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Editorial Reviews
Review
"Once in Mumbai, Mr. A finds his match in Sunehri [Aishwarya Rai], a petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership! Aryan accepts. And so the game begins, a game of cat and mouse, a game of good v/s bad. The cops -- Jai, Shonali and Ali -- are after the robbers -- Aryan and Sunehri. From the deserts of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to Rio, Brazil. DHOOM 2 is modeled on the lines of the chor-police sagas that Hindi films specialized in the 1970s and 1980s. In essence, it's not a path-breaking/inventive story, but what takes the film to dizzy heights is the sequence of events that unravel at a feverish pace. Right from the start of the film [Hrithik's first heist in Namibia; the robbing of a crown from a moving train] to his next target [robbing a precious diamond from a museum in Mumbai] to the theft in Jamnagar [Hrithik and Ash come face to face for the first time], the film whets your appetite from the word 'Go'. In the first hour focuses on the cat-n-mouse game, the second hour changes tracks as it transforms into a love story. While the scenes between Uday and Bipasha [in a dual role] are cute, the ones between Hrithik and Ash build up slowly. The pace drops intermittently in this hour since the thrills are reserved for the penultimate reel, but a number of worthy sequences in this half conceal this tiny blemish. Note the turning point in the tale -- the revolver sequence between Hrithik and Ash and the lip-to-lip kiss that ensues; it's an outstanding sequence from the writing, execution and performance point of view. The pre-climax -- the robbery of man-made gold coins -- as also the climax chase are breath-taking as well. DHOOM 2 is director Sanjay Gadhvi's finest effort so far. The execution of the subject is such, you just can't help get transported to a world of make-believe. Gadhvi has handled a number of sequences with aplomb. The Hrithik-Ash sequence mentioned above is one of them. The dialogue between Hrithik and Abhishek -- after they've known each other's true identities -- is another. The final scene of the enterprise [it would be unfair to reveal it here!] is yet another sequence that indicates that the director has done his homework well. Pritam's music is fair. Barring the 'Krazy Kiya Re' track and the title track [filmed on Hrithik], the score is outright mediocre. However, the saving grace is the vibrant and energetic picturization, which takes the songs to another level. The choreography of the title track by Shiamak Davar is outstanding. Vaibhavi Merchant's choreography of 'Krazy Kiya Re' is admirable as well. Salim-Sulaiman's background score is highly effective." --bollywoodhungama.com
"Once in Mumbai, Mr. A finds his match in Sunehri [Aishwarya Rai], a petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership! Aryan accepts. And so the game begins, a game of cat and mouse, a game of good v/s bad. The cops -- Jai, Shonali and Ali -- are after the robbers -- Aryan and Sunehri. From the deserts of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to Rio, Brazil. DHOOM 2 is modeled on the lines of the chor-police sagas that Hindi films specialized in the 1970s and 1980s. In essence, it's not a path-breaking/inventive story, but what takes the film to dizzy heights is the sequence of events that unravel at a feverish pace. Right from the start of the film [Hrithik's first heist in Namibia; the robbing of a crown from a moving train] to his next target [robbing a precious diamond from a museum in Mumbai] to the theft in Jamnagar [Hrithik and Ash come face to face for the first time], the film whets your appetite from the word 'Go'. In the first hour focuses on the cat-n-mouse game, the second hour changes tracks as it transforms into a love story. While the scenes between Uday and Bipasha [in a dual role] are cute, the ones between Hrithik and Ash build up slowly. The pace drops intermittently in this hour since the thrills are reserved for the penultimate reel, but a number of worthy sequences in this half conceal this tiny blemish. Note the turning point in the tale -- the revolver sequence between Hrithik and Ash and the lip-to-lip kiss that ensues; it's an outstanding sequence from the writing, execution and performance point of view. The pre-climax -- the robbery of man-made gold coins -- as also the climax chase are breath-taking as well. DHOOM 2 is director Sanjay Gadhvi's finest effort so far. The execution of the subject is such, you just can't help get transported to a world of make-believe. Gadhvi has handled a number of sequences with aplomb. The Hrithik-Ash sequence mentioned above is one of them. The dialogue between Hrithik and Abhishek -- after they've known each other's true identities -- is another. The final scene of the enterprise [it would be unfair to reveal it here!] is yet another sequence that indicates that the director has done his homework well. Pritam's music is fair. Barring the 'Krazy Kiya Re' track and the title track [filmed on Hrithik], the score is outright mediocre. However, the saving grace is the vibrant and energetic picturization, which takes the songs to another level. The choreography of the title track by Shiamak Davar is outstanding. Vaibhavi Merchant's choreography of 'Krazy Kiya Re' is admirable as well. Salim-Sulaiman's background score is highly effective." --bollywoodhungama.com
"Once in Mumbai, Mr. A finds his match in Sunehri [Aishwarya Rai], a petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership! Aryan accepts. And so the game begins, a game of cat and mouse, a game of good v/s bad. The cops -- Jai, Shonali and Ali -- are after the robbers -- Aryan and Sunehri. From the deserts of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to Rio, Brazil. DHOOM 2 is modeled on the lines of the chor-police sagas that Hindi films specialized in the 1970s and 1980s. In essence, it's not a path-breaking/inventive story, but what takes the film to dizzy heights is the sequence of events that unravel at a feverish pace. Right from the start of the film [Hrithik's first heist in Namibia; the robbing of a crown from a moving train] to his next target [robbing a precious diamond from a museum in Mumbai] to the theft in Jamnagar [Hrithik and Ash come face to face for the first time], the film whets your appetite from the word 'Go'. In the first hour focuses on the cat-n-mouse game, the second hour changes tracks as it transforms into a love story. While the scenes between Uday and Bipasha [in a dual role] are cute, the ones between Hrithik and Ash build up slowly. The pace drops intermittently in this hour since the thrills are reserved for the penultimate reel, but a number of worthy sequences in this half conceal this tiny blemish. Note the turning point in the tale -- the revolver sequence between Hrithik and Ash and the lip-to-lip kiss that ensues; it's an outstanding sequence from the writing, execution and performance point of view. The pre-climax -- the robbery of man-made gold coins -- as also the climax chase are breath-taking as well. DHOOM 2 is director Sanjay Gadhvi's finest effort so far. The execution of the subject is such, you just can't help get transported to a world of make-believe. Gadhvi has handled a number of sequences with aplomb. The Hrithik-Ash sequence mentioned above is one of them. The dialogue between Hrithik and Abhishek -- after they've known each other's true identities -- is another. The final scene of the enterprise [it would be unfair to reveal it here!] is yet another sequence that indicates that the director has done his homework well. Pritam's music is fair. Barring the 'Krazy Kiya Re' track and the title track [filmed on Hrithik], the score is outright mediocre. However, the saving grace is the vibrant and energetic picturization, which takes the songs to another level. The choreography of the title track by Shiamak Davar is outstanding. Vaibhavi Merchant's choreography of 'Krazy Kiya Re' is admirable as well. Salim-Sulaiman's background score is highly effective." --bollywoodhungama.com
"Once in Mumbai, Mr. A finds his match in Sunehri [Aishwarya Rai], a petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership! Aryan accepts. And so the game begins, a game of cat and mouse, a game of good v/s bad. The cops -- Jai, Shonali and Ali -- are after the robbers -- Aryan and Sunehri. From the deserts of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to Rio, Brazil. DHOOM 2 is modeled on the lines of the chor-police sagas that Hindi films specialized in the 1970s and 1980s. In essence, it's not a path-breaking/inventive story, but what takes the film to dizzy heights is the sequence of events that unravel at a feverish pace. Right from the start of the film [Hrithik's first heist in Namibia; the robbing of a crown from a moving train] to his next target [robbing a precious diamond from a museum in Mumbai] to the theft in Jamnagar [Hrithik and Ash come face to face for the first time], the film whets your appetite from the word 'Go'. In the first hour focuses on the cat-n-mouse game, the second hour changes tracks as it transforms into a love story. While the scenes between Uday and Bipasha [in a dual role] are cute, the ones between Hrithik and Ash build up slowly. The pace drops intermittently in this hour since the thrills are reserved for the penultimate reel, but a number of worthy sequences in this half conceal this tiny blemish. Note the turning point in the tale -- the revolver sequence between Hrithik and Ash and the lip-to-lip kiss that ensues; it's an outstanding sequence from the writing, execution and performance point of view. The pre-climax -- the robbery of man-made gold coins -- as also the climax chase are breath-taking as well. DHOOM 2 is director Sanjay Gadhvi's finest effort so far. The execution of the subject is such, you just can't help get transported to a world of make-believe. Gadhvi has handled a number of sequences with aplomb. The Hrithik-Ash sequence mentioned above is one of them. The dialogue between Hrithik and Abhishek -- after they've known each other's true identities -- is another. The final scene of the enterprise [it would be unfair to reveal it here!] is yet another sequence that indicates that the director has done his homework well. Pritam's music is fair. Barring the 'Krazy Kiya Re' track and the title track [filmed on Hrithik], the score is outright mediocre. However, the saving grace is the vibrant and energetic picturization, which takes the songs to another level. The choreography of the title track by Shiamak Davar is outstanding. Vaibhavi Merchant's choreography of 'Krazy Kiya Re' is admirable as well. Salim-Sulaiman's background score is highly effective." --bollywoodhungama.com
"Once in Mumbai, Mr. A finds his match in Sunehri [Aishwarya Rai], a petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership! Aryan accepts. And so the game begins, a game of cat and mouse, a game of good v/s bad. The cops -- Jai, Shonali and Ali -- are after the robbers -- Aryan and Sunehri. From the deserts of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to Rio, Brazil. DHOOM 2 is modeled on the lines of the chor-police sagas that Hindi films specialized in the 1970s and 1980s. In essence, it's not a path-breaking/inventive story, but what takes the film to dizzy heights is the sequence of events that unravel at a feverish pace. Right from the start of the film [Hrithik's first heist in Namibia; the robbing of a crown from a moving train] to his next target [robbing a precious diamond from a museum in Mumbai] to the theft in Jamnagar [Hrithik and Ash come face to face for the first time], the film whets your appetite from the word 'Go'. In the first hour focuses on the cat-n-mouse game, the second hour changes tracks as it transforms into a love story. While the scenes between Uday and Bipasha [in a dual role] are cute, the ones between Hrithik and Ash build up slowly. The pace drops intermittently in this hour since the thrills are reserved for the penultimate reel, but a number of worthy sequences in this half conceal this tiny blemish. Note the turning point in the tale -- the revolver sequence between Hrithik and Ash and the lip-to-lip kiss that ensues; it's an outstanding sequence from the writing, execution and performance point of view. The pre-climax -- the robbery of man-made gold coins -- as also the climax chase are breath-taking as well. DHOOM 2 is director Sanjay Gadhvi's finest effort so far. The execution of the subject is such, you just can't help get transported to a world of make-believe. Gadhvi has handled a number of sequences with aplomb. The Hrithik-Ash sequence mentioned above is one of them. The dialogue between Hrithik and Abhishek -- after they've known each other's true identities -- is another. The final scene of the enterprise [it would be unfair to reveal it here!] is yet another sequence that indicates that the director has done his homework well. Pritam's music is fair. Barring the 'Krazy Kiya Re' track and the title track [filmed on Hrithik], the score is outright mediocre. However, the saving grace is the vibrant and energetic picturization, which takes the songs to another level. The choreography of the title track by Shiamak Davar is outstanding. Vaibhavi Merchant's choreography of 'Krazy Kiya Re' is admirable as well. Salim-Sulaiman's background score is highly effective." --bollywoodhungama.com
About the Actor
Hrithik Roshan, fondly known as Duggu by his near and dear ones, was born into a filmi family on the 10th of January, 1974. He got a taste of Bollywood as a child, when he appeared in the film Aasha (1980), Aapke Deewane (1980) and Bhagwan Dada (1986). But it was the year 2000 that made people sit up and take note.2000 Kaho Na Pyaar Hai, a love story directed by his father, in which he starred opposite newcomer Amisha Patel was an exceptional success, winning eight Filmfare awards among countless others, two of which landed with Hrithik for Best Debut and Best Actor
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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
5.0 out of 5 stars
"He's the perfect thief!",
By CodeMaster Talon (Orlando, FL United States) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Dhoom 2: Bollywood Movie (DVD)
You know you are watching a great film when at a critical point your friend falls off the couch you are sitting on, crawls on her knees to the TV, grabs the screen and proceeds to yell at the movie. That is greatness my friends. "Dhoom:2" is far and away, hands down, no debate about it the most wonderful Bollywood film I have ever seen. Reaching heights of loopiness unheard of in western film, Dhoom 2 is flat-out goofy until it gradually becomes genuinely compelling. If you have never seen a Bollywood film and are looking for a place to start, please please do yourself the enormous favor of paying a few dollars to buy this film.
Abhishek Bachchan stars as Jai, a straight-edge cop on the hunt for Mr. A, the world's most successful thief (Hrithik Roshan; much more on him in a minute). He is hampered in his quest by his inept friend Ali (Uday Chopra, so painfully unfunny he elicits an occasional chuckle) and aided by his beautiful partner Shonali (Bipasha Basu, in a thankless dual role). Things get complicated when a second thief, Sunehri, (Aishwarya Rai) shows up, determined to catch the attention of Mr. A (and fellas, I think you must admit her plan to get his attention is pretty darn good, especially the outfit.). As is typical in Hindi films, subplots are abandoned half-way through the film and characters disposed of at whim, although you probably won't care as long as the focus remains on our two thieves. The chemistry between Rai and Roshan is white hot and their evolving attraction is the beating heart of the story. And now, a paragraph devoted entirely to Hrithik Roshan. I'm not going to mince words here; Roshan is the most beautiful man alive. He is heart-stoppingly, soul-crushingly gorgeous. He is also a great dancer, a talented actor and constantly exhibits a mischievous sense of humor. In every one of his films he exudes manliness and authority even when forced by the script to do incredibly silly things ("Dhoom:2" has Roshan dressing up as the Queen of England and strumming a mandolin as one of Snow White's Seven Dwarfs. And still, so sexy.). In short, Roshan in this film and indeed in all his films embodies my idea of how a man should think, act, and oh most especially, look. Watch the way he holds Aishwarya Rai's face as he tells her her life belongs to him. See his stricken look as he spies on her from the Rio Carnival parade (sparking my little sister to wonder "why she doesn't notice the incredibly hot clown.") Witness his kitchen rebellion and demands for payment. Who wouldn't give this man anything he asked for? Especially if he asked for that? Great dance numbers, fantastic soundtrack, brilliantly shot, well-acted, cheesy, sweet, romantic, and in the end, mesmerizing. I can't recommend this movie enough. If Hollywood insists on churning out "romantic comedies" that posses neither romance nor comedy, you have to look elsewhere. Look here. GRADE: A+ Two words for you: Wet. Basketball. (PS For further viewing of Hrithik Roshan, please watch "Krrish", a cross between "George of the Jungle", "Superman" and "Paycheck". It must be seen to be believed.)
3 of 3 people found the following review helpful:
3.0 out of 5 stars
Movie - Lots of Mindless Fun; But Forget It Being a 2-DVD Set!,
Amazon Verified Purchase(What's this?)
This review is from: Dhoom 2: Bollywood Movie (DVD)
As a Bollywood version of a slam-bang action-packed mindless fun ride, DHOOM 2 certainly delivers. It's got mad (sometimes CGI-aided, sometimes not) stunts, high-octane action sequences, some cute comedy bits, and very catchy musical numbers extremely-well danced. It's got a talented and engaging cast with Abhishek Bachan returning as "Supercop" Jai Dixit and Uday Chopra as his comic relief partner Ali, the charismatic and athletic Hritikh Roshan as gentleman "Superthief" Mr. A, the stunning Aishwarya Rai as cocky female thief Sunehri who has some secrets of her own, and Bipasha Basu in a fun double role as Dixit's college sweetheart Deputy Superintendent Sonali Bose and her comically Americanized sister/cousin/who cares Monali - so Ali can have a love interest just as silly as himself for once! As Indian fans have pointed out, the only thing missing is a coherent script - there are excellent dramatic and romantic bits as well as the expected action and comedy ones, but the plot barely holds together and doesn't even pretend to have more than a vague acquaintance with its predecessor, DHOOM.
Even so, I'd have given this movie four stars rather than three simply because it's a delightful example of its genre-bending - a hilariously testosterone'd cop adventure, with singing, dancing and get-out-your-hankies melordrama. However, it appears that Amazon has misrepresented this as a two-disc set, when there's only one disc in the package. I sent the first one back and got a (one-disc) replacement, so I know it wasn't just a glitch in shipping - they're not selling the two-disc set advertised at double the cost of the one-disc set also available here. If Amazon would fix that, I would happily up my review....
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Dhoom2,
By
Amazon Verified Purchase(What's this?)
This review is from: Dhoom 2: Bollywood Movie (DVD)
This movie is a great entertainment - lots of eye candy as all of the cast is in incredible shape and knows how to show it :-), fantastic dance choreography, fashion details and catchy music, creative plot and ending ... . However, you cannot analyze this movie too much wondering how would all this worked in a real life - just enjoy the show!
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