Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Leonardo Book Series) [Hardcover]

Steve Dixon (Author)

Book Description

ISBN-10: 0262042355 | ISBN-13: 978-0262042352 | Publication Date: February 23, 2007 | Edition: annotated edition

The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art.Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others.To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance--including what he calls postmodernism's denial of the new--and offers a series of boldly original arguments in their place.

Editorial Reviews

Review

"A lively and contentious introduction to the history, theory, and practice of digital media in performance. Dixon's book provides the solid grounding this ongoing discussion so urgently needs."--Philip Auslander, School of Literature, Communication, and Culture, Georgia Institute of Technology

"Like the performance art of which it represents such a brilliant history, Digital Performance is itself literally that -- not only a superb history of new media but a field-defining performance of the trace of the digital in theater, dance, and installation. To read this book is to enter deeply into the creative artistic imagination which codes so much of contemporary digital experience." Arthur Kroker , Canada Research Chair in Theory, Technology, and Culture, University of Victoria, Canada

"There is a fine irony in the very 'bookness' of this vast and startling work. As book, what Steve Dixon has set out to produce here is stunning, monstrous in its dimensions -- virtually impossible. If you have any interest at all in recent histories of performance, this is precisely why you need to get hold of it." Susan Melrose , Professor in Performance Arts, Middlesex University, UK

The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts.

"Like the performance art of which it represents such a brilliant history, *Digital Performance* is itself literally that -- not only a superb history of new media but a field-defining performance of the trace of the digital in theater, dance, and installation. To read this book is to enter deeply into the creative artistic imagination which codes so much of contemporary digital experience."--Arthur Kroker, Canada Research Chair in Theory, Technology, and Culture, University of Victoria, Canada

About the Author

Steve Dixon is Professor of Performance and Head of the School of Arts, Brunel University

Product Details

• Hardcover: 832 pages
• Publisher: The MIT Press; annotated edition edition (February 23, 2007)
• Language: English
• ISBN-10: 0262042355
• ISBN-13: 978-0262042352
• Product Dimensions: 9.2 x 7.3 x 1.6 inches
• Shipping Weight: 3.4 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #279,083 in Books (See Top 100 in Books)

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5.0 out of 5 stars Good research tool, August 16, 2010

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This review is from: Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Leonardo Book Series) (Hardcover)

This detailed book goes through the history of digital performance until about the 1990's. It has been very useful for my thesis research which focused in dance and digital media. Sometimes I found the organization a bit difficult for my area of focus, but I liked the way the chapters were grouped regardless. The tissue-thin pages were filled with well-documented and organized data. A good book to have in your library if you research this particular field. Not for light reading (unless you are Hermione Granger).