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The setting is Los Angeles in the 1940s, probably the most fruitful noir time and place there is. During those boom years of post-war expansion, a man could make a good living and even buy a place of his own.
That's all that Easy Rawlins wants. When he's laid-off, though, he can't make his mortgage. He's going to lose his house and he'd rather do almost anything than that. He finds, though, that he has to do more than he bargained for.
When a mysterious white man offers him $100 to find a missing white woman, it seems simple enough. Nothing, of course, is ever as it seems. Rawlins quickly finds himself in trouble and there is no easy way out. It takes a hardness that he tries to hide for him to come out alive.
For a first novel, this book is very solid with a lot of personality. Mosley captures a people and culture that we don't get to read much about. Easy is a good, fresh character; one of the best new entries to the mystery scene in a while.
This book is recommended to everyone who enjoys a good hard-boiled mystery, especially fans of Raymond Chandler, Dashiel Hammett, and Ross Macdonald
The plot sounds typical, but Mosley's writing is anything but. Mosley paints a clear and atmospheric picture of racial segregation in post-war L.A., but that picture is not overexposed. Easy not only has to endure the dangers of finding this girl, he must do it in a hostile background where white policemen and higher-ups look for any type of crime that they might pin on him. The story of the transplanted man from the south living on the west coast is not unfamiliar, but making him a black man facing prejudice on every side makes the story more alive and the plot more tension-filled. Again, this is not done in a heavy-handed way, but with a subtle touch that makes you want to turn the pages.
Mosley is very much at home with the hard-boiled style of crime noir and it shows on every page. This is not a Hammett or Chandler re-hash. This is a fresh, lively, exciting mystery from a very fine writer. If you haven't experienced Mosley and Easy Rawlins, pick up the Blue Dress and try it on for size.
215 pages
In noir fashion, the mystery is fairly complicated, perhaps overly so with a number of minor characters who run together. As events move beyond Easy's grasp, he has to call on his old friend from Houston, Mouse, to help him out. Mouse is a thoroughly nasty bit of work, and there's some good tension between him and Easy. Ultimately, the "big" twist at the end isn't that surprising. The book is so thoroughly steeped in race that it's the only plausible solution to a number of thorny questions.
As an average hardworking black man, just trying to live with dignity in a racist world, Easy is well-drawn and sympathetic. What doesn't work as well is when he hears "the voice" inside his head, which appears at moments of stress and urges him not to take any [...] and stand up for himself. It's a device that's remarkably amateurish, given the solid control Mosley exhibits over the rest of the narrative. It should be noted that the book's female characters will probably not be to the taste of many female readers, and indeed, while Mosley seems to have a very clear comment to make about race, his take on gender is rather ambiguous.
It's a fine book, but nothing truly spectacular or new. It does a nice job of depicting LA at a certain time, but comparisons with Chandler and Ellison are a stretch, other than Chandler wrote in the same genre, and Ellison also wrote about race.