythm and the mot juste: not a syllable sensationalized or self-indulgent; no conjecture or surmise; just facts and deeply understood characters marshaled with the almost invisible touch of a masterful storyteller possessed of a great journalist's eye and penchant for legwork. In this last regard, this is also clearly a work of great courage, at many levels. And it begets characters that get up and walk around in your head on your way to the drugstore or supermarket, haunting characters that "cast long shadows" as Faulkner liked to say.
It is a story that has found its perfect teller in a veteran journalist, long-time resident of the French Quarter, and City Editor of New Orleans' great old newspaper, The Times-Picayune, for whom truth has been a long-time, habitual pursuit. It is the story of twisted, old, cruel, beautiful New Orleans, a tale of bad men, bad cops, bad prosecutors; but then it is a story of good men, even those who have done bad things, good women, good, even brilliant lawyers and jurists, and of a Supreme Court ruling that truly brought greater justice to American courts. So finally it is a story of America, where justice, however fuzzy and far off, is still a dream for the few who still dare dream it.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
I was especially moved, September 6, 2005
This review is from: Desire Street: A True Story of Death and Deliverance in New Orleans (Hardcover)
I had read this book one week prior to Hurricane Katrina and the failure of the canals. Desire Street, covers the New Orleans judicial and police systems in regard to a murder of a white woman in a supermarket parking lot by a black who framed an innocent black for the murder. The journalist put forth a fairly objective story line which took the reader deep into the 9th ward and the lives of the people we saw portrayed on our TV screens this week. Though I read it because we have Sister Prejean coming to town next week and I wanted to expand my opinions. Having read it prior to Hurricane Katrina made what was portrayed by the newscasts even more poignant and heart wrenching. If you want to better understand the pulse of what once was, New Orleans you'd be wise to put this book in your cart.
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