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Despite rave reviews as one of the most stylish and intelligent detective pictures in a number of years, this 1995 adaptation of
Walter Mosley's novel never found a mass audience. Too bad, because Carl Franklin's film is nearly perfect in every way, from its rich, shadowy look to its depiction of life in post-World War II black America (L.A.-style) to the acting of Denzel Washington, Don Cheadle, and others. Washington plays Easy Rawlins, an aircraft factory worker who is laid off only to find his true calling: as a private eye, albeit an unlicensed one. Hired to find a missing woman, he becomes entangled in a complex but satisfying case involving sex, corruption, racism, and of course money. Top-notch from top to bottom--and Cheadle is dangerously funny as Easy's best friend, a killer named Mouse.
--Marshall Fine
From The New Yorker
Denzel Washington plays Easy Rawlins, the hero of Walter Mosley's popular detective novels. The action takes place in 1948; Easy, an unemployed veteran, reluctantly agrees to help a shady-looking white man (Tom Sizemore) locate a woman who may be lying low in one of L.A.'s black neighborhoods. The movie, written and directed by Carl Franklin ("One False Move"), is the most enjoyable private-eye film in a long time: a modest, skillful, unfussy genre piece that tells an exciting story and lets its more serious concerns remain just below the surface, gently complicating the smooth-flowing rhythms of the narrative. When the picture is over, the details of the mystery fade pretty quickly, but the smoky, after-hours mood lingers. And although the film is full of sly perceptions about race relations, Franklin treats everything matter-of-factly: the ironies sneak up on us slowly, like the huge, harsh Southern California sun rising on the groggy survivors of a long sleepless night. Also with Jennifer Beals, Jernard Burks, Albert Hall, Terry Kinney, and Don Cheadle (who does a virtuoso comic turn as Easy's homicidal sidekick, Mouse). -Terrence Rafferty
Copyright © 2006
The New Yorker