Directing Actors and over one million other books are available for Amazon Kindle. Learn more



or
Sign in to turn on 1-Click ordering
Sell Us Your Item
For a $2.00 Gift Card
Trade in
More Buying Choices
Have one to sell? Sell yours here
Start reading Directing Actors on your Kindle in under a minute.

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.
Sorry, this item is not available in
Image not available for
Color:
Image not available

To view this video download Flash Player

 

Directing Actors: Creating Memorable Performances for Film & Television [Paperback]

Judith Weston
4.6 out of 5 stars  See all reviews (74 customer reviews)

List Price: $26.95
Price: $18.70 & FREE Shipping on orders over $25. Details
You Save: $8.25 (31%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
In Stock.
Ships from and sold by Amazon.com. Gift-wrap available.
Want it tomorrow, May 22? Choose One-Day Shipping at checkout. Details

Formats

Amazon Price New from Used from
Kindle Edition $14.55  
Paperback $18.70  
Image
Looking for the Audiobook Edition?
Tell us that you'd like this title to be produced as an audiobook, and we'll alert our colleagues at Audible.com. If you are the author or rights holder, let Audible help you produce the audiobook: Learn more at ACX.com.

Book Description

July 1999
Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.

Frequently Bought Together

Directing Actors: Creating Memorable Performances for Film & Television + Making Movies
Price for both: $31.68

Buy the selected items together
  • Making Movies $12.98


Editorial Reviews

Amazon.com Review

This is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors.

Review

The focus on creating memorable performances for film and television provides explicit acting advice and examples rather than the usual generalities. From the initial reading of a script to casting and rehearsing techniques and developing or understanding relationships between actors and directors, this is packed with practical considerations. -- Midwest Book Review

Product Details

  • Paperback: 314 pages
  • Publisher: Michael Wiese Productions (July 1999)
  • Language: English
  • ISBN-10: 0941188248
  • ISBN-13: 978-0941188241
  • Product Dimensions: 6 x 0.8 x 9 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (74 customer reviews)
  • Amazon Best Sellers Rank: #30,701 in Books (See Top 100 in Books)

More About the Author

Judith Weston has written two books: DIRECTING ACTORS, and THE FILM DIRECTOR'S INTUITION - for directors, actors, screenwriters - as well as others who may have wondered whether the techniques of actors and filmmakers might be useful in their everyday business and personal lives.

Born in Maine, Judith grew up in New England, and by an early age was drafting brother, cousins, and neighborhood children into living room and back-yard theatrical productions. She dropped out of college in the '60s, and moved to New York City's East Village, working in a bank by day, and (off-hours) organizing "guerrilla theater" events such as the 1968 picketing of the Miss America Contest. When she moved to Berkeley, California in 1970, she started studying acting for real.

"Attending acting class was like stepping through Alice's Looking Glass," says Judith. "It was a parallel universe, new and unique - absolutely absorbing. It became a spiritual laboratory - a way of understanding myself and the world around me. Acting was instantly my university, my hobby, my therapist, my church, my family - and although I sensed that soon it would be the way I made my living, the emotional and spiritual nourishment I got from acting has always remained its strongest pull."

While in San Francisco Judith became a working actor in theater, television and film. As the '70s came to a close, she was drawn to Los Angeles, where she continued her acting career with roles on Hill Street Blues, Newhart, Little House on the Prairie, and other episodics, MOWs, independent films, and theater. She continued studying, with Stella Adler, Jack Garfein, Jose Quintero, and Harold Clurman.

Judith, an idealist with a passion to explore emotional reality, imagination, and the world around her through acting, found in Los Angeles a new creative path - teaching. The date of the first class she taught, March 4th, 1985, seemed prophetic, as she "marched forth" into her true and lasting vocation - coaching actors and film directors.

By now she has been teaching for 25 years, classes and workshops for for film professionals - directors, actors, and screenwriters. Judith has been running her own studio, which she calls Two Lights Studio, since 1990. In 2001 Two Lights moved to its current, and most spacious and beautiful, incarnation, at 3402 Motor Avenue in West L.A. Here she brings together directors and actors with the determination to dive deeper into the possibilities of their craft, and to explore the joys and challenges of the actor-director relationship. People sometimes come from far parts of the globe. Her deep understanding of acting and directing as a laboratory of life has led to her reputation as "a detective of human nature" whose insights go to the heart of a scene, and to the soul of each individual artist.

She teaches in New York City once a year, and has traveled with her seminars to Europe, Canada, New Zealand, Australia, and South Africa. People who have studied or consulted with her, and endorsed her books, include winners and nominees of Academy Awards, Emmys, SAG and Spirit Awards, and directors of major studio films, features and shorts in competition at all the major film festivals, award-winning commercials and music videos, and countless episodic television shows.

Her first book DIRECTING ACTORS has been translated into eight languages - German, Japanese, Spanish, Finnish, Korean, Greek, Polish - and, coming next year - Chinese.

Judith's goal and mission is communication and collaboration. And finding the truest truth in every character and every story - as a means to making it universal and entertaining to an audience. Judith's website www.judithweston.com contains more information about her books; her workshops for actors, directors and writers; and special events at her Los Angeles studio. Recently she has begun posting instructional videos on YouTube (www.youtube.com/user/judithweston), and has launched a Facebook page (Judith Weston Studio for Actors & Directors).

Her volunteer community service activities have included consulting for the Make a Film Foundation, and as director and producer of acting workshops and productions for developmentally challenged adults, for physically challenged adults, and for stroke and head injury survivors. She has also volunteered in the Brotman Hospital Life Transition Program, Recording for the Blind, and the Screen Actors Guild "Book Pals" program of reading in the schools.

Judith is married to John Hoskins, who works with her on the business side of things. They have a cozy Venice Beach home where they garden together and dream up exotic wall colors. In 2004 Judith battled a rare but treatable form of cancer, and because of great good luck, and because of John, and because of the work she loves and the students she treasures, she is flourishing.


Customer Reviews

Most Helpful Customer Reviews
49 of 53 people found the following review helpful
4.0 out of 5 stars Though a bit Touchy-Feely May 29, 2001
Format:Paperback|Amazon Verified Purchase
Though I felt that this book was a bit too touchy-feely for my own taste, it did have a lot of valuable insights into the actors mind and how to work with them in a collaborative sense. If you are a director that does not believe in running with the actors own take on a character, then this book would be painful for you to try to read. Nevertheless, if you are looking to have a truly collaborative experience (not all of us are), the advice contained within is very solid.

Weston breaks the process of working with actors down to how to give concise words to help get a performance. She further spends time developing adjustment techniques. I think this book is particularly strong in its discussions on script breakdown, and having multiple approaches to playing a scene. It gives some helpful advice on casting as well, and really challenges a director to cast the best person in a role as opposed to the one that they feel "nailed the part" based on ones preconceived notions.

The biggest weakness in this book is that really favors the actor over the director at times, and leaves me asking (as a director) why would I want to have this relationship. I do not believe, as Weston proports, that a director should always allow the actor to find the voice of his or her character without explicit direction. Nevertheless, it certainly challenged my own technique, and I am a better filmmaker from having read it.

Was this review helpful to you?
12 of 12 people found the following review helpful
4.0 out of 5 stars Director Beware August 25, 2001
By A Customer
Format:Paperback|Amazon Verified Purchase
A practical, technique oriented introduction to directing actors. It's really from an actor's perspective, and has a very condescending attitude toward directors. But this is useful. The anecdotes are really enjoyable. Not a substitute for acting and directing experience, just one set of possible tools to try to put into practice. Harold Clurman's "On Directing" is of the same aesthetic perspective, but at the same time broader and more succinct, and more sympathetic to directors.
Comment | 
Was this review helpful to you?
9 of 10 people found the following review helpful
5.0 out of 5 stars This is an EXCELLENT book on the subject! March 23, 1998
By A Customer
Format:Paperback
Judith does a masterful job of educating on the fine art of communicating effectively and constructively with actors. Many of her insights and recommendations translate very easily into the "real" world, allowing you to not only practice these techniques more frequently, but also hone you communication skills with those around you. A series of "quick fixes" are offered up that are effective ways of getting you to think "outside of the box", and each is elaborated on and folded into more in-depth techniques. All in all, one of the best of MANY books I have read on directing and communicating with actors!
Comment | 
Was this review helpful to you?
Most Recent Customer Reviews
3.0 out of 5 stars Many Useful Gems, but unstructured and RIFE with errors.
Judith Weston clearly has a system that works. The book is full of incredibly useful insights and techniques with practical applications on the set, but the book suffers from a... Read more
Published 1 month ago by Rob not Ralph
5.0 out of 5 stars Amazing Book for new directors!!
This book will change your approach to directing for the better. There are many valid techniques for creating amazing performances. Don't be under-prepared! Read more
Published 2 months ago by christian sookiasian
4.0 out of 5 stars Improving your directing skills
While this book is written more with the TV/movie director in mind, there are many techniques that are useful to the stage director as well. The biggest take away? Read more
Published 3 months ago by ex teacher
5.0 out of 5 stars Super
Super book! It was suggested by my acting teacher. It's helping me a lot with my acting. I would recommend it to every actor.
Published 4 months ago by Marie-Soleil Dion
5.0 out of 5 stars An absolute must for directors...
If you're a director with little experience of working with actors in drama, this book is essential. Well written, clear and concise.
Published 4 months ago by Simon Duric
5.0 out of 5 stars Great book
I was looking for something that could hone my skills and focus me toward directing actors on set. Certain actors weren't getting it. Read more
Published 4 months ago by Phillip A. Stevens
5.0 out of 5 stars Great condition
Haven't read the book yet, I've heard this is the absolute bible when it comes to directors shaping the performances of their actors. Read more
Published 5 months ago by Gerry Sutherland
5.0 out of 5 stars My FAVORITE Book on Directing AND Acting!
This is MY FAVORITE book on not only directing, but acting as well. I think it is a MUST-READ for all directors and actors alike. Read more
Published 6 months ago by Isabella M Tugman
4.0 out of 5 stars Good book for basics
It is a great book that guide us and explain very well the basis of direct actors an scenes. I could understand how and where to focus my attention on the script and with the actor... Read more
Published 7 months ago by Vidacolor
5.0 out of 5 stars A great book by a great teacher
If you are a student or lover of acting or directing this is an amazing place to start, or continue your quest for movie gold. Read more
Published 12 months ago by Craigofilm
Search Customer Reviews
Only search this product's reviews


Forums

There are no discussions about this product yet.
Be the first to discuss this product with the community.
Start a new discussion
Topic:
First post:
Prompts for sign-in
 



So You'd Like to...



Look for Similar Items by Category