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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Sonic Youth injected rock, April 21, 2003
While Dirty is possibly one of the greatest "rock" albums ever made, you shouldn't let the term fool you. Refusing to be restrained by mainstream requirements, Sonic Youth uses a deep rock foundation to enhance their music, not limit it, which results in a record that is jarring, surreal, abrasive and calming all at once. Perhaps inspired by the antics of their more straightforward peers, i.e. Mudhoney and Nirvana, Dirty definitely marks the beginning of a more riff based approach for the consistently abrasive New York Ensemble, but while bands like Mudhoney and Nirvana quickly embraced an entirely formulaic method of songwriting, Sonic Youth merely uses this style to bring the jagged edges and metallic skronk of their vision to the forefront. Therefore, none of the classic SY elements are lost as the band further explores the concepts of repeated bludgeoning power chords overlaid with impassioned vocals and the results nearly defy description. Although every member of Sonic Youth is able to get into the driving grooves of tracks like "Purr" or "100%," they also feel right at home while indulging in psychedelic, feedback laden meditations such as "Theresa's Sound World" or "JC," thereby straddling the gap between the fierce testosterone riddled world of rock and the brooding, experimental underbelly of Avant Garde. The diverse assortment of styles and the wide range of sounds cleverly placed side by side makes Dirty an experience that keeps the listener attentive, lulling him or her into a relaxed calm at one moment only to bombard his or her ears with brutal guitar fuzz the next. An album that can overwhelm as much as entice, Dirty is a complex array of various ideas and motives, which makes classifying it as a great rock album an incredible oversimplification. Instead, Dirty is best viewed as being the point where rock and the anti-rock meet, a chaotic orgasm of opposing noise, and since Sonic Youth is the band who has shared the stage with everyone from Nirvana to the Boredoms, cited influences from Neil Young to The Carpenters, and played everything from No Wave to Alt. Rock, they alone are the only band who could create such an ideal model of diverse excellence. In regards to the re-release of Dirty in 2003, the actual re-releasing of this album was pretty unnecessary considering the original album is still widely available in CD stores across the world, but obviously, the previously unavailable or ridiculously difficult to obtain bonus material included on the new version of Dirty, is a nice addition. Immediately following the original LP, all of the B sides are quite good, but none of them ever really reach the perfect equilibrium of Dirty, always leaning more towards either experimentalism or rock instead of a balanced fusion. The rehearsal jams however are fascinating to no end. Certainly a precursor to the current SYR series, the Dirty rehearsal jams chronicle the improvisations, brainstorming sessions, and noise experiments that eventually led to the group's cohesive full length album. Hearing tracks like Wish Fulfillment and Swimsuit Issue in their embryonic stages along with transitional improvised pieces is definitely an intriguing prospect and thanks to the reissue of Dirty, this is now possible. Without question, the album itself is the strongest, most developed material culled from the expansive Dirty sessions, but as the reissue proves, there are still many more worthwhile tracks which got left off of the original.
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