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Digital Delirium (Culturetexts)
 
 
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Digital Delirium (Culturetexts) [Paperback]

Arthur Kroker (Editor), Marilouise Kroker (Editor)
2.2 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

0312172370 978-0312172374 May 15, 1997
Digital Delirium is a manifest against the right-wing politics of cyberlibertarianism and for rewiring the question of ethics to digital reality. Bringing together the most creative minds of the digital generation, it explores what is lost and what is gained by being digital.

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Editorial Reviews

Amazon.com Review

Digital Delirium is written like a jazz album, with freeform narrative drifting around solid ideological structures the way that jazz improvisations run figures around fundamental themes. St. Martin's Press describes the book as "a manifesto against the right-wing politics of cyberlibertarianism." That's certainly a big part of this book. The contributors devote much of their efforts to examining the social and ethical structures of a wired world. But more than that, Digital Delirium revels in taking readers to places where they can view the whole world of cyberspace from new perspectives.

Science fiction writer Bruce Sterling looks into the myth of the Cyberpunk Hacker Hero and proves that it's about as substantial as Spider-Man. Paul Virilio observes how cyberspace splits an individual into a physical being and a ghostly other being that can be dramatically involved with others at a distance. There's a mocking quality to the whole book that practically defies readers to take themselves or the grand pronouncements about cyberutopian thinking too seriously.

While some contributors, such as Sterling, make their points through witty rants, others express themselves through poetry, literary prose, or even screenplays. This is a through-the-looking-glass examination of how technology affects society. Each article in the collection is food for hours of late-night conversation.

From the Back Cover

30 Cyber-Days in San Francisco
Digital Delirium writes the streets of San Francisco as a way of talking about the ambiguous legacy of wired culture.

Digital Futures
Digital Delirium interviews R.U. Sirius, Paul Virilio, Jean Baudrillard, and Slavoj Zizek, and includes a state of the digital union address by Bruce Sterling.

Net Politics
The 90s began with a blast of techno-utopianism, but it will end with slow suicide in the surplus streets. Net Politics is the story of the 90s as a radically split reality: surplus class and virtual class, surplus flesh and virtual flesh, separate and digitally unequal.

The Global Algorithm
What is gained and what is lost by being digital? What do we see when we look in the digital mirror: Future-Fallout or Net-Utopia? Digital ears and diamond eyes or real blood and guts?


Product Details

  • Paperback: 336 pages
  • Publisher: Palgrave Macmillan (May 15, 1997)
  • Language: English
  • ISBN-10: 0312172370
  • ISBN-13: 978-0312172374
  • Product Dimensions: 9.1 x 6 x 0.8 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 2.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #2,807,277 in Books (See Top 100 in Books)

 

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19 of 21 people found the following review helpful:
3.0 out of 5 stars It's still easier to read than "Wired" magazine, July 5, 2000
By 
Robert M. Collette "rcollette" (Falls Church, VA United States) - See all my reviews
(REAL NAME)   
This review is from: Digital Delirium (Culturetexts) (Paperback)
The reflections offered by the various contributors to "Digital Delirium" help remind us of exactly what it is we should ponder before formally adopting new systems and technologies into our daily routines. The book's central theme is to approach the Digital/Information Age with an acknowledgement of potential societal consequences. Even the most optimistic supporters for global networking concede that there are certain dangers with cybertechnology that can befall disaster on the inexperienced and the ignorant. If there is one thing the Internet does not have a lot of is accountability; until global networks become self-verifying, we will have to take the information we process with a proper degree of skepticism.

While it was not hard to derive some practical knowledge and advice from the book's material, a few select authors nevertheless ventured into a realm of dialogue that seemed designed more for bewilderment and confusion than clarity and understanding. In reading some of the blueprints for futuristic societies as described by Marcos Novak, Paolo Atzori, and a host of others, I found it difficult to figure if they were being literal, speaking metaphorically, or just pulling my chain. In spite of this problem, there were three consistencies that I deciphered as fundamental beliefs that editors Arthur and Marilouise Kroker hoped to convey by virtue of the articles published in their book. First is the danger or right-wing politics and government regulation of the Internet and global communication. Second is the contradictory and thereby self-defeating intellectual arguments taken by those who fear or oppose cybertechnology. Finally, there is the sense that the new Information Age has been overrated in terms of its impact and importance, and that the authors are merely practicing cynicism as they patronizingly amuse and augment the curiosity of their brainwashed readers with the book's technoscopic subject matter.

The published writings can be taken collectively as a "manifesto in contention against right-wing politics and cyberlibertarianism" that threaten the functioning use of the Internet as a democratic tool for all individuals. Humanists like Slavoj Zizek and Robert Adrian, in conjunction with patronizing skeptics such as R.U. Sirius and Jean Baudrillard proclaim the imminent dangers to our basic freedoms if global communication is used by a group of elitists to manipulate minds and disperse propaganda to credulous and unsuspecting victims. I whole-heartedly agree on this standpoint. However, I was disheartened at the general consensus among the writers that religions, in particular Fundamental Christianity and Catholicism, are examples of these deceiving congregations that serve only to indoctrinate their followers into a state of mind incapable of independent thought. There is wonder and excitement to be had with the possibilities presented by technological breakthroughs, but there is also great sadness where secular principles such as materiality and profitability proceed to make one a godless creature; indeed, one can be too intellectual for his own good.

In presenting written arguments against the implementation of worldwide networks and open systems, Kroker cleverly reveals a contradiction that makes the dissenters' case less credible. For example, Berhnard Serexhe states in no uncertain terms that interactive communications will function as a powerful economic / marketing tool that will attempt to homogenize consumers, erase multiculturalism, and spell the end of European cultural identity. Geert Lovink and Slavoj Zizek counter this fear with the contradicting apprehension felt by right-wing nationalists who prefer homogeneity (as long as it is with their belief system) versus diversity but consider the Internet as a method of introducing foreign influences into their temporal mainstream. Which is it? Will we be subject to pan-capitalism and global marketing aspiring to create an online society with unvarying tastes and cultural preferences? Or will an autonomous Internet open the gates to individualism and encourage worldwide diversity at the expense of segregated nationalistic esteem? Perhaps there is a point to the cynical undertone evident throughout "Digital Delirium." Not only are the pessimists getting worked up over nothing, but cybertech industry proponents themselves cannot distinguish science fiction from reality in their speculative prognostications of where technological advancements will take us as a community. As manifested by the Critical Art Ensemble, too many so-called information age innovations and products serve no practical purpose, are underutilized, or are presently unavailable to much of the world. This somewhat fits in with my own conjecture. The true dynamic puissance of global networking on both societal and business organizations cannot be unerringly measured or estimated until we experience real global accessibility. Worldwide interconnectivity in an absolute sense is has not yet been achieved; as such, depictions of futuristic societies, technological advancements, and networking potentials remain a subject of contemplation. It is in this ambience that the contents of "Digital Delirium" should be read and analyzed.

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2 of 3 people found the following review helpful:
4.0 out of 5 stars Amazing document of its time, July 2, 2003
By A Customer
This review is from: Digital Delirium (Culturetexts) (Paperback)
It's amazing how much people wrote off the Krokers when this was published but also how prescient they have been proven to be since the publication of their trilogy Data Trash (Kroker and Weinstein), Hacking the Future, and Digital Delirium. No one else writing in the era was even close to as bang-on in their analysis, and although the three works can be difficult at times, they remain the top of the pile among the literature - but academic and popular - of that era in this subject.
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3 of 16 people found the following review helpful:
1.0 out of 5 stars Silly ignorance., February 20, 2001
By A Customer
This review is from: Digital Delirium (Culturetexts) (Paperback)
Not since the writing of Karl Marx has there been such garbage.
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Inside This Book (learn more)
First Sentence:
Chaos time. It's 6:30 p.m. on Market Street in San Francisco, just down the way from the Virgin Megastore. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
memetic flesh, virtuality syndrome, cybernetic delirium, remake millennium, kaiju eiga genre, technological sensorium, technological dynamo, communicative feedback, memetic engineering, digital delirium, ordinary human perception, suspension events, technological experience, digital reality, processed world, anxious object, technological media, electric circuitry, virtual value, postmodern scene, computer fonts, virtual class
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Lady Byron, San Francisco, Star Trek, Captain Pike, Norbert Wiener, Counter Blast, United States, North America, Captain Kirk, Della Porta, Gulf War, Prime Minister, Paul Virilio, Red's Java House, World Wide Web, Bill Gates, Georges Bataille, Los Angeles, Silicon Valley, Star Wars, Talcott Parsons, Tampa Tribune, Virgin Mary, Donna Haraway
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