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30 of 31 people found the following review helpful:
4.0 out of 5 stars
Cat and mouse game in the realm of ghosts, November 13, 2007
This was an entertaining read, a detective story that involved solving something other than your usual crimes; this time the supernatural is involved and who better to battle it than Felix Castor, a freelance exorcist with musical talent. Witty, charming and intelligent, he maps out the grid of the ghosts he's getting rid by playing music on his tin whistle, but this time something else is going on, for once Felix starts to care about why the ghost is haunting the Bonnington Archive, a posh literary mecca of manuscripts and forgotten memories. Instead of wanting to get rid of the pesky hooded lady in white he realizes that something fishy is going on in the seemingly civilized and proper world of art and treasures and some people have crossed moral lines resulting in a haunting. Felix has other things to worry about, a big guy named Scrub who forces him to take on other projects, a mysterious succubus summoned from hell to get rid of him - someone doesn't want him to solve the enigma - and a brothel pimp who wants him to work on his side. Suffocated by negative sources he must solve the mystery of the mute ghost while under the watchful eyes of Alice, the lady in charge who seems to run the Archive while sleeping with the boss. I liked the set up; the archives - quite an interesting place since I love libraries and various other paper storage places. It echoed of slight creepiness at night when Felix would sneak in to do his work, while seemingly alone he bumped into some things that kept threatening his life. This book was a fun read, although not too deep it still kept me interested enough to finish it in record time and the ending has quite interesting, I didn't make the connections until they were shown to me, so that's good, surprises are always welcome in my world of reading. I also liked that it left some threads running, I can only conclude that this story line will continue but with different clues and a new crime. - Kasia S.
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23 of 24 people found the following review helpful:
5.0 out of 5 stars
Comic Book Writer Makes Good on Novel, July 8, 2007
I am a big fan of Mike Carey, admittedly. I love Lucifer and HellBlazer, both comic books written by Mr. Carey. It excited me to see a comic book writer writing a novel, because I always hope it will shed more public light on what amazing writers are in the comic world right now. (There have been some great cross overs, such as Neil Gaiman, but we can always use one more.) Anyway, when I first picked up The Devil You Know and read the jacket, I thought perhaps this would be a soft-boiled version of John Constantine. I was wrong. Felix Castor is close to Constantine, no argument there. They share an attitude that is grim and at the same time blackly humorous. They're both working in the trade of the spirit world, and they both have friends with chips on the shoulder, chips pointed at them. However, "Fix" has no place for magic in his exorcisms, and does his best to be an atheist. Constantine's bread and butter is magic, and he knows too well that there is a heaven and a hell. The Devil You Know is a witty mystery with delightfully dark characters. I read it in a day, sucked into the story as sure as if Fix was playing the whistle into my ear. I loved it, I loved each character, I loved guessing at the next plot twist, and being pleasantly surprised when I was right, and more pleased when I was wrong. I'd recommend this book to anyone who enjoys a good ghost story, a good murder mystery, or just good writing, great characters, and a twisting storyline.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Damn!, October 21, 2007
I just finished the book 10 minutes ago. Mike Carey hit on every cliche of the hard-boiled detective genre. And I mean that as the highest possible compliment. All the best hard-boiled detective stories are ultimately about the murder victim, and a flawed champion seeking to lay his or her troubled ghost to rest by exposing the culprit. (For the record, I'm aware of how pompous that last sentence was. I've got a few beers in me. Give me a freakin break.) Carey adds a new layer with the supernatural element, making the victim's ghost a real rather than a metaphorical presence. The casting of an actual succubus in the femme fatale role was a nice touch, too. And no matter how outlandish the story became, Carey's feel for realistic settings and characters kept the whole thing grounded. It was gritty, disturbing, funny and surprisingly tender. At the end, Carey seemed to be laying the groundwork for a continuing series. I hope I'm right, because I'd like to read more.
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