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Product Details
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| 1. Minor Keys |
| 2. God Forbid |
| 3. Concentrate |
| 4. Who Said It's Easy |
| 5. M23 |
| 6. Taxi |
| 7. Automatic |
| 8. Altercation |
| 9. Mr. Martin |
| 10. I Love You Like The Early Bird |
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Dial M for Mind-Blowing!,
By
This review is from: Dial M (Audio CD)
Is that a corny review title? I don't know and I really don't care. I once reviewed an SF59 album on Amazon when I was in high school, and 7 years later my coworkers found it and made fun of me because of just how highly I speak of Jason Martin and his work. His is seriously some of the best music out there.
This album is great--it's a bit toned down from the poppy fun of "My Island," so be prepared, but it feels right. Martin evolves a bit from album to album, and this feels like the proper next step. Absolutely pick this up, give it a listen, pop in "Americana" or "Gold" next, and ask yourself if any other musician on the scene is producing such diverse and engaging work.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
A great return to form for SF59,
By
This review is from: Dial M (Audio CD)
The Ghosts of the Future 7" box set gave us a taste of what was coming and the release of the full-length confirmed what we were all thinking, Dial M is the best Starflyer 59 record since Old. While My Island and Talking Voice vs. Singing Voice all had their bright spots, neither of them had me returning to them on a consistent basis. The songwriting is top notch and Jason's voice sounds better than it ever has.
5.0 out of 5 stars
Restored my Faith in Mr. Martin,
By
This review is from: Dial M (Audio CD)
Back in the day, I snapped up all of SF59's early stuff, but I lost interest after "Americana". Then I heard "Minor Keys" on Tony Shore's Obviouspop podcast, and I was immediately hooked again. Jason Martin channels Johnny Marr perfectly to craft a contemporary Smiths-style song that both transcends anything Morrissey/Marr wrote and is the single best track Jason has ever recorded. This isn't surprising, given the fact that the Smiths' The Queen is Dead is a self-acknowledged favorite of Jason. The rest of the album maintains that high standard. Jason is finally comfortable in this style of pop/rock music, with confident vocals that are clearly discernible, and beautiful melodies that are recorded with ringing guitars. It's nice to hear an artist unashamedly craft a collection of fine pop tunes, albeit with thoughtful lyrics. This is the one SF59 album I own (and I own all of them) that I return to again and again.
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