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The Digital Word: Text-Based Computing in the Humanities
  
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The Digital Word: Text-Based Computing in the Humanities [Hardcover]

George P. Landow (Editor), Paul Delany (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

Technical Communication & Information Systems April 13, 1993
The sixteen essays collected in The Digital Word continue Landow and Delany's exploration of the new fluid, digitized text begun in Hypermedia and Literary Studies (1991), which focused on the linking of text, graphics, or sound into structures typically bound within a single computer or local-area network. This book explores the larger realm of the knowledge infrastructure where texts are received, reconstructed, and sent over global networks. It covers text management, textual resources and communication, and working with texts.

In their introductory essay, Landow and Delany address the impact of such developments as the dematerialization of text (which exists only as a piece of code) and the manipulability of text-based computing (searches, editing, comparison, and analysis), which shifts the balance of power from text to reader. Digital texts; the law, sources, distribution, and management of texts; and the need for new procedures that will make explorations of the boundless universe of text more effective are touched on as well.

Current examinations of text management include the FreeText Project and personal information retrieval, a taxonomy of text-management software, and markup systems (including a clear, authoritative discussion of Standard Generalized Markup Languages). Essays in the next section take up such disparate aspects of textual resources and communications as corpus-based linguistics, networked library services, personal docuverses for the individual scholar, and the new forms of scholarly communications created by electronic mail and electronic conferencing. A concluding section on working with texts surveys what has been variously called computer criticism, computer-aided criticism, and electronic text analysis in relation to textual editing, literary interpretation, and our practice of reading and writing in an electronic age.

Editorial Reviews

About the Author

George P. Landow is Professor of English and Art History at Brown University.

Paul Delany is Professor of English at Simon Fraser University, British Columbia, Canada.

Product Details

  • Hardcover: 374 pages
  • Publisher: The MIT Press (April 13, 1993)
  • Language: English
  • ISBN-10: 026212176X
  • ISBN-13: 978-0262121767
  • Product Dimensions: 9.1 x 7 x 1.1 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #4,336,197 in Books (See Top 100 in Books)

 

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Look Who's Digitizing, September 12, 2000
By A Customer
This review is from: The Digital Word: Text-Based Computing in the Humanities (Hardcover)
Computers are everywhere because they meet business and government needs. Someday they probably can meet such humanities research needs as refereeing different ways of interpreting literature. In the meantime scholars need to become better at computers and statistics so they can direct computers to answer the questions in the humanities that researchers want asked.

At this point computers help scholars with on-line concordances, elementary patterns, and word counts. But THE DIGITAL WORD: TEXT-BASED COMPUTING IN THE HUMANITIES also shows what computers can do with interpreting Offred's character in Margaret Atwood's HANDMAID'S TALE, critical editions of Geoffrey Chaucer's CANTERBURY TALES and William Langland's PIERS PLOWMAN, Samuel Coleridge's THE RIME OF THE ANCIENT MARINER, James Joyce's ULYSSES, THE OXFORD ENGLISH DICTIONARY, and the planned 350,000 alphanumeric or bitmap digitized Bibliotheque de France national heritage library project with 300 reading stations for corporate suppliers, professional readers and researchers to access, store and work with animated and still images, sounds, and texts. So I hope editors George P. Landow and Paul Delany regularly publish more updates to this riveting followup to the earlier HYPERMEDIA AND LITERARY STUDIES.

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