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5 of 5 people found the following review helpful:
3.0 out of 5 stars
I CAN'T BELIEVE ALL THE GREAT REVIEWS!, August 3, 2006
This book is a tease - it calls itself a novel of "suspense," but there is no real suspense, and any suspense that there actually is is left unrequited in the end. You go through the entire book waiting to find out why Tory killed her six co-workers. You never find out, and the ending is the biggest cop-out since "Son of Rosemary, The Sequel to Rosemary's Baby". How could the publisher have allowed the author to end this book in that cliched fashion? I felt truly cheated.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
Spignesi breaks new ground in impressive fiction debut, May 27, 2005
After a lifetime of writing nonfiction on every possible conceivable--and some clearly inconceivable--subject under the sun, Stephen Spignesi switches gears and wrote his first novel. As most writers well tell you, switching gears like this isn't easy: Stephen King, in fact, is on record saying that he rarely writes book-length fiction because, as he discovered, after writing DANSE MACABRE, it's plain hard work, whereas storytelling (i.e., writing fiction) is for him like stretching out in a hammock on a warm summer afternoon. With this book, Spignesi has gone into high gear. Rather than self-publish, publish an e-book, or publish this as a print-on-demand book -- all the things lesser writers do just in an attempt to get in print -- Spignesi set his sights high and went to the largest publisher in the world, Random House, where he found the kind of enthusiasm for the work he was looking for. The result is the right author at the right house, and the result for you, the reader, is a compelling, unputdownable read from page on to the final page. More a novel of character than plot, Spignesi gets deep inside the head of Victoria ("Tory") Troy. Most of the book, as the title suggests, is written in dialogue, which is a neat trick to pull off: I can't think of a lot of veteran fiction writers who would have attempted it, since writing convincing dialogue is damned tough. One false note, one misplaced word, and the dialogue sounds, and reads, like pulp fiction. Of the story itself, I would be doing you a disservice if I were to tell you the plot. Besides, it ain't the plot that's important -- it's the telling. Spignesi, who has dozens of nonfiction books under his belt, has an authoritative storytelling voice that serves him well in his fiction. The confidence he shows in the storytelling is more like that of a veteran storyteller who knows his craft. Spignesi knows what he's doing. And of the ending, well, don't expect me to tell you the butler did it. Go read this fascinating, intriguing, compelling, and damned impressive first novel for yourself and make up your own mind. This is an impressive first fiction debut and heralds the arrival of a new, important voice of a writer who goes on my list of Writers to Watch.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars
A Fascinating, Gripping Suspense Novel., April 29, 2005
'Dialogues' is a "MUST READ" for all fans of suspense, drama, horror, mystery, legal thrillers! It's the gripping tale of a young woman named Victoria (Tory) Troy. Though young, she's exceptionally bright, has a very charming personality, and has formed many insightful concepts about how the world, and the people in it, treat each other... and animals. She's an animal lover at heart, but has decided to take a job as a Euthanasia Technician at a local Connecticut Animal Shelter. Every Friday, she's in charge of the detestable act of putting large numbers of animals "to sleep." She hates her job, obviously, but needs the money to survive. Unfortunately, her job finally gets to her, and she snaps under the pressure. Six people are now dead. Enter Dr. Baraku Bexley. Bexley, the doctor assigned to her case, at the local Psychiatric Hospital, where Tory now resides under lock and key, interviews Tory extensively to determine if she's fit to stand trial. Through many conversations (dialogues) with Tory, her family, a former teacher, and others involved in the case, Bexley makes an informed decision. Now, it's in the hands of the Jury. This is a captivating, "can't put down" book! From Prolugue to Epilogue, Stephen Spignesi takes the reader on an unforgettable journey. "Tory's story" is beautifully crafted, with an ending that packs a punch! On a more personal level, I've read many of Spignesi's non-fiction books: all his Stephen King work, The Robin Williams Scrapbook, The Odd Index, The Cat Book of Lists, The Complete Titanic, What's Your Mad About You I.Q., What's Your Friends I.Q, just to name a few. So I was already aware that he's an exceptional writer! Dialogues, his first novel, blew me away. It went so far beyond my expectations of what a "first novel" could be. It's well thought out, it's brilliantly written, the characters evolve from "words on a page," into real people. Their voices, through the many dialogues, are heard loud and clear. The crime is gruesome, yet - I believe - Tory will remain beloved to all who read the story that unfolds.
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