Dime Grind Palace [Import]

Sex Mob | Format: Audio CD

Product Details

• Audio CD (September 22, 2003)
• Number of Discs: 1
• Format: Import
• Label: Ropeadope
• ASIN: B0000AFOVQ
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #1,403,079 in Music (See Top 100 in Music)

Track Listings

1. Entrance Music

2. Kitchen

3. Dime Grind Palace

4. Translation 1

5. Blue And Sentimental

6. Mothra

7. Slide Serenade

8. Translation 4

9. Norbert's Weiner

10. Baby Let Me Hold Your Hand

11. Translation

12. Artie Shaw

13. Call To The Freaks

14. Translation 3

15. Conk Buster

16. Exit Music

17. 12 Bars

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars goosebump music, June 17, 2004

By 

Brian Bulkowski (Berkeley, CA United States) - See all my reviews
(REAL NAME)   

This review is from: Dime Grind Palace (Audio CD)

I don't get the reviews here.

This is brilliant jazz. It's a new sound, coming out of dixieland more than bop. Its statement is darker, smoother, sexier than just about anything else. When the sax and trumpet blow together, watch out. It's music from today's jazz clubs - little places in brooklyn and san francisco - not fossilized Giants.

There's a free track at their home website (a full track, not the amazon little clip). Try it, and if it rings your bell, get the album - it's representative.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Sex Mob's finest hour., May 15, 2004

By 

Troy Collins (Lancaster, PA United States) - See all my reviews
(REAL NAME)   

This review is from: Dime Grind Palace (Audio CD)

Steven Bernstein's Sex Mob quartet has become a virtual downtown institution in the last few years. Now maintaining regular gigs at Tonic, they ARE the late night sound of the East Village. An irreverent and raucous blend of 30's style "hot" jazz with a free-jazz bite, Sex Mob has willfully ventured where most jazz groups dare not tread. Covers of everything from the disposable pop of "The Macarena" to John Barry's James Bond theme have shown up in their repertoire. Sex Mob's greatest asset however has been their original tunes. This fourth album is both their first focusing almost entirely on original material and is also their most effectively produced album to date.

While overproduction can be the kiss of death for most artists, here the collaboration is a revelation. Scotty Hard (Wu-Tang Clan, Medeski, Martin and Wood) is behind the board this time and finally their live sound has been captured in the studio. Granted, there are electronic enhancements that one might not expect from an acoustic quartet, but what Hard does best here is exploit their deep primal groove.

Sonically, the production of Dime Grind Palace is more reminiscent of a rock album than your average jazz recording. Phat beats, dub ambience, effects laden horn solos and brief musical interludes all add up to a more "concept" album oriented approach than most jazz artists explore on their studio recordings. In a perfect world, the term cross-over would not be regarded with suspicion, in this fantasy world Sex Mob reigns as party band supreme.

Where previous releases have found the band more dissonant and contentious, here they ease into strong melodic blues grooves while keeping up the same unflagging intensity in their solos. The tuneful context accents their biting solo statements to remarkable effect. Leader Steven Bernstein's patented slide trumpet slurs along, sometimes digitally enhanced, sometimes not, but always grabbing your ear. Alto sax shredder Briggan Krauss has never sounded as intense as he does here, with his signature sound the "sour" contrast to the "sweet" of the main melodies. Drummer Kenny Wollesen and bassist Tony Scherr have finally found a sound environment that reveals the depth of their co-operative groove. Scotty Hard's production accentuates the strengths of the group rather than obscuring them with un-necessary effects and production tricks, here he's practically a fifth member.

Over a half dozen guest musicians drop by to lend their talents on various numbers. Most notable among them however, is Roswell Rudd. The trombonist, who's career dates back to the early 1960s, was Bernstein's first inspiration for Sex Mob's sound. Having made a quantum leap from Dixieland straight to Free-Jazz back in the day playing with Steve Lacy and Cecil Taylor, Rudd is the lineage Bernstein wanted to bring Sex Mob's tradition full circle. So it could be no more fitting than to have them together on this disc. As such Bernstein has proclaimed this his "dream album", and it is Sex Mob's finest hour, without a doubt.

5.0 out of 5 stars Funky, fun, and avant-garde, November 23, 2003

By A Customer

This review is from: Dime Grind Palace (Audio CD)

This is my first Sex Mob cd, so I don't have anything to compare it to. I think Dime Grind Palace is brilliant. It does everything avant-garde music should, in my opinion, do. Rather than merely break the rules, the band reinvents them. The music also blurs the line between the spontaneous and the carefully planned. Most importantly, it's a lotta fun!!

Stanley Crouch probably put his fist through a wall when he heard this album, but any listener with an open mind should pick this one up.