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  • Dick's Picks, Vol. 7: Alexandra Palace, London, England, 9/9-9/11/74
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Dick's Picks, Vol. 7: Alexandra Palace, London, England, 9/9-9/11/74 Limited Edition, Live


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Audio CD, Limited Edition, Live, July 11, 2000
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Rock's longest, strangest trip, the Grateful Dead were the psychedelic era's most beloved musical ambassadors as well as its most enduring survivors, spreading their message of peace, love, and mind-expansion across the globe throughout the better part of three decades. The object of adoration for popular music's most fervent and celebrated fan following -- the Deadheads, their ... Read more in Amazon's Grateful Dead Store

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Product Details

  • Audio CD (July 11, 2000)
  • Original Release Date: 1974
  • Number of Discs: 3
  • Format: Limited Edition, Live
  • Label: Grateful Dead Records
  • ASIN: B00004TYB5
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #192,617 in Music (See Top 100 in Music)

Disc: 1
1. Scarlet Begonias
2. Mexicali Blues
3. Row Jimmy - Grateful Dead
4. Black-Throated Wind
5. Mississippi Half-Step Uptown Toodeloo
6. Beat it on Down the Line
See all 8 tracks on this disc
Disc: 2
1. Weather Report Suite
2. Stella Blue
3. Jack Straw
4. Brown-Eyed Woman
5. Big River
6. Truckin'
See all 8 tracks on this disc
Disc: 3
1. Me and My Uncle
2. Not Fade Away
3. Dark Star
4. Spam Jam
5. Morning Dew
6. U.S. Blues

Editorial Reviews

Product Description

Amazon.com

Culled from a three-night stand at London's Alexandra Palace in September 1974, Volume 7 gives a pretty accurate account of the breadth of the Grateful Dead's repertoire. In the early '70s, their playing had become more focused and succinct in some spots and more adventurous in others. Keyboardist Keith Godcheaux, who'd joined the band to augment an ailing Pigpen in 1972, was a fully integrated and important member at this point, using sophisticated jazz chords that added depth to the material. His acoustic piano work gave them an earthier sound on the rootsy material, and his electric sounds beefed up the more ambitious stuff. There's a preponderance of country-tinged material here: Bob Weir's "cosmic cowboy" persona trots out for readings of "Mexicali Blues," "Big River," and "Me and My Uncle," while lyricist Robert Hunter and Jerry Garcia's fascination with Old West mythology reveals itself on "Mississippi Half-Step," "Tennessee Jed," and "Brown-Eyed Women." Fans of a more inquisitive spaced-out Dead will relish the 23-minute "Playin'" and the half-hour-long "Dark Star/Spam Jam," which eventually turns into a rather affecting, demonstrative "Morning Dew." --Marc Greilsamer

Customer Reviews

4.1 out of 5 stars
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Most Helpful Customer Reviews

30 of 32 people found the following review helpful By alan j. sandler on October 27, 2000
Format: Audio CD
I have all 19 Dick's Picks. Most of them have a few songs I consider the "best version available", and some I usually skip. DP 7 has neither! It's just a real good show, with fun song selection, sharp playing and no rough patches. Some of the high lights include a great Scarlett Begonias, and a Not Fade Away that really moves. There are several good versions of "first set" tunes, like Mexicalli Blues, Half Step Miss. Uptown and Brown Eyed Women. Big River and Wharf Rat are also here. The band was tight, their voices were clear, and even with Dark Star, the mood was not very spacey. When I want some solid, easy listening Dead in the background, either in my office, in the car or at home, I often reach for DP 7, and I'm always happy I did.
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13 of 16 people found the following review helpful By James Wax on January 18, 2001
Format: Audio CD
Basically I'd like to support Alan Sandler's review. My only qualm with this set is that with better Dick's Picks out there including 4,8,10,11,12,14,15,16 and 18 to name a few, casual fans would be best to hold off on this one until they amass a decent Dick's Pick's collection. If you have most of those shows, then by all means pick this one up. Phil's bass thunders on Scarlet Begonias, Not Fade Away, and especially Wharf Rat. Also listen for the King Bee tease during the jazzy outro jam of a veteran Weather Report Suite. For those interested, these shows come from a three-night stand at Alexandra Palace in London from 9/9/74 - 9/11/74.
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6 of 8 people found the following review helpful By mike lewandowski on October 13, 2000
Format: Audio CD
Here is a collection of music that is for the hard-core dead heads. There are some short simple songs,along with the long jams. The best parts are the long jams. This is what made the Dead different from all other bands, the ability to jam on and on and on. Who else could play Not Fade Away for 15 minuets or longer. The Truckin jam has Phil Lesh showing the world why he is a world class musician. Dark Star is vintage Dead with song structure being unimportant, but the ability to improvise while maintaning focus and make tremendous music is sheer brillance. Capped off with the the most touching version of Morning Dew makes this worth the price alone. Playing in the Band gets the royal 20 minuet space jam treatment as well. Execpt for the off key screaming of Donna everything is played with confidence and passion.
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2 of 2 people found the following review helpful By Shawn on October 6, 2006
Format: Audio CD
I like 1974 Dead a lot, and this has some fine music. I think the DP12 showcases more innovative music, however DP7 is one I do play a lot.

The Scarlet Begonias is very nicely played, as are all the long jams. The long jams are the main attraction in this release...
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2 of 2 people found the following review helpful By aspiring saint on June 25, 2009
Format: Audio CD Verified Purchase
Not as jazzy as the epic DP 31, but a thoroughly solid effort from my favorite era of Dead (1972-1974). Underrated by others here...a gem and true value relative to other available used DP's.
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1 of 1 people found the following review helpful By Sebastian Gerber on September 7, 2011
Format: Audio CD
Because of what I'd assumed from other opinions, when I first listened to this I was very pleasantly surprised.
I am a fan with arguably too many different versions of the same songs (although I love it and many would relate), and being somewhat of a completist, especially with Dick's Picks, there was no question about buying this.
I have 'read it said' several times that the band sound tired here. Well, maybe,
but I can't help thinking that they were probably tired during countless concerts that have been appreciated with that familiar Dead joy.
I find this mellow, fat and spunky. Perhaps it is this mellow aspect where some perceive the fatigue. Maybe the recording: it is a little cloudy, but to me it does not detract.
Some highlights are the compact and tight jams; the Dark Star -not represented on many official 74' releases- which has the sounds of the year written all over it, making it unique to the "Wall of Sound" era; and the hint at "Not Fade Away" with just a couple of Bass notes from Phil and the beat on just the drum pedal from Bill, which gets the London crowd clapping the rhythm before the song starts proper and then the band are all in and off we go. Really nice and a fascinating glimpse of the Deadhead network operating far and wide before the more mainstream popularity of the Grateful Dead.
I love this and am so grateful.
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