From Publishers Weekly
This second Stateside collection from England's Lopez (False Memory) brings a great range of demanding verse-techniquesAfrom collage and jump-cut to acrid ironic voiceoverAto the topic of the emerging marketplace. Lopez culled the 25 poems here from numerous U.K. small-press editionsAaccounting, in part, for the book's stylistic variety. After a rather lengthy "Jump Start," the poems proceed in alphabetical order. The truly remarkable "A Path Marked with Breadcrumbs" seizes the bombed-over, post-post-modern, self-suspicious territory somewhere between Tom Leonard and Mark Levine: "The collapsed addict mother, passed out/ under a hedge in the nineteenth century/ knows the colonial economy/ in point of fact," Lopez instructs; "For the consumption of opium or diet food/ see cultural ideal, see anorexic fix." "No-one Takes a Profit" muses on medical technology and war victims during a bicycle ride in snow; the skillfully torqued "Holding On" interrogates the lyric impulse sparked by a seaside walk. Against these prickly, finely disciplined poems, Lopez sets a number of wilder, unpunctuated short-lined works like "After," which flow in continuous, preposition-driven enjambment. The book's title refers, in Britain, to the transfer of power from London to Scotland and Wales: though few of the poems concern that particular policy, political wariness infuses, and lends strength to, the whole volume. The poet's efforts "to illustrate/ the self and its culture" give him only a few tones, but plenty of sharp ideas and forms. Ambitious, startling, bizarre, obsessive and often successful, Lopez's poems are an able foe of unchecked globalization. (July)
Copyright 2000 Reed Business Information, Inc.
Review
Alakanak Break-up
The Blue Taj
The Carmelites
Chinese Space
Duration Of Water
Empathy
Fog
Forms Of Politeness
Honeymoon
Jealousy
The Margin
Naturalism
Recitative
The Star Field
The Swan
Tan Tien
Texas
War Insurance
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Table of Poems from Poem Finder®
--This text refers to an alternate
Paperback
edition.