A series of etchings from three artists are the subject of this dramatic book. Jacques Callot's Miseries of War, published in 1633; Goya's The Disasters of War, rendered between 1810 and 1820; and Otto Dix's War, last issued in 1924, are separated by centuries yet connected to a noble tradition in European war art, that of realism and protest.
Three authoritative essays by eminent historians give detailed accounts of the etchings and place them in their historical context. The relevance of these works today is apparent when noting the titles. "One can't watch this," "Bury them, without a word," "It's already too late," "Dead man in mud," and "House destroyed by bombs" are examples that address the plight of war's victims across the centuries.
Three authoritative essays by eminent historians give detailed accounts of the etchings and place them in their historical context. The relevance of these works today is apparent when noting the titles. "One can't watch this," "Bury them, without a word," "It's already too late," "Dead man in mud," and "House destroyed by bombs" are examples that address the plight of war's victims across the centuries.
