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"[E]ffectively explores and articulates 'the varied tasks and roles' performed by ordinary goods in the everyday life of Victorian America, as well as the complex, contradicted elements of culture they often reveal."
—American Quarterly
"An eminently engaging and entertaining work by one of the pre-eminent interpreters of Victorian culture."
—Antique Review
Outstanding Academic Title, Choice
Henry-Russell Hitchcock Award, Victorian Society of America
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Most Helpful Customer Reviews
40 of 42 people found the following review helpful:
4.0 out of 5 stars
More of a book about furnishings and their history,
This review is from: Death in the Dining Room and Other Tales of Victorian Culture (American Civilization) (Paperback)
This is an interesting book and an indepth history of household furnishings and the reason they were important to folks at the turn of this century.Chapter One is "First Impressions" which deals at length with entry foyer furniture and how it was used. Hall racks, card stands and hall chairs are all discussed in this chapter. Chapter Two is "Death in the dining room" - which gets it's name from the slain game often depicted on victorian dining room furniture - such as side boards and buffets. Chapter Three is "Words to Live by" - Samplers, wall hangings and other embroidered or metal stamped messages. Chapter Four is "When the Music Stops" which covers the societal importance of pump organs and how music was very important to a Victorian woman. Chapter Five is "Posture and Power" - a chapter about living room (parlor) furniture. There are a zillion interesting little factoids about life at the turn of this century. And it does give you a good feel for etiquette and expectations and the rules back then. And it answered questions for me - like "Why was parlor furniture so uncomfortable and rigid?" Because Victorians placed great emphasis on the importance of self-control as an invaluable discipline. Comfortable furniture suggested mental laziness. (My paraphrase) So it does give some insights into why things were the way they were. Lots of history there. But when I picked it up, I thought it was a book on old houses, not old furniture. I thought the title was an allusion to the fact that 100 years ago, funerals were held in the dining room, which is the reason many old house dining rooms have an entry door - so the visitors could graciously and easily leave the house after the viewing. It is not that kind of book. But I still enjoyed reading it. It is a large book with one or more pictures of antique furnishings on every page. A good resource for someone who wants to recreate a historic interior. Rose Thornton author, The Houses That Sears Built
19 of 23 people found the following review helpful:
5.0 out of 5 stars
Looking beneath the surface . . .,
By A Customer
This review is from: Death in the Dining Room and Other Tales of Victorian Culture (Hardcover)
As teenagers, a friend and I used to play a "game": We'd walk into different environments (e.g., restaurant, upscale men's store, hippie headshop, etc.) and pretend that we were standing inside someone's brain. Then we'd make cracks about the personality, motivations, priorities, etc. of the "person," based on our material surroundings. That's really what Kenneth Ames does here -- using each room in a Victorian house.A few years ago, when we moved into our own 1875 rowhouse, I began buying (indiscrimately) books on Victoriana. This one I picked up in shabby condition at a yard sale -- and for awhile, treated it accordingly. But in the time since, it has become one of the favored anchors of my collection. I find myself quoting it at odd moments for the simple reasons that (1) it offers lots of curious observations (e.g., that Victorian women "rocked" in rockers, while men "tilted" in chairs) that (2) can sometimes be seen as antecedents to behaviors today. The author variously presents himself as both thoughtful essayist, and avid cataloguer (as when listing all the embroidered expressions--like "Home Sweet Home," "Peace, Be Still"--of Victorian needlework). Economically written--with an eye for the telling detail--and reasonably illustrated with photographs of the period.
2 of 2 people found the following review helpful:
4.0 out of 5 stars
"Simpler times" were actually pretty complicated,
By
This review is from: Death in the Dining Room and Other Tales of Victorian Culture (American Civilization) (Paperback)
As I've noted in other reviews, I have a long and deep interest in material culture -- the physical artifacts produced by the way we live, which often are the only surviving evidence of our everyday history. In college nearly fifty years ago, as a trainee historian but also for its cheap entertainment value, I got in the habit of attending estate sales (even though I couldn't afford to buy anything), just to prowl around the leftovers of some family's earlier generations: Pocket watches and fobs, oddball kitchen implements and mysterious silverware, uncomfortable parlor furniture. I found it all fascinating, and often puzzling. ("What did they do with that?") Ames is a noted essayist on such things and is known for his original perspective on domestic archaeology from the 19th century, not only examining and describing but explaining (for instance) why the American rocking chair developed the way it did, and why tilting one's chair back is fraught with psychological meaning, and the special status of the parlor organ. For that matter, why was it important for the upwardly mobile family moving into a new house to have a back hall as well as a front hall? What was the point of self-consciously embellishing the printed mottoes on the wall (and the titles on the covers of books) to the point almost of unreadability? Design can be subversive, serving other purposes than merely abstract aesthetics, whether it's the furthering of evangelical religious dogma or underlining relative status within the middle-class family. The book's title, by the way, comes from the chapter on the depiction of nature and "plenty" on dining room sideboards, which in the mid-19th century nearly crossed the line into architecture in their sheer size and complexity of carving. This is a great book for thoughtful browsing and for gazing at the period illustrations on every page. There's also an excellent annotated notes and bibliography section.
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