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Dirty Little Secrets of the Record Business: Why So Much Music You Hear Sucks
 
 
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Dirty Little Secrets of the Record Business: Why So Much Music You Hear Sucks (Hardcover)

~ (Author)
Key Phrases: fake science, record business, independent promotion, New York, United States, Warner Bros (more...)
4.2 out of 5 stars  See all reviews (4 customer reviews)

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Editorial Reviews

From Publishers Weekly

Music journalist Bordowitz (Turning Points in Rock and Roll) delivers a concise summary of the current state of the record business, with fascinating details delivered in a no-frills style ("The RIAA has compared the practice of downloading songs 'without permission' to shoplifting, but whose permission do the downloaders need?"). Unless you are a Britney Spears fan, Bordowitz presents a fairly convincing argument that current music "sucks" by looking at "how the system that turned music into a commodity ultimately failed, trivializing its product and the user of that product." He presents an inside look at how the music business works, from artist management to production and distribution, as well as current music technology. And a section on "The Messy Suicide of Commercial Radio" is an excellent overview of the change over the last three decades from the free-form radio formats of the 1960s to the homogenized niche corporate radio stations of the '90s and today. In the end, this is an eye-opening look at why, as Bordowitz quotes music mogul David Geffen, "If Joni Mitchell were just starting out today,... she'd have trouble getting radio air play." (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


Review

"An accurate and well-researched exposé of the surreptitious, undisclosed, and covert activities of the music industry."   —Tony Bongiovi, producer


"To understand how recorded and broadcast music arrived at their sorry state, this is the book to read."  —Larry Fast, keyboardist for Peter Gabriel and Foreigner


"Brilliantly written, insightful, a good history, and a great read."  —Jack Ponti, songwriter, producer, manager, and record company president


"This is the book that any one who once did time in the music business wish we had written."  —Hugo Burnham, drummer for Gang of Four, former manager and major-label A&R executive


"Engaging and enlightening . . . a solid primer to today’s Byzantine music industry."  —Billboard


Product Details

  • Hardcover: 352 pages
  • Publisher: Chicago Review Press (January 1, 2007)
  • Language: English
  • ISBN-10: 1556526431
  • ISBN-13: 978-1556526435
  • Product Dimensions: 9 x 6.2 x 1.2 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon.com Sales Rank: #190,413 in Books (See Bestsellers in Books)

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4 Reviews
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Average Customer Review
4.2 out of 5 stars (4 customer reviews)
 
 
 
 
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7 of 8 people found the following review helpful:
5.0 out of 5 stars A Must Read for Music Fans & Musicians, June 5, 2007
By dwood78 (Long Beach, CA USA) - See all my reviews
I came across this book at my local library. After looking through it, I decided to check it out. This book, written by someone who works in the music biz is a must read for not only musicians but music lovers as well.

The author, a veteran of the music biz shows why music sales are down & why blame for that goes to the music biz itself. From forcing VERY bad music down our throats to briding radio stations to play this music. Also forcusing only on the youth despite the fact that they make up only a small % of those who actually buy music (fact is most music buyers are older folks & 60% of all music sales are back-log catalog or reissues). It's not surprising that people have either stopped buying music altogether or go online to look for the music they want.

Broadacst radio is also in the same boat as we see more & fewer stations
being owned by fewer and fewer owners, there's a decrease in musical diversity on-air. Thus causing an exdous of people towards satelle & internet radio.

Then there's the record companies screwing over their artists. One artist in the book went from going Gold (selling half a million copies) to flipping burgers.

I can keep going, but you're find out more in the book. Also "The label: the story of Columbia Records" by Gary Marmorstein is also worth reading.




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4.0 out of 5 stars MUSIC ENTERTAINMENT UNVEILED, May 31, 2008
By Elizabeth Plese (Amagansett, NY) - See all my reviews
IN READING "DIRTY LITTLE SECRETS OF THE RECORD BUSINESS" I COULDN'T HELP MAKE THE CONNECTION TO DON BRUNS'S FICTION SERIES, FEATURING MICK SEVER, A MUSIC ENTERTAINMENT JOURNALIST. SO MANY OF THE FICTIONAL ADVENTURES IN BRUNS'S SERIES RELATE TO HANK BORDOWITZ'S NON FICTION, EYE-OPENING INSIGHTS. THE LATEST BRUNS' MYSTERY, "ST BARTS BREAKDOWN", SEEMS LIKE IT'S RIGHT OUT OF CURRENT EVENTS. FOR ANY ONE INTERESTED IN THE UNSEEMLY OR SEEDY SIDE OF THE MUSIC INDUSTRY, I'D RECOMMEND "DIRTY SECRETS" AND "ST BARTS BREAKDOWN".
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7 of 12 people found the following review helpful:
5.0 out of 5 stars A Shot In The Foot, April 29, 2007
By Book & Music Lover (Louisville, Kentucky USA) - See all my reviews
Scam, scam, scam, one cut sounds good, on a CD of say ten cuts, and then things like "Junk Music" you know electronic this, and electronic that, and bogus lyrics about nonsense subjects. Then there comes the lyrics that are outrageous, where women are refered to as bit**hes and hos', the kind of thing that got Imus fired. So let us also fire the recording excutives who allow these lyrics to be in the music in the first place. No matter how one tries one cannot justify the constant use of these terms. For artistic expression, or otherwise. So no wonder people go to the internet to download their music just to get what they want, and leave the fill in garbage behind. The recording industry has indeed shot itself in both feet, and instead of looking at itself, they blame everyone else. Including the public they have so misused over the years.

Here is a book turning back the veil and giving everyone a look see at what lies beneath. All the scams, aganist the artists, and the buying public as well. Then there is something called market friendly music, somewhat cookie cutter music, instead of the true expressions of the artists. Recording excutives telling you what you want to listen to instead of music which may or may not determine how long said artist's career will be.

Let us not speak of independant recording companies, there are very, very few, if any they are all owned by Universal, Sony, or some other big company. Again designed to have absolute control.

Thinking of a recording career make this book a must read, to give you a heads up.
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