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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Thoroughly professional--I'm referring to the book, January 22, 2008
Even with Randy's third opus on Miss Ross I haven't any more of a clue as to who or what she really is but if you've bought the previous two books don't think this is just a rehash. It's a new book and impeccably researched and impeccably written. He's done his damnest to try to bring the complete person to the pages. Ross' own book showed she hasn't got a clue about who she really is (and, good grief, all the information and dates she had wrong or confused) and that she is the center of her universe, not the most sensitive to the feelings or viewpoint of others she's worked with. Since she'll never write the whole story, this book will do nicely. The most significant observation Randy makes is Ross' multiple personalities--almost every star in show business has them, a combination of sheer guts and ambition and power with total insecurity. It drives everyone around them nuts. (But not every star is a bundle of contradictions--some are in show business but not of show business and live their lives right side up.) As for Ross, I love her work--a fabulous career still chuggin' ahead--but I'd never want to get in her way.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Who Is Diana Ross?, September 18, 2007
In J. Randy Taraborrelli's new biography on Diana Ross, he gives us the widescreen version of his earlier offering on this subject, Call Her Miss Ross. By that I mean that CHMR definitely dealt more with Diana Ross' reactions, behaviors and idiosyncrasies while Diana Ross, A Biography details the stories, situations and circumstances which resulted in those reactions. The whole picture in other words and finally answers the question, "who is Diana Ross"? I especially appreciated the three dimensional study of The Supremes and Diana's relationships with her former singing partners. Her relationship with her mother and father are quit different from each other and as a result have laid the foundation for a very complex, and at times, insecure personality. Further family relationships are examined and have painted a picture of a very family oriented Diana Ross that I didn't know existed (at least before her children were born). Robert Ellis, Berry Gordy, RCA, the ill-fated Supremes reunion tour, Arne Naess, the return to Motown, movies, television...all of it is examined fairly and carefully. Whether you are a Diana Ross fan or not, if you like reading biographies you will get your fill with this one as Diana's story is truly an American Dream come true.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars
A Hit, Not A Miss, September 10, 2007
Diana Ross has been a favorite of mine since I first heard her sing on the radio in 1964. I saw the Supremes perform dozens of times, and Diana Ross Solo another dozen, most recently in April 2007 in Atlantic City. I had the pleasure of having dinner with the Supremes at the home of their road manager in Cherry Hill, NJ during their first Latin Casino run.
I've read every book written about Diana Ross and the Supremes, and there have been a lot of them. I always felt that they ranged from the banal to the biased-against to the blindly-loyal (for example, the recent A Lifetime To Get Here: Diana Ross: The American Dreamgirl was written by an author with intensely Ross-colored glasses, and Diana's own "autobiographical" Secrets of a Sparrow was simply insipid). The only book of the crop that I thought painted an interesting, complex, full portrait of the diva I love was Call Her Miss Ross, written by J. Randy Taraborrelli in 1989.
Now, 18 years later, I can add a second book to the positive list: Diana Ross: A Biography, also by Taraborrelli. Rather than simply tacking on additional chapters covering the last 18 years, Taraborrelli has rethought and restructured the overall work. When Call Her Miss Ross was published, it had been 25 years since the first Supremes hit; the new Diana Ross: A Biography arrives 43 years after that hit, so the history (like me) has become a bit more ancient and can be viewed a bit differently.
What is good about the new book? No Diana book has been better researched (see the nine pages of acknowledgements). Taraborrelli had access to every key player in the Motown, Supremes, and Diana Ross saga. He writes quite well, so it is a pleasure to work through the 526 pages (I bought the version published in the UK at the beginning of the year; there it is called Diana Ross: An Unauthorized Biography). The photos are of top quality (not like some books where the photos look like Xerox copies). But most importantly, the book paints a rich, deep, thorough portrait of an amazing woman. She comes off as someone it would be interesting to know.
The story is fascinating--the impact of Diana Ross and the Supremes is huge, on music, Broadway, film. This book takes us closer to "reality" than anything else.
As Taraborrelli says in his introduction, the name "Diana Ross" prompts a strong reaction from almost anyone who sees it. I'm surprised that his books prompt such anger. Diana Ross: A Biography is a captivating and enthralling story of an amazing woman.
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