Desolation Island [Hardcover]

Product Details

• Hardcover
• Publisher: Stein & Day (1978)
• ASIN: B001Q7VSDY
• Average Customer Review: 4.5 out of 5 stars  See all reviews (56 customer reviews)

More About the Author

In addition to twenty volumes in the highly respected Aubrey/Maturin series, Patrick O'Brian's many books include "Testimonies," "The Golden Ocean," and "The Unknown Shore". O'Brian also wrote acclaimed biographies of Pablo Picasso and Sir Joseph Banks and translated many works from the French, among them the novels and memoirs of Simone de Beauvoir and Jean Lacouture's biographies of Charles de Gaulle. He passed away in January 2000 at the age of 85.

Customer Reviews

Most Helpful Customer Reviews

23 of 23 people found the following review helpful:

4.0 out of 5 stars O'Brian's height, December 1, 2000

By 

I. Westray (Minneapolis, MN USA) - See all my reviews
(REAL NAME)   

This review is from: Desolation Island (The Aubrey/Maturin Novels, Book 5) (Paperback)

Desolation Island is one of the richest, and at the same time most easily approached, titles in the Aubrey Maturin series. I'm an avid Patrick O'Brian reader, one who's been through the series more than once, and I'm running through this one again right now at spare moments.

Maybe it's heretical to suggest not starting with the first book, but Desolation Island, H.M.S. Surprise, and The Far Side of the World are the ones I recommend to people when I'm trying to get them hooked. Master and Commander is excellent, but it seems to me like O'Brian was writing for a genre audience to start with. (The historical setting is truly wonderful and the characters are a delight, but he was writing for readers who were already interested, say, in the detailed workings of the royal shipyards.) By the time he got to Surprise he had hit his stride, at least for me. The books had stopped being "Another variation on sea life during the Napoleonic age" for him, and the world he was writing just feels complete and right.

Also, those three books all feature long, solo voyages. It's a simple point, but that plotline is easier for a beginning fan to understand and follow. In some ways it gets at the heart of O'Brian's writing best, too. The ship's community as a close, isolated society, the complex nature of Jack's choices as captain, Stephen's isolation with his secret life, the consolation they take in their friendship -- those elements all shine during the long voyages throughout the series.

Desolation Island, as a starting point, also includes one of the most exciting, tense chases in the series. It has a full set of complex minor characters whose fates you really do care about, and it's one of those O'Brian plots that gives you a double-take or two if you don't know where it's going. Highly recommended.

13 of 13 people found the following review helpful:

5.0 out of 5 stars Another masterful work from O'Brian, February 12, 1999

By A Customer

This review is from: Desolation Island (The Aubrey/Maturin Novels, Book 5) (Paperback)

One of the more suspenseful books in O'Brian's Aubrey-Maturin series. Also one of the grimmest. Much of the book details a naval chase in perilous seas with a gut-wrenching outcome. O'Brian's shipboard characterizations are further deepened. Jack's brief recollection of how the sailors once convinced young Babbington he was pregnant is a howl. And it is a throw away idea caught in a brief paragraph. O'Brian seems to have an infinite supply of nuance and human insight. Desolation Island is more than seafaring genre, this is a masterful work that can stand with some of the best contemporary fiction.

20 of 23 people found the following review helpful:

5.0 out of 5 stars Joint Review of All Aubrey-Maturin Books, October 26, 2003

By 

R. Albin (Ann Arbor, Michigan United States) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   

This review is from: Desolation Island (The Aubrey/Maturin Novels, Book 5) (Paperback)

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.