Amazon.com: Amy Dickson plays Glass, Tavener & Nyman: Amy Dickson, Philip Glass, John Tavener, Michael Nyman, Mikel Toms, Royal Philharmonic Orchestra: Music


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Amy Dickson plays Glass, Tavener & Nyman
 
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Amy Dickson plays Glass, Tavener & Nyman

Amy Dickson , Philip Glass , John Tavener , Michael Nyman , Mikel Toms , Royal Philharmonic Orchestra Audio CD
3.0 out of 5 stars  See all reviews (2 customer reviews)

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MP3 Download, 5 Songs, 2009 $9.99  
Audio CD, 2009 $11.99  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Concerto For Violin And Orchestra/I. Crotchet = 104 6:52$0.99 Buy Track
listen  2. Concerto For Violin And Orchestra/II. Crotchet = 108 9:06$0.99 Buy Track
listen  3. Concerto For Violin And Orchestra/III. Crotchet = 15010:26Album Only
listen  4. The Protecting Veil (Arranged For Saxophone (1st Movement))14:56Album Only
listen  5. Where The Bee Dances16:29Album Only


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Biography

Saxophonist Amy Dickson began lessons at the age of six and made her concerto debut ten years later. Recognized widely for her remarkable and distinctive tone and exceptional musicality, she has performed in Europe, Africa and Australasia, in venues such as the Wigmore Hall and the Sydney Opera House. She has also performed as a soloist with many orchestras throughout the world including the… Read more in Amazon's Amy Dickson Store

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Product Details

  • Performer: Amy Dickson
  • Orchestra: Royal Philharmonic Orchestra
  • Conductor: Mikel Toms
  • Composer: Philip Glass, John Tavener, Michael Nyman
  • Audio CD (October 6, 2009)
  • Number of Discs: 1
  • Label: RCA
  • ASIN: B002689AQO
  • In-Print Editions: MP3 Download
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #138,508 in Music (See Top 100 in Music)

Editorial Reviews

Amy is an Australian classical saxophonist who grew up on Sydney's northern beaches. On her sophomore album, Amy has recorded on soprano saxophone a transcription of the Violin Concerto by Philip Glass, The Protecting Veil by John Tavener, and Where the Bee Dances by Michael Nyman. It was recorded at London's Cadogan Hall with the Royal Philharmonic Orchestra and Mikel Toms. Amy is a strong advocate for contemporary music, and people may be better acquainted with Michael Nyman's music because of his best selling musical score for the movie "The Piano". Where the Bee Dances is from another of his film scores; Peter Greenaway's film Prospero's Books. Philip Glass' famous Violin Concerto has been specially arranged for soprano saxophone this recording. The Tavener work is the first section from his larger Cello Concerto, and is also a special arrangement.

 

Customer Reviews

2 Reviews
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Average Customer Review
3.0 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
4.0 out of 5 stars A talent to watch, June 5, 2010
This review is from: Amy Dickson plays Glass, Tavener & Nyman (Audio CD)
In response to the 2-star "non-review" on this page by L. Caldas, while I agree that the marketing of classical music by some of the big labels is unfortunate (and, thankfully, as more and more folks switch to digital downloads, it's becoming less and less relevant), Amy Dickson's playing is pretty extraordinary. While the choice of repertoire may seem a little too "cross-over" for some, the playing on display quickly quells any fears that this is all part of a some slick marketing ploy.

In the Glass and Tavener pieces, both original transcriptions of works originally conceived for solo string instruments (and so there actually are no "other recordings of this music" exactly to refer to), Dickson displays an amazing technique and makes the listener wonder where she has a chance to breathe (something which isn't an issue for the soloist in the string originals)! The transcription of Glass's Violin Concerto (Glass / Rorem / Bernstein: Violin Concertos / Serenade), which opens the disc, works better than I ever thought it would and sounds quite natural in the new guise; the passages with double- and triple-stopping on the violin are neatly adapted to the saxophone with grace notes and other ornaments - similar to Stinton's arrangement of Barber's Violin Concerto for flute (Barber & Khachaturian: Flute Concertos).

Tavener's "The Protecting Veil" (Tavener: The Protecting Veil, The Last Sleep of the Virgin, Choral Music) was originally scored for cello and string orchestra. The liner notes state that only the first section of the eight movement work is transcribed for this recording, but at almost 15 minutes it must consists of a bit more than that (the original first movement only lasts about 9 minutes, and the playing here isn't significantly slow enough to account for the 6 minute difference). Perhaps Dickson has incorporated a "bridge" section and the reprise of the opening that makes up the last movement of the original work as well, or perhaps she repeats the opening music in an ornamented way - I'd have to give the original a more careful audition to figure out just what's going on. Regardless, the final result works quite well: the saxophone is an admirable stand-in for the original (generally high-register) cello solo, contrasting nicely with the rich, slow moving string textures of the orchestra as they ebb and flow below the chanting, sighing and singing lines of the soloist, occasionally giving way to bell-like peals from the higher strings. One strange side-effect of the transcription: the new "reedy" soloist brought to mind passages from the opening movement of Copland's Clarinet Concerto!

In the one work originally written for saxophone, Nyman's "Where the Bee Dances," she does a fine job as well, though Dickson's recording is perhaps not quite as distinctive as the accounts by Harle (Saxophone Works: Nyman: Where the Bee Dances / Bryars: The Green Ray / Westbrook: Bean Rows and Blues Shots/ Bournemouth Sinfornietta), Haram (Piano Concerto / Where the Bee Dances) and, especially, McChrystal (Meeting Point: The Saxophone Concertos of Nyman, Heath and Torke). Based in part on Nyman's earlier setting of Shakespeare's song of the same title (from 'The Tempest') for Peter Greenaway's film, Prospero's Books, the work transcends its film music origins and makes a fitting and exciting conclusion to a most-intelligently planned and musical program.

Dickson is a talent to watch, and one hopes she will receive commissions from contemporary composers and explore works for other members of the saxophone family to show her technique in "standard" repertoire (though, since we're talking about instruments that weren't even around before the 1840s, this is still a relatively small selection of works).
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0 of 10 people found the following review helpful:
2.0 out of 5 stars How did she get that gig? I can't find a reason other than she has a good appearence, May 31, 2010
This review is from: Amy Dickson plays Glass, Tavener & Nyman (Audio CD)
Image and good looks always sell, no matter what field it is portrayed! My aunts, who love Kenny G and the Susan Boyle movement will probably buy into that. The repertoire is a little more chalenging than they are used to apprecciate. Find other recordings of this music elsewhere; you won't regret it.
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