The book begins with a section on setting up and configuring the computer, as well as calibrating the monitor and Photoshop. There is no CD-ROM with the book, so readers must have their own files for experimenting and learning.
Unlike most computer-centric books, this is an oversize softcover, each page a glossy print with excellent reproduction befitting a book on photography. The quality of the images and the examples is excellent, and the author writes in a clear, concise manner with easy-to-follow short tutorials that include before-and-after images.
There is something special about nudging a sheet of photographic paper in a bath of chemicals and watching the latent image emerge. A romantic notion, but there is no undo command, no history palette, and no adjustment layers. Exploring options in a darkroom is a time- and money-consuming task that often leads to wasted sheets and stained clothes. In The Digital Darkroom, the only thing missing is the smell of the chemicals. --Mike Caputo
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Most Helpful Customer Reviews
54 of 59 people found the following review helpful:
1.0 out of 5 stars
Digital Darkroom: Worthless,
By Craig Steven Jepson (New Hampshire) - See all my reviews
This review is from: The Digital Darkroom: Black and White Techniques Using Photoshop (Paperback)
I was completely disappointed in this work. It contains only a general discussion at the very most basic level. It has no techniques, no helpful illustrations, and no description relating the digital process to the chemical process. There was nothing in this book that I could use to improve my scans, to correct contrast, to pull the most out of poor negatives, or to fix problem shots.
22 of 22 people found the following review helpful:
4.0 out of 5 stars
An excellent book but not for beginners,
By Dr. Jim Botsford (Brighton, MI USA) - See all my reviews
This review is from: The Digital Darkroom: Black and White Techniques Using Photoshop (Paperback)
I read some of the other reviews, mainly negative but bought this book anyway as it is one of the few books dealing with digital BW photography. I found this book to be quite instructional. I agree that there is a lack of detailed instructions. However, I believe that training people how to use photoshop was not a goal of Mr. Schaub. One should have a good grasp of how to "fix" and manipulate photos in photoshop before using this book. A good photoshop book or class is in order before this text. That said, I found the brief but concise directions for each technique very helpful when planning manipulation for my own BW photos. There are many examples shown with precise descriptions of what was done to achieve the noted results. Before and after photos are shown in each instance. I give this book a big but conditional thumbs up. If your are serious about digital BW photography and have a working knowledge digital photography and photoshop in particular, this book is for you.
34 of 37 people found the following review helpful:
4.0 out of 5 stars
I found this book really helpful -- but not for beginers,
By guido (Massachusetts) - See all my reviews
This review is from: The Digital Darkroom: Black and White Techniques Using Photoshop (Paperback)
Despite the somewhat lowest common denominator intro, this book is not for Photoshop beginners. It lacks the step by step hand holding which beginners often feel they need (and the other reviewers seem to be looking for -- there are lots of other books on Photoshop to fill that niche). Instead, this book is about looking at your black and white negatives/scans and helping you envision what you can be done with your images. Photoshop gives the black & white printer much more power and control over the image then is available in a wet darkroom but it takes more then a skills tutorial to help you reach that point. I like that The Digital Darkroom suggests what can be done rather then marching you lock step through a fixed set of procedures. Your understanding of Photoshop and the quality of your images will be rewarded by the extra work and thought that this approach requires.
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