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18 of 20 people found the following review helpful:
5.0 out of 5 stars
A review from the orchestra pit!, December 16, 2000
This review is from: Die Walkure (Audio CD)
I am very glad to see the complimentary reviews on this recording. I am a member of the Met Orchestra and found it thrilling to record Die Walkuere with this cast and Levine. I am very surprised that nobody mentioned Kurt Moll as Hunding. It was the most amazing singing I ever heard. I would shiver as soon as he opened his mouth, such a menacing other-worldly sound. Unlike many singers who make several takes and some who go over and over their high notes, Mr. Moll recorded everything on the first take, one time and one time only.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Possibly the Best Die Walkure on disc, December 7, 2005
This review is from: Die Walkure (Audio CD)
People have criticized James Levine for his plodding tempos in his Wagner conducting. However, I believe that his conducting is most true to Wagner's score. I personally think that this Walkure is the best on disc, exceeding the recordings made by Sir Georg Solti, Herbert von Karajan, Clemens Krauss, and to a certain extent, Karl Böhm. The clear, precise, yet transparent sounds he draws from the Met Orchestra is superb, and he displays the psychological drama of the epic tetralogy to a tee. Dare I say that no other orchestra captures the soundscape of the Ring so clearly and beautifully as the Met does in this recording? The cast is top notch too, with Brunhildde being played by the very youthful sounding Hildegard Behrens in her prime. From the magnificent opening Hojotohos to her farewell with Wotan, none of the dramatic qualities of the part were missed by this gifted German soprano. You have here the feminine qualities perfected by Regine Crespin in her Karajan recording, plus the clarion high notes of Birgit Nilsson, and you have a great Valkyrie. Wotan is played by none other than James Morris, a singer whose Wotan I believe exceeds that of Hans Hotter in the Solti recording. This isn't a Wotan to fear, although that is one of the attributed the great American bass baritone can bring to the music. You also have Wotan the father, the lover, the compassionate head god who is distraught because he no longer has the universe under his control. A reference performance indeed. Gary Lakes plays Siegmund, a part bettered only by James King and Jon Vickers. His Sieglinde is Jessye Norman, and despite this talk about her overmannered Sieglinde, I would say that this is one of her greatest Wagner performances...very touching and vocally magnificent. Christa Ludwig plays Fricka, and although the voice is no longer what it was years ago for Solti, the drama she exudes in the text simply cuts through everything like a knife. This is a reference Fricka that must be held beside the hallmark one she recorded decades earlier for Solti. Finally, Hunding is played by none other than Kurt Moll. I wonder why this singer is cast so sparsely in other recordings when he can command some of the greatest Wagner performances on disc. His Gurnemanz, in my opinion, is the most wonderful in the discography if Hotter were erased from history's annals. The Valkyries are a finely tuned octet of sisters.
This truly is a great recording, and the sound is a miracle beyond miracles. Highly recommended!
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9 of 10 people found the following review helpful:
4.0 out of 5 stars
A Fine "Die Walkure", March 1, 2000
This review is from: Die Walkure (Audio CD)
I have seen three cycles of "The Ring" at the Met, and have tickets for the 2000 performances. I thought that James Levine was at his best in this opera. I also thought that I had never heard the music played so beautifully by an orchestra; the Met orchestra truthfully matched a performance I saw at Bayreuth in 1997. Therefore, I bought the Met-Levine "Walkure," knowing the strengths and weaknesses of the cast. I have not been disappointed. The orchestra sounds exhilerating on the CD's, Levine shapes the performances beautifully, and the musicianship and involvement of the cast is complete. In Act I, the music is plainly exciting and the singing noble. Some critics may question Behrens' voice in this opera and the two subsequent ones, but I have always found her a fine Brunnhilde who consistently gives 100% of herself to the performance. Morris' voice is magnificent, and the final "Abschied" is breathtaking. (As a matter of fact, it was this Brunnhilde-Wotan duet that curators chose to play at Wagner's home, Wahnfried, in Bayreuth for visitors. I may add that it sounded marvelous in Richard Wagner's living room.)Yes, I would highly recommend this recording as probably the most satisfactory recording of the opera. The Solti "Walkure" has many weaknesses, particularly in the first act, and with Hans Hotter who is too old for Wotan. I always thought that Solti's conducting of this opera was not his best, although I find his renditions of the other three "Ring" operas to be as close to definitive as one can get. I might add that the CD performance of "Die Walkure" is very different from the video performance, and much better. Act I of the video peformance tends to be mannered, particularly with Jessye Norman. Behrens is not in as good a voice as on the CD's. However, there is a great deal of excitement in the performance. I have not, as yet, mentioned Christa Ludwig, but her performance in Act II is one reason in itself to buy this performance. I have heard everything she did at the Met since 1965, and I find her one of the greatest singers of the 20th century. You may argue with my view of Levine's "Walkure," but I'm sure you don't want to dispute Ms. Ludwig's contribution to music over the past 35 years!
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