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Destroyed


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Amazon's Moby Store

Music

Image of album by Moby

Photos

Image of Moby

Videos

Moby 'After' Destroyed Deluxe Edition Trailer

Biography

Creative history is littered with insomniac icons – Vincent van Gogh, Marcel Proust, Charles Dickens, Groucho Marx, Judy Garland, Marilyn Monroe and David Bowie to name but seven, all of whom were regularly kept from the tender embraces of Morpheus by over-stimulated brains and artistic appetites that just wouldn’t quit. Vegan, teetotal and habitually brimming with rude health ... Read more in Amazon's Moby Store

Visit Amazon's Moby Store
for 185 albums, 18 photos, 4 videos, and 4 full streaming songs.

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  • Includes FREE MP3 version of this album Here's how (restrictions apply)

Frequently Bought Together

Destroyed + Innocents + Wait for Me
Price for all three: $41.66

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  • Innocents $14.28
  • Wait for Me $12.88

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Product Details

  • Audio CD (May 17, 2011)
  • Original Release Date: 2011
  • Number of Discs: 1
  • Label: Mute
  • ASIN: B004NJW96C
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (44 customer reviews)
  • Amazon Best Sellers Rank: #54,486 in Music (See Top 100 in Music)

1. The Broken Places
2. Be The One
3. Sevastopol
4. The Low Hum
5. Rockets
6. The Day
7. The Right Thing 15 When You Are Old
8. After
9. Victoria Lucas
10. Blue Moon
11. Lie Down In Darkness
12. Stella Maris
13. The Violent Bear It Away
14. Lacrimae
15. When You Are Old

Editorial Reviews

2011 album from the Electronic artist, producer and DJ. With Destroyed, Moby introduces the listener to the strange and disconcerting life of touring that is not often exposed -- the time spent isolated in anonymous, mundane hotel rooms, airports, and backstage waiting areas. These experiences are then juxtaposed with moments of intense beauty and excitement, such as the connection that can be felt with an audience. With touring comes extensive worldwide travel, and Moby has fallen prey to insomnia most of his adult life, a condition he turns to his advantage. All of the songs on this album were written by Moby on the road during the small hours of the night, when his insomnia was in full tilt.

Customer Reviews

This is the first of Moby's albums I can say that almost every single song is excellent.
j0rd4n
I just want to say, if you are a real fan of moby and not just waiting for him to put out another "Play" album, then you are in for a treat with this one.
Luke P Narlee
It is a great album to play when you are at home alone, or hear it in your car on a long drive from city to city.
T. M. Tikhomirov

Most Helpful Customer Reviews

68 of 70 people found the following review helpful By Luke P Narlee on May 17, 2011
Format: Audio CD
I just want to say, if you are a real fan of moby and not just waiting for him to put out another "Play" album, then you are in for a treat with this one. I can't for the life of me figure out why all the critics are bashing this one and saying it's boring. What I personally love most about moby is how so many of his songs are able to hit my emotional core like no other artist. This is like an entire album of those types of songs and they all flow together perfectly, I love it. He's not trying to entertain you or help you pass the time here, there is real human emotion put into this. No it won't make you want to hit the dance floor, but it could easily stir up thoughts you didn't realize were buried so deep. So please ignore all the critics on this one. Just Turn it on, sit back, listen and reflect upon life and all the beauty that it can provide.
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33 of 34 people found the following review helpful By A. Ort on May 24, 2011
Format: Audio CD Verified Purchase
Let me explain the title line...if you have the time...

I first heard Moby circa 1993 when a friend played me his 'Move' EP. I was diving headlong into the world of the rave culture and Moby was well known in this culture. I fell in love with his music immediately. His 'Ambient' disc and 'Everything Is Wrong' were albums in heavy rotation during a period of serious soul searching. There was something transcendent, ethereal almost, in the way he was able to craft a song.

For those long, dark nights, yet blissful in a melancholy kind of way, his music was the perfect fit.

I smiled as his music became hugely popular and ubiquitous (you know, the 'oh, you're just discovering him' kind of thing). His amalgam of old gospel songs and catchy electronica was, at the time, cutting edge. After his '18' release, however, I had moved on to other sounds and dabbled in his music at best, though I found the 'Hotel' album to be a move forward as he added more and more vocals.

Anyhow, when I read the blurb on the late night, isolated insomniac vibe of this album somehow I just knew...

There is a melancholy sound that is a throwback to his early works yet the changes and growth of his later releases are meshed into one here sounding comfortable yet completely fresh. It feels highly personal and mature, pensive yet peaceful. He creates beautiful, sometimes sad, sometimes blissful, orchestral electronic music that gets into your headspace and takes you places.

I'll leave out the details but I had an epiphany of sorts while listening to this album and as the epiphany deepened (at 70+ mph on the highway, mind you) as 'Lacrimae' played it felt like a religious experience. Deep, deep bliss.

The album is best absorbed as a whole, as an experience, headphones or long drives late at night highly recommended.
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24 of 25 people found the following review helpful By Nse Ette TOP 1000 REVIEWER on May 17, 2011
Format: Audio CD
"Destroyed" continues along the path taken on Moby's last album "Wait For Me" but with dark and light hues sharply contrasted this time. It was apparently recorded while Moby was touring and suffering from insomnia at night.

Opening is the ambient instrumental "The Broken Places", and there are many more where that came from; the upbeat "Sevastopol", the cinematic cathedral "Stella Maris", and "The Violent Bear It" (with swirling keys and gentle beats midway that rise to a chiming crescendo).

Some songs like "Be The One" have repetitive lyrics acting as flourishes in the same way as say synths. "The Low Hum" is an echoey ballad with female vocals. The Bowie-style "The Day" is light Rock (with existential questioning lyrics, written after the passing of his mother), while "Lie Down In Darkness" features gloomy soulful female vocals remniscent of tracks from "Play". "The Right Way" features languid female vocals over cascading keys and lush strings.

There are a few Dancefloor moments; "Victoria Lucas" (with hummed vocals and which takes a while to build), the dramatic "After" (with vocodered vocals and Moby's juxtaposed with Middle Eastern-sounding harmonies), the Eurodisco "Blue Moon" (with male vocals), and the Giorgio Moroder-inspired "Sandpaper" (with repetitive sampled female vocals and available as a download on Amazon).

As I earlier stated, "Destroyed" features enough contrast to make it devastating!
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12 of 13 people found the following review helpful By Boy on November 22, 2011
Format: Audio CD Verified Purchase
I've been a Moby fan since EVERYTHING IS WRONG dropped in the early '90s, and have to say that DESTROYED is his most consistently beautiful record. May not necessarily be his most popular or danceable or ambitious record, but it is the most beautiful. Hands down.

I think most of the negative and blase reviews came from "critics" and assorted media pinheads who only listened to parts of the first couple tracks. An unfortunate and increasingly common practice these days - to pass judgement on a record after only skimming through portions of the first two or three cuts.

But yes, DESTROYED does begin on a mellow note...it's a fairly slow-paced record, after all. It does not attempt to instantly clobber you with mile-a-minute dance beats, yowling vocal samples, or rat-a-tat synth assaults.

It's also not front-loaded with the most obviously impressive tracks, so most of those derisively aforementioned "critics" (coughs) never even had a chance to take in the content of the record they were supposedly reviewing. Point in case: my personal favorite track is the penultimate "Lacrimae," a gently powerful instrumental that almost imperceptibly slow-builds its way to towering heights of soul-stirring cathartic beauty. But in our increasingly ADD-addled, info-blip obsessed, faster/louder/dumber culture, how many will even be able to appreciate such a song? (insert depressed sigh)

And most of the songs here are structurally similar to "Lacrimae" in that they begin sparsely, with just a techno-bleep here and a whispery sound-swirl there, and gradually expand in both musical complexity and emotional wallop. In other words, some measure of patience, focus, and faith are required to effectively enter the electro-cathartic Mobyscape of DESTROYED.
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