Customer Reviews

Diaries de Motocicleta

5 star:		(14)
4 star:		(4)
3 star:		(2)
2 star:		(0)
1 star:		(0)

 

 

Santaolalla, a legendary producer in the Latin Rock world, pulls together his third soundtrack in "The Motorcycle Diaries", stepping into more eclectic terrain than with "Amores Perros" or "21 Grams", both of which borrowed much musically from his first solo album, "Ronroco".

Though "Motorcycle Diaries" doesn't escape the influence of that pivotal album in his career (it contains one track from it, the very appropriate and mellow "De Ushuaia a la Quiaca"), it does experiment with elements that are new to his solo work, such as electric guitars... this may not sound as much to those new to Santaolalla's music, but having heard mostly traditional string instruments and background keyboards in all his previous solo work, and the use of the bandoneon as well in the OST for "21 Grams", this struck me a bit. But it worked beautifully.

If you want to imagine how this album sounds, blend the sound of Daniel Lanois and Ry Cooder while thinking what songs they'd be moved to compose while riding down a South American river, or chopping through the thickness of a forest in Peru or Bolivia, and you are there! The final production value and the ability of the music to take you to the South American spaces where the story for "The Motorcycle Diaries" unfolds is simply incredible. Very deserving of five stars.

I've read the book. I've seen the movie. Now I've heard the soundtrack. "The Motorcycle Diaries" could very well become a cottage industry. Luckily, this disc turns out to be a lovely evocation of the roundabout trek that Ernesto (Che) Guevara took with his best buddy Alberto Granado from their native Buenos Aires to Caracas in 1952, well before he became an icon for Communist revolutionaries in underdeveloped countries.

Argentinean composer Gustavo Santaolalla (who also scored "Amores Perros") has perfectly captured their impassioned spirits on the open road as they experience the elements and meet the people that change their lives. Santaolalla's beautiful score is seamlessly dream-like and rugged, the perfect background travel music as it draws on a variety of flavors in Latin music. Though mainly guitar-led instrumentals, the recording also has jazz and rock elements driven by African drums and Latin rhythms. I agree with the consensus that says his music sounds a bit like Ry Cooder, and I'd also add Earl Klugh and the Buena Vista Social Club for good measure. There are a couple of memorable vocal numbers such as the charming "Chipi Chipi" (where Guevara and Granado dance with the Chilean locals who think they are celebrity doctors) and the melancholy last track, "Al Otro Lado del Río", sung by Jorge Drexler. This fusion of traditional and contemporary sounds is flawlessly mastered by the composer and works for the listener whether you have seen the film or not. But of course if you have seen the film by Walter Salles, you will certainly have the benefit of being taken back to the images of that mesmerizing cinematic work. Speaking of which, there is a nice booklet of diary quotes and photos from the film included with the CD. It would have been nice to have a little more variety among the tracks and also been helpful to tell us where each track plays specifically in the film, but these are minor quibbles. This is quite a poetic soundtrack.

I just recently went to Peru and Bolivia for a month, and this soundtrack was on my iPod. I'm so happy it was on there.

On the breath-taking bus ride to Machu Picchu, the tourists next to me kept yammering on about shampoo. I turned on this soundtrack to drown them out, and the spiritual experience was salvaged.This is the first time I've every truly felt indebted to a CD.

While some of the music I heard while travelling was truly amazing, at the same time there is only so many times you can hear "El Condor Pasa" before you want to stuff cotton in your ears. This gorgeous soundtrack was a great relief. It takes the traditional sounds of South American music and makes them sound modern. Occasionally minimalist, occasionally wild, but always very polished and haunting. Don't go to South America without it.

When I went to the Cinema to see this movie I wasn't sure if I really want to go...

But then I was thrilled by this fantastic journey!

And so was the soundtrack - Fabulous! After the excellent 21 Grams soundtrack this one is much better! It's quiet with subtle guitar chords! Atmospheric like the magnific landscapes!

Touching! Beautiful! Great!

I was initially impressed by the number of tracks on the CD, however on further inspection I noticed this was achieved due to the length (or lack thereof) of tracks and an appropriate "Ah Ha!" response was emitted.

To use the old addage "It's not quantity, it's quality" in this case would be an understatement.

The talent of the various artists, variety and complexity of the music, and the authenticity created an imaginitive atmosphere that had me sitting in an Argentinian (or Peruvian) bar drinking organic coffee whilst patting a llama, after a hard day spent on the back of a Norton 500. (You get the idea anyhow).

It is equally enjoyable played loudly enough to share with a city block, so you can hear it while mowing the lawn, or quietly as background music (watching someone else mow your lawn).

An excellent soundtrack, to accompany an excellent film, is money well spent.

This is indeed a great effort by this very talented composer. The music never gets boring, it's always shifting gears, which it's not surprising , since it is -after all- the original Soundtrack for the equally original movie. At times becomes similar to middle eastern pieces, at others undoubtedly South-American. This is a classic example of what one might call 'evolutionary' music which by no means should be confused with a revolutionary kind. Tune your ear, earn some peace for yourself and if you can use your HEADPHONES for a better effect.

yours truly,

Rene

Perfect CD to bring along for a long drive when you want to relax and not let the outside world (traffic etc) bother you. Perfect for the summer or anytime of year. Even if you didn't see the film you would still enjoy this. Also nice for background party music.

This CD is a hit but just one correction to the editor's review:

The Director of this movie is Brazilian and not from Argentina.

Thanks

Andre

The songs are all riveting with the classic Argentinian acoustic guitar music and take me back to the scenes of the film. This is the music and movie that inspired me to join Peace Corps and learn about cultures other than mine. It also inspired me to learn to play the acoustic guitar and sing "Al Otro Lado del Rio," one of the last tracks on the album. A must have item if you enjoyed the movie and are inspired by personal transformation.

Inspiring story about the life of two amazing men. Have recently watched three times. Beyond the story content, am in love with the soundtrack. However, the piece that won't leave my head is the dance scene after dinner where the music is played on piano while Alberto dances with Ernesto's girl. Am consumed by this piece and cannot find it on the soundtrack or the name. Can anyone help? I really need to find a recording of this piece. Perhaps, Juan, you can help?