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Discordant Harmonies: A New Ecology for the Twenty-first Century
 
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Discordant Harmonies: A New Ecology for the Twenty-first Century [Paperback]

Daniel B. Botkin (Author)
4.0 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

April 30, 1992
Global warming, acid rain, the depletion of forests, the polluting of our atmosphere and oceans--the threats to our environment are numerous, raising justifiable concern among most of us and genuine alarm in some. But as scientist Daniel Botkin argues in this provocative book, our ability to solve these problems is limited--not by our scientific knowledge--but by the age-old myths and metaphors that shape our perception of the natural world. Indeed, our beliefs about nature have fallen well behind our knowledge.
Daniel Botkin is a seasoned scientist. He has spent three decades in the field studying the changes and interactions of forests and animal species. In the 1970s he pioneered the use of computers to predict ecological trends. Now, in Discordant Harmonies, he combines his considerable expertise with the well-honed eye of the nature writer and a philosopher's sense of how ideas shape our perceptions of reality to take us on a marvelous guided tour of the natural world. His method is to introduce a problem in our beliefs about nature by giving us a fascinating case study: of predator-prey relationships, of forests evolving over centuries, of species nearing extinction, of the ways our "protection" of nature has had surprising--and often disappointing--results. Botkin's revealing case studies also highlight controversial present-day issues--like controlled burning in national forests, fishing and hunting quotas, and policy-making for management of natural resources. He looks at each of these cases in the light of past thinking and current research, revealing how old myths often blind us to the new technology and to the ways of thinking we need to solve our environmental problems. Above all, Botkin is concerned with redefining the relationship between human beings and nature, so that our needs can be met and the intricate systems of nature can persist.
Whether discussing moose herds on Isle Royale or Yosemite's famous Mariposa Grove of Sequoias, Botkin writes vividly and insightfully about nature, challenging us to rethink some of our most cherished notions. Anyone who is concerned about the environment will find much here to ponder as well as the pleasure of meeting a stimulating and thoughtful mind at work.

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Editorial Reviews

Review

"Wonderfully subversive, slyly informative."--The Toronto Globe and Mail

"A concise, lucidly penetrating examination of mankind's maddening mix of feelings -- love, hate, fear and infatuation -- for the multitude of other residents of the planet....Speaks eloquently to the issues raised as the exploding human population pushes on every habitable corner of earth."--San Francisco Chronicle

"A fascinating, in-depth study....Highly recommended"--Booklist

"Dramatic....Fascinating...reveals there may be some hope after all"--The Oregonian

"Botkin provides fascinating insight relevant to a huge greenhouse issue--how the world's forests and wildlife will respond to the coming climate change"--James E. Hansen, Director of the Institute for Space Studies, NASA/Goddard Flight Center

"In the iconoclastic tradition of Aldo Leopold, Rachel Carson, and James Lovelock, Daniel Botkin has used a lifetime of research in the ecological sciences as a basis for reexamining the human-nature relationship. Discordant Harmonies will be provocative to historians and philosophers as well as scientists. It is a book to pack in our intellectual baggage as we prepare for the journey into the 21st century"--Roderick Frazier Nash, author of Wilderness and the American Mind

"Those interested in broad environmental questions but not abreast of the most recent papers in ecology will find this book an important overview of what appears to be an emerging consensus."--Choice

"This book is well-written and deeply provocative. It presents a realistic point of view of the world we live in. If this is going to be the environmental decade, then Botkin has given us a marvelous opening statement suggesting what we have to do and what we have to learn. Every scientist who is concerned with the environment ought to read this book and make sure his or her friends do so as well." --BioScience

"Delightful, instructive, provocative."--Adolf G. Glindersen, Texas AandM Univ.

"Groundbreaking study of environmental issues....Botkin draws on some revealing case-studies...in order to illuminate his argument."--Ethology Ecology and Evolution

About the Author


Daniel B. Botkin is on the faculty of the University of California, Santa Barbara. He won the 1991 Mitchell International Prize for Sustainable Development for his work on the environment.

Product Details

  • Paperback: 256 pages
  • Publisher: Oxford University Press, USA (April 30, 1992)
  • Language: English
  • ISBN-10: 0195074696
  • ISBN-13: 978-0195074697
  • Product Dimensions: 8.4 x 5.8 x 0.7 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #583,869 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
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10 of 11 people found the following review helpful:
4.0 out of 5 stars Crowing into the Winds, May 15, 2001
This review is from: Discordant Harmonies: A New Ecology for the Twenty-first Century (Paperback)
First, let me say that this is a very good book, and that my comments are only meant as a cautionary note. Second, Botkin does know his "stuff" when it come to understanding ecological applications, theories, and the use of metaphors. This book was a useful, popular, corrective to the vast number of misunderstood ecological concepts at the time of its publication. That said, however, Botkin is also like a rooster: he crows too loudly, every morning. By page 38, I was already tired of his "this requires a new view and understanding of nature" which had been stated at least a dozen times before said page. Perhaps some readers will need this prose "boot to the head" reminder. Many readers will find this irritating. He is very much preaching to the choir as well. Changes in Ecology and parallel fields (Conservation Biology, Physical Geography, etc...) had already understood the past mistakes of such concepts as "equilibrium" (static) and "climax community." Botkin was about ten to fifteen years too late in writing Discordant Ecologies. Keep that in mind as you read it. If you start saying "Aha!" a lot just remember that others have already said this for decades, and that the corrective suggestions that Botkin produces have already been incorporated in the vast variety of ecological fields he discusses. This is a great book to use in a history of science, history of ecology, or biogeography class. It will also be useful to a lay audience, unfamiliar with the last 50 years or so of ecological literature. It is also rather easy to read in one sitting.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars Environmentalism and Pragmatism, September 30, 2001
By 
Sage Adams (Fairbanks, Alaska USA) - See all my reviews
(REAL NAME)   
This review is from: Discordant Harmonies: A New Ecology for the Twenty-first Century (Paperback)
I liked this book. It was a bit difficult to get through at first. I started the book and put it down for a few months, in chapter 3. But I picked it up again and read it all the way through. Botkin (the author) writes repeatedly about a new way of thinking that incorporates both environmental awareness and the need not to go too far in our concern about the environment. He discusses how the movement of environmentalism is basically operating on false principles, just as our mainstream industrial ways of thinking are perpretrating untold destruction of the natural world.
Botkin talks about the need for compromise, and specifically the need to think of nature in a new way. This new way that he iterates is the recognition of nature as a chaotic system. It is not constant, it is not irreversible (in some ways), and populations fluctuate under certain circumstances.
He describes how we need a new kind of ecologist. How we need people to study the animals and the ecosystems they inhabit with the idea of chaos in mind. But not complete chaos, there is structure to nature, but it is not formalized, nor is it constant. It is changing patterns that never repeat themselves, I guess Botkin might say, more eloquently than I no doubt.
He has a lengthy discussion about the role of religion in this book, which I found interesting. He even talks about the GAIA theory. Botkin re-iterates his points on numerous occasions, to the point that you almost get sick to hear them again. But he drives the point home, and his points are valid, and his view of nature, based on his own experiments is enlightening, scientific, and refreshing.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars Nature's Complex Symphony, December 8, 2000
This review is from: Discordant Harmonies: A New Ecology for the Twenty-first Century (Paperback)
In the space of two hundred pages, Professor of Biology and Environmental Studies Daniel Botkin offers us this concise and absorbing assessment of man's role in shaping the landscape with which we are now confronted, and suggests this perspective of the future: "Nature in the twenty-first century will be a nature that we make... We no longer have the luxury to believe that we can live in harmony with the environment without knowledge and understanding of natural systems." This is not a simple suggestion. Botkin reminds us of the intricacies that comprise every earth-nestled rock, every butterfly's wing, every molecule of water that falls from above. Science and knowledge, he suggests, are the keys to our future, our Promethean fire. How we use them will determine how long we will hold sway here. With a reverence for the observations of past and contemporary philosophers, scientists and nature writers, he leads us from the timbered foundation of Venice's church of Santa Maria della Salute to Eat Africa's Tsavo National Park to the remnant ancient forest woodlands of New Jersey's Hutcheson Forest to the remote and mysterious Isle Royale in Lake Superior to the lonely emptiness of te Moon and back again to Venice, on an expedition as valuable in its authenticity of observation as it is poetic in its rhythms.
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