Customer Reviews

Devils Own-Motion Picture Soundtrack

5 star:		(15)
4 star:		(14)
3 star:		(9)
2 star:		(3)
1 star:		(12)

 

 

I saw this film in the theatres and liked it well enough. Seeing it again on DVD really helped my comprehension of it.

I thought the story was told well. The filmmakers showed the contrast between the sad bitterness and violence that Brad Pitt's character endures (and embraces), and the warm loving home that Harrison Ford opens to him. We the viewers sympathise with Pitt's character, even though we know -- he's gone too far. Where can he go when he's already gone too far?

The story was well-told, the acting well-done. I am no expert on Irish accents, but I wasn't overly bothered with Brad Pitt's. I thought he did a fine job, in both his acting and his accent. Harrison Ford, as usual, gives an excellent performance. I wished I could have seen more scenes with Margaret Colin (who plays Ford's wife) because she's always good. Treat Williams did a fine job as a menacing arms dealer.

Special kudos go out to James Horner for the musical score. The first time I saw this film, I was so impressed by the music so I trotted out and bought the CD soundtrack; it's been one of my favorites ever since. Horner isn't always my #1 favorite film composer (but he's usually fine) but this beautiful Irish-themed score is something special. It supports the film admirably (which is the whole purpose of soundtrack scores) but is heart-wrenchingly exquisite to listen to on its own.

I recommend this film. Perhaps it has a few flaws, but I really enjoyed it (and was moved by it) the second time around.

Francis 'Frankie' McGuire (Brad Pitt) is one of the most wanted IRA terrorists in Belfast, Ireland. He is wanted for the murder of several police officers and army soldiers, among others. But now his group is raising the stakes. They are no longer going to waste their time with guns - they are going for missiles. So Frankie heads to New York City under the alias Rory Devaney. An Irish judge sets him up to live with the O'Meara family, headed by Sergaent Tom O'Meara (Harrison Ford), one of New York's finest. As Frankie works to overhaul a boat and deal with the slimy arms dealer, Billy Burke (Treat Williams), he finds himself growing attached to the O'Meara family and wishing that he had the opportunity to lead such a life. When Billy Burke sends men to the O'Meara house looking for his money, Frankie knows that it is time to go before he ends up harming the family who made him a part of their home for a short time. But once Tom O'Meara discovers Frankie's real identity, he isn't about to let him go...

I will be the first to admit that I didn't understand everything that was going on in the plot, but Brad Pitt's character said that "If you aren't confused [about the situation in Ireland], you don't know what is going on," and I found that to be pretty true for the whole story line. In fact, it was more of a slice of life and time passing than a story with an actual beginning and end. Aside from the plot, the movie really shines with the superb acting in the film. I truly cared for these characters, even though one of them was a terrorist shown killing several men. Harrison Ford was excellent as a cop who had to live with slightly tarnished honor to cover for his friend and he did a fine job portraying his character's inner struggle as he tried to decide what to do with Frankie. Brad Pitt was gorgeous, as usual, and I thought that his Irish accent was quite charming. Of course, I don't really know what a real Irish accent sounds like, but when Brad spoke in a soft, melodic ripple of sound, it convinced me. The supporting characters were also great, led by Margaret Colin, who played Sheila O'Meara, Harrison Ford's wife and his 'daughters' including Julia Stiles as Bridget, a snotty, always on the phone teenager who refused to admit she had a crush on Frankie, Ashley Carin as Morgan, who fell head over heels for Frankie and the charming Kelly Singer as Annie, who is the youngest and had the most interaction with the main characters. One of the best things about the film was the music, composed by James Homer. It was just beautiful and had a wonderful Irish feel to it to help draw you in. There is also a heartbreakingly beautiful song written and performed by Melissa Etheridge during the closing credits. I have to admit that the ending wasn't what I wanted it to be, but there really was no way to end this movie in a way that made it a happy "American" ending. As the movie ends, Frankie reminds us that it is an Irish story, not an American one - only American stories always have happy endings. All in all, the movie may be a bit muddled and perhaps could have been improved and cleared up, but I still think that this is a movie worth watching - especially if you are a fan of either of the leads.

OK, so I'll admit that Brad Pitt's accent is not perfect and there's no way any IRA man would be that pretty (imagine if Brad Pitt looked like Gerry Adams - I doubt he would get as many roles). But the accent is actually not that bad, and Belfast people do actually say "foks sake" quite frequently.

I agree there are some dubious moments in the plot and that the action scenes are a little far fetched, but hey, this is Hollywood, and there is enough of a "gritty realism" feel imparted elsewhere to distract the viewer from these minor inconsistencies.

Harrison Ford plays the same character he played in Patriot Games / Air Force 1 / The Fugitive, which is fine by me since I enjoyed all those movies and I am a big Harrison fan.

I didn't find the plot partucularly confusing (it's pretty straightforward really). And although I certainly wouldn't venture to say that the script delivers chapter and verse on the hellishly complicated political situation in N. Ireland, it does at least go some way to explaining the mechanisms (personal revenge, indoctrination) that drive the cycle of violence there.

And the bittersweet ending has the desired effect.

Right....I come from Northern Ireland, and I'll tell you right now most people writing reviews here (apart from a couple, you know who you are) don't have a clue what they're talking about.

This isn't a great movie but it definitly isn't a bad one either, its flawed but worth watching.
And you aren't going to understand "The Troubles" by watching a movie, you need to do some serious reading, its complex.

And....Brad Pitts accent is fine, probably the best I've heard from an American actor in a mainstream movie.

I can't understand certain reviewers' problems with Brad Pitt's accent in this movie. He sounded very much like Gerry Adams sounds, or any reporter you hear on the BBC who is from Northern Ireland, or even Liam Neeson. It's too bad that many Americans think that every Irish person sounds like the Lucky Charms leprechaun or the Irish Spring soap guy (now those are some BAD accents). There are many different accents in Ireland, just as there are different accents in the U.S.!

Why are a lof of reviewers trashing this movie because it's not as realistic as it could/should be ? IT'S A MOVIE. Nowhere did it claim to be a documentary. The story line was good and Brad Pitt did a great job. There was nothing wrong with his accent. I think they could of come up with someone better than Treat Williams to play the arms dealer.

This film shows how we, no matter how hard we try not to, have to recognize that life on any term is complex, illogical, and incredibly vulnerable to human pain. Harrison Ford proved a long time ago that he can act. In this film, Brad Pitt demonstrates that his soul knows and understands completely the depths of human suffering. This film does not condone violence, but it recognizes the horrible consequences of the human need to react to violence with violence. This is a great film!

This is a worthy to watch film, because we are talking about Alan Pakula, one of the most talented and intelligent American directors of his generation who bet for a script of beating actuality.

A young Irish terrorist goes to New York in order to broke an arms deal and get room just at home of a very honest cop (who has not the minor idea whom is lodging).

The plot resents itself, specially in what concerns the predictable final. But the initial shooting sequence is now a cult reference.

Brad Pitt is credible as the ruthless terrorist and Ford is at top level with this hard role, on one hand he has to cover a grievous mistake of his partner and the other he will have to deal with the disillusion of having lodged an outlaw of such importance, widely wanted in Europe.

Above the average, but the script had by itself major stamina to expose.

... Apparently a number of viewers, seeing Harrison Ford in the cast, expected a big action picture and were disappointed; others are riled at the perceived "pro-IRA" slant of the story; and others can't seem to get past Brad Pitt's accent. However, as an Irish-American who has spent some time in Ireland and read a lot about its past, I thought the movie did a good job of presenting the tragic and complex background of the Troubles as represented by Pitt's character, given the limitations of the film genre. No movie, including the more focused "Michael Collins", can completely explain the twists, turns and tragedy of the Irish fight for independence from Britain (which is really what it is all about) and the toll it has taken and is taking even now in Northern Ireland. But the movie, as a drama, succeeds quite well, in my opinion. Both Pitt and Ford are excellent in their parts and the plot is exciting and moving; moveover, the dialog and score are very good and, while you may not completely understand the background of the conflict, you are carried along by the humanity of the characters and the dramatic action. I consider it one of Pitt's best performances and the supporting players are also excellent (Treat Williams is a very scary "smiling evildoer".) Overall, an exciting, poignant movie well worth seeing.

Alan J. Pakula, the director who has given us such memorable films as KLUTE and MIDNIGHT EXPRESS, helms an atmospheric and brooding story of loyalty, honor, trust and friendship. Brad Pitt stars as Franky McGuire, an IRA member, who saw his father brutally murdered at the dinner table; Franky was only eight years old. As an adult, he continues a fierce mission for freedom and ends up in New York to buy missiles from creepy entrepreneur Treat Williams (coldly efficient in a role-reversal). Arrangements are made for him to room at a NYC cop's pad. The cop is the indefatigable Harrison Ford, whose honor and conscience are tested when his partner (Ruben Blades) cold bloodedly shoots a running target, who had no weapon. Things go wrong for Pitt when Ford's wife is almost killed when they interrupt a bunch of thugs looking for something from Pitt. The inevitable showdown is a good one.
Pitt and Ford are very good in their roles, although Pitt's Irish brogue is sometimes a little hard to understand. Margaret Colin as Ford's wife is good, but is given little to do in the movie. However, Natasha McElhone is wonderful as Pitt's girl friend, bringing a sensitive strength to her role as Megan.
Pitt's plight is tragic, and Ford's knowledge of this makes for the emotional struggle by the film's end.
A good, but not easy, film.