Customer Reviews

On Directing

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Harold Clurman, who has directed many successful plays in his time, shares with the reader some of his wit and wisdom. Clurman breaks down his "technique" chapter by chapter to give the reader his thoughts on character analysis, rehearsals, etc. This helpful book is a great read for aspiring directors, like myself, or anyone already working in the field. Clurman's humor is woven through the book through his use of anecdotes and examples.

An enjoyable, insightful read.

Along with Elia Kazan, who called Clurman a masterful director possessing the greatest mind he ever saw, Harold Clurman built a peerless career in American Theatre. Present here is his advice to all directors, that new (really only invented in the latter part of the 19th century)creature of the world's oldest art form. Clurman displays his analytical abilities certainly in discribing script breakdowns and picturalization, but he also reveals a real understanding of human nature. His advice on how to deal with problems and crises that always appear during a production prove most sagelike. Purchase this along with William Ball's superlative "A Sense Of Direction" along with William Converse's textbook "Directing For The Stage" to create a most helpful library for any director.

ON DIRECTING
By Harold Clurman

Clurman's On Directing has the simplicity of an introductory text, and the virtue of a career's worth of wisdom. Highly readable, conversational, and amiable, the handbook explores the issues faced daily by a theatre director. What is the spine, or main through-line, or the play? How do the characters' objectives relate? How does one deal with a truculent actor? What is the role of the audience, and how much should the director consider them anyway? Should one direct with the eye or the ear? And what exactly is Method?

Clurman's book, though old, still rings true. He considers art and real estate, popular theatre and theories of the origin of drama in society. He has worked with some of the greatest artists of our time, and they turn up throughout the work: Marlon Brando, Elia Kazan, Lillian Hellman, Clifford Odets . . . the list goes on and on.

Although I majored in theatre and took a year long course in directing, I found Clurman's book refreshing and useful. At the same time, I am considering mailing a copy of it to my mother, a total theatre neophyte, so that she can understand the world I have chosen for my career. On Directing is a great book all around.

I read Harold Clurman's book 25 years ago when I first started directing theatre, and I return to it now. I still find it fun to read, highly informational, insightful, true. I recommend it to anyone starting out as a director, and I recommend returning to it again and again. Without Harold Clurman's insightful book on directing, I daresay I may never have felt at home in the theatre. He takes you there, shows you how to thrive there, and you want to stay.

Harold Clurman was a great director, yet he wrote very openly and humbly, willingly sharing his great knowledge and experience of the theater with the reader. He offers many helpful and insightful suggestions for would-be directors and anyone interested in this subject matter. I found his information about Michael Chekhov's "pyschological gestures" most enlightening. Clurman's detailed analysis of each main character in a play, from that character's own perspective, was very helpful.
Clurman goes through the entire process, from script-selection to opening night and critiques.
I go back and forth between this book and Thomas A. Kelly's book on stage management, to see all sides of theater productions.
This book is a must for theater aficionados.