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A Director Prepares: Seven Essays on Art and Theatre 0th Edition

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ISBN-13: 978-0415238328
ISBN-10: 0415238323
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Frequently Bought Together

A Director Prepares: Seven Essays on Art and Theatre + The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate + Sense of Direction: Some Observations on the Art of Directing
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Editorial Reviews

From Library Journal

Bogart (directing, Columbia Univ.) is the artistic director of the SITI Company, an ensemble-based theater company that she founded with Tadshi Suzuki. Her book is aimed at the practitioner but has value for the avid theater goer as well. What we see on stage, as a whole, is a culmination of bits and pieces, steps forward and backward, as a work of "art" is created and then presented. In each essay, Bogart discusses one of seven concepts violence, memory, terror, eroticism, stereotype, embarrassment, and resistance that can work as an obstruction or catalyst to this creative process. The concepts themselves are thought-provoking, and Bogart's text is even more so. For Bogart, these concepts incite energy (positive or negative) that both actors and director absorb and radiate. One suspects that the energy acts on the viewer (and reader) as well. A quote by Jeanette Winterson on the first page clearly illustrates Bogart's passion and love of the theater experience: "Art is the burning bush that both shelters and makes visible our profounder longings." For all theater collections. Susan L. Peters, Univ. of Texas Medical Branch on Galveston
Copyright 2001 Reed Business Information, Inc.

Review

No Instructions, No Theory, No Intimate Personal Revelations: Just Some Pith Observations, Lively Vignettes and Deeply Held Beliefs from One Accomplished Director.

Open this short clutch of essays by Anne Bogart, and you will set loose a thousand passions, principles and debates to keep you and your friends up at night over a bottle of booze...We will all find something to disagree with in this book, but Bogart knows that this is necessary and good. Her essays will nuture, provoke, instruct and encourage for years to come.
–David Herskovits, Artistic Director, Target Margin Theater

The concepts themselves are thought-provoking, and Bogart's text is even more so.
–Susan Peters, Library Journal, November 2001

In A Director Prepares: Seven Essays on Art and Theatre, [Bogart] provides insight into her own artistic development, while offering straightforward advice to both the novice and the experienced director...[She] offers directors both inspirational and practical solutions to common problems.

Bogart has undeniably distinguished herself as a superior director, and with this pubication, she is successful in providing a practical text that encourages self-discipline, experimentation, and artistic growth among theatre practitioners.
–Carrie Kathryn Lee, Bowling Green State University Modern Drama, Spring 2002

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Product Details

  • Paperback: 168 pages
  • Publisher: Routledge (July 8, 2001)
  • Language: English
  • ISBN-10: 0415238323
  • ISBN-13: 978-0415238328
  • Product Dimensions: 7.9 x 5.1 x 0.5 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #22,559 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

13 of 15 people found the following review helpful By "dynamicoverture" on September 4, 2003
Format: Paperback
Bogart writes from her years of experience and vision in A Director Prepares. Readers merely looking for a book on "how to direct" may want to look elsewhere: this manifesto takes on serious issues faced by theater artists every day. While other books "on directing" explain how to get actors from point A to point B, A Director Prepares examines the shoulders that theatermakers stand on: artistically, historically, politically. And it's not just for Bogart/SITI Company disciples. Like the creation of theater, A Director Prepares requires heightened attention and a clean slate every time you dive into its pages. It's inspiring, but also a challenge to theater makers to rethink how we approach our processes and to question upon whose shoulders we stand.
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3 of 3 people found the following review helpful By J. Flowers on December 13, 2005
Format: Paperback
A vitally important book about creating theatre in the 21st century. Those who complain that this book is not a handbook for how to direct are unfortunately missing the point - one would be hard pressed to find a more important, inspirational book about why we take on the struggle that being in theatre brings.

Don't let the price scare you, all you fellow actors on a budget - this book is for you, too.
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9 of 12 people found the following review helpful By A Customer on February 25, 2003
Format: Paperback
Far from being a prescription about how to direct, this book offers the wisdom of Anne Bogart's experience as a collaborator, investigator of the human condition, and artist committed to making theatre that is alive and relevant. I have had the pleasure of knowing and studying with Anne, and this book codified and elaborated on so many of the things I wished I'd written down at the time. The book illuminates her way of working more than it promotes any particular aesthetic, and in that, I think it should be incredibly helpful and informative to all theatre artists at any stage in their careers. Some reference point for Anne's work or the work of her SITI Company might make the more esoteric sounding parts of the book clearer for the reader, but all in all, this is a great read.
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8 of 11 people found the following review helpful By tobb delow on August 15, 2004
Format: Paperback Verified Purchase
The title is misleading since the book is really about the process of making art--specifically making theater--and will be valuable to anyone involved in the collaborative process.

Some have complained that this book does not tell one "how to direct." But Bogart's book is about how to find one's voice as an artist and how to wrestle with material--topics that are rarely treated with the sanity that this book does. Reading it will help you figure out how to direct(or act or design) in your own individual way.
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1 of 1 people found the following review helpful By Mary Beth Bass on March 18, 2010
Format: Paperback Verified Purchase
Although Anne Bogart's A DIRECTOR PREPARES: SEVEN ESSAYS ON ART AND THEATRE is directly concerned with how a piece of theatre comes into being, it transcends that single category and becomes a meditation on the nature of creativity and how art is made. A fantastic book for writers, dancers, musicians, and visual artists. Highly recommended!
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Format: Kindle Edition Verified Purchase
Arguably the best book on directing theatre ever written (and possibly one of the best book on creativity). Anne Bogart is incisive and surgical in her use of language and she couples this with an insightful compassion and a red hot passion that makes for delightful reading. Should be required reading for any Directing or Theatre course.
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Format: Hardcover Verified Purchase
Anne Bogart is such an inspiring practitioner and I find her essays refreshing / they are great to go back to when you are in the middle of a creative process as they can help shine a different light on issues at hand / this is my third copy of the book as I keep giving it away to other artists
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1 of 2 people found the following review helpful By Wan Yin Tang on September 6, 2008
Format: Paperback
It's true that this book does not offer technical guidance on directing. I concur with the other reviewer in recommending William Ball's "Sense of Direction" if you are looking for a straightforward beginner's guide for directing and managing rehearsals and the technical aspects of producing a show (with lots of little practical details that some other writers leave out).

What this particular book is invaluable for is its wisdom on the art of directing. The information Bogart provides in this book is not useful in the sense that it will not help a newcomer to know how many run-throughs to schedule before tech and such. It will be of incredible use, however, when a director is in the middle of a rehearsal trying to make innovative and engaging directorial choices on the fly and simply does not know where to begin or how to even approach the subject politically, intellectually, or artistically (which is the real difficulty in directing). Bogart here is big on encouraging artists to make "brave" choices without censoring themselves, but to still be aware of the political choices they are making. This sounds like telling people to be brave when they don't have the practical experience to develop or implement these big choices. I think the technical experience, however, comes with just that; experience. Get a different kind of guide to start out with (consider Bogart's practical guide, "The Viewpoints Book"), keep directing over and over again, try different things, read this book and others, and definitely consider some of the points Anne Bogart makes here in this work. Ball's book is what guides me in how to structure rehearsals; Bogart's (and Augusto Boal's as well) work is what inspires me to direct in the first place.
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