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Diary: A Novel Paperback


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Frequently Bought Together

Diary: A Novel + Lullaby + Choke
Price for all three: $33.71

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  • Lullaby $12.99
  • Choke $8.70

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Product Details

  • Paperback: 272 pages
  • Publisher: Anchor (September 14, 2004)
  • Language: English
  • ISBN-10: 1400032814
  • ISBN-13: 978-1400032815
  • Product Dimensions: 8.1 x 5.6 x 0.6 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (260 customer reviews)
  • Amazon Best Sellers Rank: #31,296 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

With a first page that captures the reader hook, line and sinker, Palahniuk (Choke; Lullaby) plunges into the odd predicament of Waytansea Island resident and ex-art student Misty Marie Kleinman, whose husband, Peter, lies comatose in a hospital bed after a suicide attempt. Rooms in summer houses on the mainland that Peter has remodeled start to mysteriously disappear-"The man calling from Long Beach, he says his bathroom is missing"-and Misty, with the help of graphologist Angel Delaporte, discovers that crude and prophetic messages are scrawled across the walls and furniture of the blocked-off chambers. In her new world, where every day is "another longest day of the year," Misty suffers from mysterious physical ailments, which only go away while she is drawing or painting. Her doctor, 12-year-old daughter and mother-in-law, instead of worrying about her health, press her to paint more and more, hinting that her art will save exclusive Waytansea Island from being overrun by tourists. In the meantime, Misty is finding secret messages written under tables and in library books from past island artists issuing bold but vague warnings. With new and changing versions of reality at every turn, the theme of the "tortured artist" is taken to a new level and "everything is important. Every detail. We just don't know why, yet." The novel is something of a departure for Palahniuk, who eschews his blighted urban settings for a sinister resort island, but his catchy, jarring prose, cryptic pronouncements and baroque flights of imagination are instantly recognizable, and his sharp, bizarre meditations on the artistic process make this twisted tale one of his most memorable works to date.
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Booklist

Palahniuk's sixth novel takes the form of a so-called coma diary written for Peter Wilmot, who is comatose after a running-car-in-garage suicide attempt (he started with the gas tank half-empty, proving his inability to do anything well). While Peter wastes away in a hospital, his family and friends waste away on Waytansea Island ("Everyone's in their own personal coma," Palahniuk writes with his trademark optimism). Peter's art-school-prodigy-turned-bitter-waitress wife, Misty, can't afford the family mansion anymore. Tourists have overrun the whole island, and the old-money families have spent all of their old money. But no one on the island seems to care about their community-wide coma. They just want Misty to paint. She refuses--until she begins to suffer tortuous headaches that only abate when she paints. The islanders seem suspiciously keen on seeing Misty's work continue, and the only way to keep her painting is to keep her miserable. Palahniuk's fans haven't seen plot twists this good since Fight Club, but this book lacks the manic humor that makes his better novels so engrossing. The fantastically grotesque premise propels the story, but the writing lacks the satirical precision that made Palahniuk a hero to young nihilists everywhere (see his take on the travel book, reviewed on p.1858). Instead, it often reads like a self-indulgent complaint about the terrible suffering of artists. Still, excellent plotting and a compelling allegory will satisfy the majority of Palahniukites. John Green
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

More About the Author

Chuck Palahniuk's novels are the bestselling Fight Club, which was made into a film by director David Fincher, Diary, Lullaby, Survivor, Haunted, and Invisible Monsters. Portions of Choke have appeared in Playboy, and Palahniuk's nonfiction work has been published by Gear, Black Book, The Stranger, and the Los Angeles Times. He lives in the Pacific Northwest.

Customer Reviews

Why didn't he simply say "What I couldn't write, maybe you can just go think up and attribute to me?"
J. H. Kling Jr.
Using his unique style of writing, Palahniuk combines horror/suspense with his usual social misfits to create another great book.
D. Bakken
The book started slow, but got me very excited as it led to the final plot twist that was thrown together and poorly done.
John

Most Helpful Customer Reviews

24 of 25 people found the following review helpful By Caitlin Biello on August 16, 2008
Format: Paperback
This review is mostly a counter argument for some of the other reviews I've read for this work. I think the people who read Palahniuk for the gut wrenchingly horrifying and morbidly twisted, yet incredibly imaginative plot lines will be somewhat disappointed with this novel. It's not the most visceral of his works. Then again, a lot of people criticize him for focusing too much on just grossing people out, but claim that his books have no substance. So, this book will definitely prove those people wrong.

I see how people could feel that this story falls considerably short of what they expect from Palahniuk. And short isn't the right word, because that has negative connotations. Maybe it falls to the right, or to the left, or maybe even higher than people's expectations (if you look in the right places). Usually his stories leave your head spinning with their absolute insanity, whereas this one kind of just leaves you humming to yourself and thinking it's all a little absurd, but not even that interesting. On the surface that is.

If you look at the story more metaphorically, and look at what the events that are taking place say about society, love, life it actually is quite interesting. If you have a familiarity with the works of Plato I think you will have fun with this book. He is referenced by name several times, but people who know his work will recognize tons of his ideas worked in. I found it intriguing the way ideas that have been around for thousands of years were worked into modern times and proved to be relevant and socially significant for the present day.

I think this book merely doesn't cater as well to thrill-seekers as much as, say, Choke or Haunted, which is definitely a huge part of Palhniuk's audience.
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8 of 8 people found the following review helpful By Kelly Jameson (also writes as Ann Kelly) on March 26, 2011
Format: Paperback
Diary is one of Palahniuk's best books. It's a surprising book about life, art, and hope. I LOVED it.
Kelly Jameson
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9 of 10 people found the following review helpful By M. Hoffman on January 14, 2006
Format: Hardcover
Perhaps it was my fault for reading two novels consecutively by the same author. After enjoying Lullaby, I just could not see what made this book unique. Palahniuk's style shocked at first, but a book driven solely on the visceral fails to hold attention after the initial reaction has expired. Palahniuk pounds the narrator's emotion into print, chapter after chapter, but the story itself had little to say. The wealthy capitalists are manipulative and hollow... we get it, Chuck. Art derives from pain... we get it, Chuck. I found myself frustrated that I'd been taken on a very indirect rout to nowhere.
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16 of 20 people found the following review helpful By Meh on January 10, 2005
Format: Hardcover
I'm going to keep this brief and just put down the most important things that I feel made this book a total clunker.

1.) The little repetition thing was kind of cute and quirky the first time you read a Palahniuk book. By now, it's just become ridiculous. It takes an almost superhuman effort not to roll your eyes each time you see "Just for the record" and "The weather today is..." The weather today is hackneyed with a strong chance of pretentions drivel.

2.) The book's protagonist is either a total moron, or Pahlaniuk forgot he was writing this book from her point of view. Misty seems to hear all of these important details that would, in any real human being, arouse suspicion. We know that she hears these details because she records them in her diary, that is, the novel itself. But she rarely, if ever, seems to ponder what she's heard or how strange the townspeople seem to be acting.

She's also quite whiney, with sentence after sentence of "Poor me." I wasn't expecting overblown heroic qualities in a Palahniuk protagonist, but honestly, I was hoping she would hurry up and die or stop writing in her diary. Either one would do.

4.) This is the last one and it's kind of a spoiler in some ways, but not too much of one. You might think that the last page of the book offers an interesting twist to the story, right? Nah. You know what it really does? It gives Palahniuk a tongue-in-cheek way of suggesting that anyone who criticizes this book is evil. Because of course, we WANT this book to be read by as many people as possible, right? It's only the right thing to do. So to reveal it for what it is must mean that you're one of the bad people trying to... Well, you know if you've read the book.

Skip this one. Read Survivor or Fight Club.
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88 of 122 people found the following review helpful By J. H. Kling Jr. on July 9, 2006
Format: Paperback
July 9

Today, the reader from Harrisburg finished Chuck's novel "Diary." The novel that never really convinced him was a diary, as it never stooped to that convention of writing in the first person. He read the awkward switching from third person to second person in Chuck's novel.

Your novel, Chuck.

Apparently, you are in some sort of ironic writer's coma. He is. You are. See how disconcerting this can be, carried out over 250 plus pages of his novel?

Your novel, Chuck?

If you removed all the third-to-second person clarification prose, this job drops an easy 50 pages. Take out all the adipose ramblings of subcutaneous fat and musculataure, which begin cute and end tedious, maybe we're down to a tight novella, Chuck. You are. He is.

In the middle, his novel picks up something resembling dramatic steam. He stayed the impulse to throw the book aside, half-read, Chuck. Your reader, the guy from Harrisburg. But nothing too awfully surprising happens on Waytansea Island. He, your reader, just waits and sees that you have some clever almost Nietzschean idea of eternal return and artistic hell. Did he, I mean you, Chuck, the writer of this poorly executed novel, intend some statement about artistic sacrifice? Or did he, you, I mean, intend just a good read? Because on the latter you failed, and on the former, you failed, and about the best I can summon is that you meant well, and you aren't Danielle Steele or that basic ilk.

My impression was that in picking up a Palahniuk novel, my first Palahniuk novel, his first Palahniuk novel -- your novel, Chuck -- I'd find crisp writing, challenging plot developments, and a refreshing, even bracing worldview.
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