From Publishers Weekly
During the mid-1980s Brown taught English at a medical college in the northern Chinese city of Xi'an; this is his story of the experience, including a coda relating his reactions to two subsequent trips to the Middle Kingdom, the last in the aftermath of Tiananmen Square. An insightful writer, he has an eye for the telling detail and manages to appreciate Chinese culture without being unnecessarily awed, a stance which allows him to maintain objectivity. Brown's sense is that the most enduring of China's national traits is perseverance--that, as a society, it "possesses far more than its share of time" and "with perfect indifference . . . can ride its celestial tracks almost forever." He tends to focus on the personal rather than the political, forgoing a broad portrait for anecdotal images of daily life. There are a few false notes--the author's description of his search for the birthplace of Chinese Buddhism, for instance, reads like a guidebook--but for the most part, this is a charming look at a land where the more things change, the more they seem to stay the same.
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Colorless recounting of the author's experiences as a teacher of English at the Medical College in Xi'an, China, and of a couple of subsequent visits to the People's Republic. Alternating between relentlessly earthbound prose and flights of turgid rhetoric, Brown tells of his duties in the classroom, of his American and Chinese colleagues, and of trips off-campus to visit such sights as the terra-cotta army of Qin Shi Huang Di, unearthed in the 1970's. He complains about the food, about the heat and cold, about the general ``greyness'' of Chinese society. Readers may feel a similar urge to gripe, for he brings neither the settings nor the people he encounters to life. Brown tells, for example, of several Americans who also teach at the college, and of a Chinese compatriot, Dr. Fu, who, separated from his wife by bureaucratic red tape, contemplates suicide. But these figures remain little more than ciphers, and one pair, a married couple with whom Brown was apparently quite friendly, disappears inexplicably from the narrative while on a trip to Tibet. Brown's handling of nature is somewhat better, however: his description of a pilgrimage to Hua Shan, one of the five sacred mountains of China, manages to build up suspense as the pilgrims inch their way up a narrow ledge to reach the peak. But his attempts at humor, as in his recounting of a visit by Queen Elizabeth II to Kunming, fail to come off: ``the Queen passes by me a second time, her hand stretched through a half-open window...like a limp flyswatter.'' And when Brown tries to add philosophical resonance, he falls into rhetorical obscurity: ``Our shadows score the earth until the dark creases fill with level dust; decomposed, we too are rendered wordless by our passage.'' Brown didn't dig far enough; for a far more penetrative look at modern China see, for example, Paul Theroux's Riding the Iron Rooster (1988). -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.