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Disappearing Ink: Poetry at the End of Print Culture
 
 
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Disappearing Ink: Poetry at the End of Print Culture [Paperback]

Dana Gioia (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

September 23, 2004
The Celebrated poet and author of Can Poetry Matter?offers another bold, insightful collection of essays on literature's changing place in contemporary culture

Poetry is an art that preceded writing, and it will survive television and video games . . . The problem won't be finding an audience. The challenge will be writing well enough to deserve one.

In Disappearing Ink, Dana Gioia stakes the claim for poetry's place amid American popular culture, where poetry in its latest oral forms -rap, slam, performance-is transforming the traditional literary culture of the printed page. But, as the seminal title essay asks, "What is a conscientious critic supposed to do with an Eminem or Jay-Z?" In a brilliant array of essays that test the pulse of traditional and contemporary poetry, Gioia ponders the future of the written word and how it might find its most relevant incarnation.

With the clarity, wit, and feisty intelligence that made Can Poetry Matter? one of the most important and controversial books about literature and contemporary American society, Gioia again demonstrates his unique abilities of observation and uncanny prognostication to examine our complicated everyday relationship to art.

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Editorial Reviews

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*Starred Review* Like his 1992 collection Can Poetry Matter? Gioia's book is named after the first piece in it. And it is no less affirmative about poetry than Gioia's answer to its predecessor's query. If print culture is vanishing, Gioia says in "Disappearing Ink," poetry isn't going with it. The phenomena of rap, poetry slams, performance poetry, and cowboy poetry suggest that poetry is spreading among the young and nonreaders as well as among those who will be tomorrow's print-loving old fogies. Moreover, rap and cowboy poetry, with audiences bigger than those for perf-po and slams, are reviving what makes verse memorable: rhyme, meter, alliteration, assonance and consonance, storytelling. In fact, Gioia concludes, the new populism of rap and the rest is affecting literary poetry, mostly for the better. Far from dying, poetry is in flux, and that is a recurring theme in the other essays, most of them about particular poets, saliently including the most popular American poet ever, Longfellow; the mid-twentieth-century poet most favored by other poets and disdained by critics, Weldon Kees; the unexpected newest member of the American poetry canon, Elizabeth Bishop; and the most controversial great American poet, Robert Frost. Whatever the topic, Gioia always shows us how to read and hear poetry better, and always in the manner of a comrade, not a professor. Ray Olson
Copyright © American Library Association. All rights reserved

Review

"Can Poetry Matter? is an important book, and anyone who professes to care about the state of American poetry will have to take it into account."--World Literature Today

Product Details

  • Paperback: 304 pages
  • Publisher: Graywolf Press (September 23, 2004)
  • Language: English
  • ISBN-10: 1555974104
  • ISBN-13: 978-1555974107
  • Product Dimensions: 9.1 x 6.1 x 0.8 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #745,898 in Books (See Top 100 in Books)

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21 of 21 people found the following review helpful
Format:Paperback
Ever since the publication of "Can Poetry Matter?" the essayist and Formalist poet Dana Gioia has been one of the most polarizing figures in the current literary world. The controversy around Gioia redoubled when he accepted President Bush's invitation to become chairman of the National Endowment for the Arts, causing more left-leaning poets to accuse him of "selling out." While I don't agree with everything Gioia says, and I'm certainly further to the left than he is, I think his opinions on the current state of poetry are never less than interesting and usually salutary. For instance, I couldn't agree more that poetry and music go well together on the same program, or that poets should mix their own work in public readings with favorite poems by others. Above all, Gioia has been a forceful advocate for poets in general and for the traditional craft of poetry in particular, and my hat is off to him for that. In "Disappearing Ink," his latest collection of essays, Gioia once again waves a red cape in the face of the academic establishment, banderilla at the ready. (Example: in the title essay, Gioia notes, "Attend an academic literary conference these days and you are more likely to hear, as I recently did, papers on the design of the Los Angeles freeway system as an expression of phallocentric power or gender-coding in breakfast cereal advertising than you are to find examinations of contemporary poetry.") The title essay, which discusses how the poetry scene is changing as the printed word gives way to the information highway, is a provocative yet common-sense examination of rap, cowboy poetry, performance poetry and other avenues poetry is taking toward survival in the 21st century. Gioia provides much reading pleasure in his discussion of various subjects, from the decline of San Francisco as an active literary center to the history of Italian-American poetry. He is at his most enjoyable when he comes to the defense of poets he admires, from misjudged classic poets (Longfellow, Frost) to underappreciated contemporary poets (John Haines, Samuel Menashe, Kay Ryan). He champions some poets you wouldn't expect him to defend, such as the late Jack Spicer, an openly gay San Francisco Bohemian who would be anathema to many in the Bush administration. His observations are nearly always astute, such as when he delineates the reasons why Elizabeth Bishop--whom he clearly reveres, but who doesn't really fit current poetic fashion--is a poetic god today: "During the bitterly divisive culture wars of the past quarter-century, Bishop could simultaneously appear on both sides of nearly every issue--the ally of both reformer and traditionalist, patron saint to both radical and reactionary--not to mention those beleaguered pilgrims traveling steadfastly in the middle of the road." Basically, Gioia just calls them the way he sees them, which is what a literary critic is supposed to do--except that too many have pulled their punches recently, to try and fit in with the tide of current opinion. Above all, Gioia believes in the art of poetry, and has faith that it will survive--in his words, "(m)ostly by being itself--concise, immediate, emotive, memorable, and musical, the qualities most prized in the new oral culture, which are also the virtues traditionally associated with the art." I wish I'd said that.
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7 of 8 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
I bought this book after attending a lecture by Mr. Gioia at the University of Texas. He impressed me with his courage in pointing out that Academic Intellectualism is killing poetry in America. He is a man with the courage of his convictions, a sensitive artist who hasn't lost his masculinity. We need more men like him. The book is a good reflection of the man. I think you'll like it... and him.
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Inside This Book (learn more)
First Sentence:
We are currently living in the midst of a massive cultural revolution. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
new popular poetry, literary poetry, literary poems, cowboy poetry, lost pilot, literary manuscripts, poetry critics
Key Phrases - Capitalized Phrases (CAPs): (learn more)
San Francisco, Italian American, New York, Weldon Kees, West Coast, Bay Area, Collected Poems, Robert Frost, Robert Lowell, United States, World War, Donald Justice, Elizabeth Bishop, Kenneth Rexroth, Robinson Jeffers, New England, Wallace Stevens, Los Angeles, Richard Wilbur, Donald Hall, John Berryman, The Bread of Time, William Carlos Williams, Allen Ginsberg, Army Brat
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